Here are 100 books that Where the Gods Dwell fans have personally recommended if you like
Where the Gods Dwell.
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I am an intercultural educationalist, having many years of direct Prime Ministers, Culture Ministers, Ambassador of Nepal to the UK/Ireland/Malta, experts, and grassroots community organizations relationships with Nepal and Nepali diasporas (UK and Ireland) regarding research, reports, and major intercultural projects, as well as a published writer on Nepali culture and editor and lead content contributor for internationally respected online Nepal culture information resources (see Nepali Cultural Heritage and Foods of Nepal). An active member of the decolonization movement, I have provided live BBC TV News interviews on the UK GovernmentâGurkha dispute and led the enablement of a historically important NepalâEngland football match.
This book is among the most informative and inspiring books ever. The subject treatsâthe Indian subcontinentâs experience (comparable to that of Ireland) of profit-seeking âentrepreneursâ [especially the predatory East India Company] backed by British governments and opportunistic Western/Christian evangelical forces [giving âreligious/moralâ âjustificationâ to foreign invasion, occupation and related apartheid type instituted ruleâprovides need to know detail for those in the West [UK] in an age where those wilfully or through ignorance of the facts are attached to supremacist nostalgic âBrexitâ views of yesteryear colonialism as benign, are still poorly challenged.
I am honored to be recognized as a member of the decolonization movement. This book is compelling and deserves mandatory inclusion in world history curricula.
The Sunday Times Top 10 bestseller on India's experience of British colonialism, by the internationally-acclaimed author and diplomat Shashi Tharoor
'Tharoor's impassioned polemic slices straight to the heart of the darkness that drives all empires ... laying bare the grim, and high, cost of the British Empire for its former subjects. An essential read' Financial Times
In the eighteenth century, India's share of the world economy was as large as Europe's. By 1947, after two centuries of British rule, it had decreased six-fold. The Empire blew rebels from cannon, massacred unarmed protesters, entrenched institutionalised racism, and caused millions to dieâŚ
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
To understand India it is important to know that it was the birthplace of four great religions, Hinduism, Jainism, Buddhism, and Sikhism. The Buddha was a Vedic teacher with a following in North East India. The emperor Ashoka was responsible for spreading the religion we know as Buddhism. Ashok Khannaâs account of Ashoka, the ruler of the Indian subcontinent for 37 years from 269 BCE traces the important influences Greek and Persian philosophy had on Indian society and the origins of Buddhism. Khanna describes Ashokaâs carved edicts on pillars and rocks extolling justice based on equal treatment for all. Ashoka is a much-needed example of good governance and Khannaâs account is assessable. You donât need to know anything about Ashoka to read this book.
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that werenât from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. Iâll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. Itâs just one example of a rich cast of characters who held my rapt attention.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. AnâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
It is possibly the oldest surviving collection of 84 Indian fables, written around 200BC by Vishnu Sharma. He became a tutor to a kingâs children. He engaged their interest by telling stories of animals with a moral message at end of each story rather like Aesopâs Fables. The animals are somewhat different. e.g The Monkey and the Crocodile, the Hare and Lion. Many elements of Rudyard Kiplingâs childrenâs books such as the Just So Stories were inspired by The Panchatantra. There are of course Hindi editions available too.
The Panchatantra is a collection of folktales and fables that were believed to have been originally written in Sanskrit by Vishnu Sharma more than 2500 years ago. This collection of stories features animal characters which are stereotyped to associate certain qualities with them. The origins of the Panchatantra lie in a tale of its own, when a King approached a learned pandit to ask him to teach the important lessons of life to his ignorant and unwise sons. This learned scholar knew that the royal princes could not understand complex principles in an ordinary way. So, he devised a methodâŚ
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. Iâve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which Iâve been writing and publishing have been some of the most exciting for Indian fiction in general.
This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. Itâs a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because itâs driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life.
Description Shaken by the news of his motherâs death, a man leaves his job in Delhi and returns to Assam. Twenty-five years ago, his father, a forest officer here, was found shot dead in his jeep. With the passing of his mother, the man learns new and startling details of his fatherâs life, and trying to reclaim an entire life suddenly made unfamiliar, he starts digging into events from far back in time, visiting places where his father had served, in the foothills of the eastern Himalayas. But the forests he had once roamed as a boy with his fatherâŚ
As a historical novelist, my passion is world history and the story of my own family. Having survived the First World War, my Scottish grandfather went to India as a forester and my granny followed him out there; they married in Lahore. I was fascinated by their stories of trekking and camping in the remote Himalayas. They lived through momentous times: world war, Indian Independence and Partition. Grandfather Bob stayed on to work for the new country of Pakistan. Long after theyâd died, I discovered their letters, diaries, and cine films from that era â a treasure-trove for a novelist! â which have helped enrich my novels set during the British Raj.
Set in 1940s India in the lead up to Independence, the backdrop is the rarely written about North-East India. The protagonists; Layla, (well-educated and independently-minded) and Manik (a free-thinker with a sense of adventure) are an unusual couple for the core romance but his work takes them to the remote tea plantations of Assam. I have written about the tea gardens in my India Tea Series, but largely from a British and Anglo-Indian point of view. Patelâs vivid depiction of this way of life is informed by her own upbringing, as the daughter of tea planters. Itâs rich in detail with wonderful descriptions of Assam and keen observations of the British managers and Indian workers. As it builds towards Partition, the drama and tension are brilliantly evoked through Laylaâs eyes.
For fans of Alka Joshiâs The Henna Artist, comes a compelling love story set against a culture grounded in tradition, about to be changed forever in the onslaught of WWII.
My name is Layla and I was born under an unlucky star. For a young girl growing up in India, this is bad news. But everything began to change for me one spring day in 1943, when three unconnected incidents, like tiny droplets on a lily leaf, tipped and rolled into one. It was that tiny shift in the cosmos, I believe, that tipped us togetherâme and Manik Deb.
Iâm a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. Iâve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other peopleâs adventures. My taste is for tales that include plenty of humour, and Iâve selected five which I have particularly enjoyed.
India has always fascinated me, so I was intrigued to read this account of a 30-year-old woman riding 17,000 miles through the sub-continent, alone, on a motorbike. Never having previously ridden a motorbike, she takes a 3-day crash course on how to do so. What could possibly go wrong?
Nonchalantly tackling muddy jungles, deserts, and virtually impassable terrain, frequently breaking down, she muddles through with a mixture of ingenuity, optimism, and the never-failing help of the local people.
A satisfyingly honest and self-deprecating account of a remarkable achievement by a woman who believed she could, and so she did.
The author quits her high-flying job in London, orders a classic Indian Enfield Bullet motorbike and goes off for a year on a 17,000 mile circuit of India. She wants adventures, and as a solo traveller, has plenty of them. Follow her on her travels discovering an unknown world of motorbiking, wanderlust and Indian life. Humorous and well-written, this refreshingly honest book recounts her numerous mishaps, both on and off the bike. This story shows how a can-do attitude can compensate for inexperience and will appeal to those with a ÂŤ just do it Âť attitude to life. And forâŚ
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgroundsâwhich is probably reflected in the books that Iâve chosen for my list.
One of the very first books I read about the Indian freedom struggle, I found its narrative flow easy and swift, veering from the exciting and thrilling to shedding light on so much that went on behind the scenes.
I appreciated for the first time what my own family must have experienced during the partition of the Indian subcontinent, which resulted in one of the largest migrations of people, with millions forced to leave their homes and many more losing their lives.
A detailed narrative of the thirteen months leading to the independence of the Indian subcontinent in February 1948, centering on major and minor figures and on the social and personal upheavals attendant on independence and partition.
Rajendra B. Aklekar (born 1974) is an Indian journalist with over 25 years of experience and author of best-selling books on Indiaâs railway history and heritage. He is also the biographer of Indiaâs legendary railway engineer Dr. E Sreedharan. With museology from Chhatrapati Shivaji Maharasj Vastu Sangrahalaya (formerly the Prince of Wales Museum, Mumbai, Aklekar is also a Google-certified Digital Marketer. Aklekar, associated with the Indian Railway Fansâ Club Association, Indian Steam Railway Society, Rail Enthusiasts Society, has contributed significantly while setting up the Rail Heritage Gallery at the UNESCO-listed Mumbai Chhatrapati Shivaji Terminus station, formerly Victoria Terminus building, Bombay, and documentation of heritage relics of Indiaâs first railway.
This is another book on the same subject written by an eminent historian and economist. I am recommending this book because of the clear and categorical historical decade-wise demarcations since the inception of railways in India since the 1830s. The 20th century is summarised in one entire chapter, bringing a contemporary context. One of the best parts of the book is a timeline of the government policies and committees on Indian Railways in a tabular form that gives a quick summary of how the organization progressed in its different forms, including the seamless transfer from old colonial railways to national railways adding the current reforms and policies. Another key feature of the book is that it gives a timeline of the various railway companies and railway lines spread across India.
I am also proud to mention that the book liberally quotes my first book when it mentions Indiaâs railwayâŚ
The fascinating story of the network that made modern India The railways brought modernity to India. Its vast network connected the far corners of the subcontinent, making travel, communication and commerce simpler than ever before. Even more importantly, the railways played a large part in the making of the nation: by connecting historically and geographically disparate regions and people, it forever changed the way Indians lived and thought, and eventually made a national identity possible. This engagingly written, anecdotally told history captures the immense power of a business behemoth as well as the romance of train travel; tracing the growthâŚ
Radical Friend highlights the remarkable life of Amy Kirby Post, a nineteenth-century abolitionist and women's rights activist who created deep friendships across the color line to promote social justice. Her relationships with Frederick Douglass, Harriet Jacobs, Sojourner Truth, William C. Nell, and other Black activists from the 1840s to theâŚ
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Donât pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
A dizzying, intoxicating, completely engrossing memoir by another poet, whoâs most famous as the author of The English Patient. I always feel a little tipsy, in the best way, reading this one.
Ondaatje was born in Sri Lanka and sets out as an adult from Canada to discover the mysteries left behind by eccentric, long-lost family members in a land he loves. Newspaper articles, pictures, ghost stories, and poetry comprise this one-of-a-kind narration. When his brother pleads with him to get this family history right, you feel the weight of the request as heavy as a summer rain.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.