100 books like The Panchatantra

This is a polemic and pretends to be none other but it serves as an antidote to the apologists of Empire. Why is it needed? You can’t read the Ibis trilogy and not understand the exploitation of the East India Company. The first war of independence (1857) failed and was brutally put down. There were attempts at reform and not all legacies of the Raj are regrettable, my Victorian maverick works on the Great Trigonometrical Survey of India. But the tendency in the UK is to highlight the positives and ignore the racism, the famines, the massacres, and the horrors of the manner in which we left India. Once readers know the consequences of the Raj, they will understand the origins of South Asian immigration to the UK and will get a glimpse of how others see us, warts and all. 

To understand India it is important to know that it was the birthplace of four great religions, Hinduism, Jainism, Buddhism, and Sikhism. The Buddha was a Vedic teacher with a following in North East India. The emperor Ashoka was responsible for spreading the religion we know as Buddhism. Ashok Khanna’s account of Ashoka, the ruler of the Indian subcontinent for 37 years from 269 BCE traces the important influences Greek and Persian philosophy had on Indian society and the origins of Buddhism. Khanna describes Ashoka’s carved edicts on pillars and rocks extolling justice based on equal treatment for all. Ashoka is a much-needed example of good governance and Khanna’s account is assessable. You don’t need to know anything about Ashoka to read this book.  

If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.

Sea of Poppies is the first of Amitav Ghosh’s Ibis Trilogy—an epic of global opium trade that features Zachary Reid, a mixed-race American whose story unfolds as it connects Baltimore to Bengal to Canton across the Atlantic and Indian Oceans.  

Filled with heartbreak and humor the trilogy invokes Herman Melville’s Moby Dick as Ghosh revives the primary sources of the Old China Trade and brings them into refreshing literary life. 

Ghosh’s novel complements another (very different) gem of historically based literary fiction featuring American involvement in opium smuggling and the ensuing First Opium War: Timothy Mo’s Insular Possession. 

How do you get your children out of the door without stressing out them, yourself, and everybody else in the house. This book is full of strategies like not having to ask twice, preparing for success, starting new rules, and the joys of descriptive praise. I find that if parents argue better and communicate more effectively with each other that has a knock-on effect on the children but it works equally well the other way round. If you can communicate more calmly with your children, you can use the skills with your partner too.

I love beautiful things and have been able to share beautiful things with my students with the help of Martha Selby’s translations and discussions of love poetry in three languages: Sanskrit, Prakrit, and Tamil.

This book explores the subtle joys and sorrows of love–love shared and love thwarted, love enduring and love grown stale, love that is playful and love that is cruel. The women’s voices, in particular, leap off the page. Readers are invited to feel the ways that these ancient poems still resonate, as well as to discern the specificity and distinctiveness of these Indian conceptions.

Sometimes fiction speaks truer than facts. This adventure set in India in the 1970s brings to life what it means to balance yogic ideas with a Western mindset. It's a mixture of hippie idealism, academic disillusionment, and searches for meaning as things fall apart. Beautifully written and wise, it evokes the common ground between yoga and Buddhism—particularly on causes of suffering and how to transcend it. 

The sensory quality of stories of India is inevitable because the country itself is so vividly alive to all the senses. And Hinduism, the predominant religion, is, more than other religions, expressed in physical images and rituals. Suri’s novel treats motherhood in particular in finely observed physical detail, conveying the emotions so well through the senses. A reader irresistibly immerses in the story.

Considered to be the longest poem in the world, the Sanskrit Mahabharata is comprised of around 1.8 million words (for comparison: the combined length of the seven Harry Potter books is barely 1.1 million words). At 928 pages, Mahabharata: A Modern Retelling is by no means a short book, but it does make the massive Sanskrit epic very accessible for general readers. While the Sanskrit Mahabharata is primarily composed in couplets called shlokas, Carole Satyamurti’s masterful retelling is in blank verse, which is the meter of my two favorite English epics: John Milton’s Paradise Lost and Jack Mitchell’s The Odyssey of Star Wars. I also especially love the way Satyamurti presents Karna, the secret elder brother of Pandavas and one of the greatest tragic heroes in world literature. 

Indian thinkers writing in Sanskrit spent 1500 years theorizing and debating the nature of emotions and aesthetic experience as we experience them in literature and the performing arts. Pollock assembles, translates, and helps us interpret many of these debates. While not about emotions as such, these texts get at the finer shades of feeling as they relate to ways we relish the romantic, the tragic, the comic, the macabre, and so on.

While I am inspired by contemporary writing on emotions, the core of my imagination and intellectual life has been built by ideas from ancient and classical India. Sheldon Pollock is second to none in bringing the world of Sanskrit knowledge systems to a modern audience.