100 books like The Van Gogh Sisters

On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations. 

Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us. 

Johanna Van Gogh-Bonger fascinates me.

Her existence as an artist’s sister-in-law, art dealer’s wife, widow, and mother overshadowed her key contribution to the reputation building she undertook for the van Gogh family. I wanted to understand how Johanna and Theo began their relationship. I needed to understand why Johanna, after Vincent’s death, became obsessed with providing the artist’s work with the recognition it failed to attract in his lifetime.

I was thrilled to discover this now out-of-print book. It includes translations of letters exchanged between Johanna and Theo. It provides a stunning platform to voice the bond, love, and the intimacy that the couple gifted each other in their too-brief time together.

This is one of the most endearing and unaffected love stories.

Sadly, when asked about the artist, most people describe Vincent as the man who chopped off his own ear. I hate that they do.

This book though is neither gratuitous nor indulgent. Instead, it offers a detailed, well-researched, and intelligent response to the question - Why did Van Gogh cut off his ear? There has been much speculation about the events that led to Vincent delivering his ear to a maid at a brothel in Arles.

This book is essential reading for any who wishes to open conversations about Vincent’s motivations and the happenings that led to that gruesome act on a specific day in December.

Martin Bailey is an expert on all things Van Gogh, and any of his books could have been recommended.

This one though - if we are learning about influences that have shaped and guided and disconcerted Vincent - has to be considered. To know the artist is to understand the numerous homes and landscapes that have shaped and influenced both him and his art. In an era when people rarely left the area where they were born, Van Gogh was both a traveller and unsettled.

This book made me truly consider what that might actually mean.

 This is a collection of the letters between President Woodrow Wilson and his future second wife, Edith Bolling.

I already knew a bit about the role of Edith Bolling Wilson during her husband’s presidency. Reading their actual letters both shocked and entertained me. Woodrow Wilson, unlike his staid, professorial reputation, was quite the romantic.

It made me realize there was much, much more to their story, and it sent me on a journey to discover a relationship that changed the course of history.

The big question for World War II is what kept men fighting in appalling conditions, with high losses against an implacable enemy. McManus focuses on the American army to answer this question, but his answers could apply to many of the fighting men in other armies as well. The book explores the nature of combat and the psychological mechanisms used to cope with the conditions of modern war. This is a dimension of the history that too often gets overlooked as divisions and units are moved around on the historians’ map of the war, yet it is a central issue to understand what motivates soldiers and keeps them fighting effectively. Sadly, a great many did, indeed, end up as psychological casualties.

Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.

Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.

One of the most interesting people I met in my research was Benjamin Gilbert, a young officer from Massachusetts, whose letters were edited and published for the first time in 1989. Gilbert writes openly about the trials and tribulations of camp life, including his attempts to woo the daughters of local gentlemen—and his visits to houses of ill repute. On one furlough home, Gilbert got a girl pregnant, and a recurring storyline in the letters is his attempt to weasel out of marrying her. Though full of colorful details, there’s one major way Gilbert failed me as an author: he was present in camp during the climactic moment of the Newburgh Conspiracy—Washington’s speech to the officers—but he says nothing about what happened. Come on, Lieutenant Gilbert. Think of the historians!

The authors spent ten years researching and acquiring the 30,000 letters that resulted in this collection portraying the wide range of experiences of women in uniform during World War II. I’ve returned to this book often during my research and would recommend it to anyone who wants to learn more about the role women played during the war. These eyewitness accounts of the day-to-day lives of ordinary women stepping up to do extraordinary things are compelling and inspirational.