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As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations.
Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us.
Presents annotated translations of Van Gogh's correspondence with his brother Theo from 1872, when he was working in a gallery in the Hague, until his death, as well as letters to other recipients and related materials
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went their…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Sadly, when asked about the artist, most people describe Vincent as the man who chopped off his own ear. I hate that they do.
This book though is neither gratuitous nor indulgent. Instead, it offers a detailed, well-researched, and intelligent response to the question - Why did Van Gogh cut off his ear?There has been much speculation about the events that led to Vincent delivering his ear to a maid at a brothel in Arles.
This book is essential reading for any who wishes to open conversations about Vincent’s motivations and the happenings that led to that gruesome act on a specific day in December.
On a dark night in Provence in December 1888 Vincent van Gogh cut off his ear. It is an act that has come to define him. Yet for more than a century biographers and historians seeking definitive facts about what happened that night have been left with more questions than answers.
In Van Gogh’s Ear Bernadette Murphy sets out to discover exactly what happened that night in Arles. Why would an artist at the height of his powers commit such a brutal act of self-harm? Was it just his lobe, or did Van Gogh really cut off his entire ear?…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Martin Bailey is an expert on all things Van Gogh, and any of his books could have been recommended.
This one though - if we are learning about influences that have shaped and guided and disconcerted Vincent - has to be considered. To know the artist is to understand the numerous homes and landscapes that have shaped and influenced both him and his art. In an era when people rarely left the area where they were born, Van Gogh was both a traveller and unsettled.
This book made me truly consider what that might actually mean.
Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work.
Living with Vincent van Gogh tells the story of the great artist's life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight…
I’m a writer and a teacher of writing who fell in love with France after my first visit fifty years ago. I was lucky enough once to spend a year in a small village about thirty miles west of Avignon in the south where I was able to observe, and eventually participate in, the daily life of this village. I wrote my book, French Dirt, about that experience. I have read intently about the South of France ever since with an eye for those books that truly capture the spirit and character of these people who are the heart of this storied part of France.
Most everyone knows Vincent van Gogh spent time in the South of France. Most of us know he was a tortured soul and that he spent time in an asylum in Saint Rémy. And most of us know his wonderful painting, The Starry Night, which was painted in Saint Rémy. Since so much of the exquisite joy of the South of France is visual, who better to represent that visual beauty than Vincent van Gogh, one of the greatest painters to ever put brush to canvas? But what you may not know is that Vincent was one of our greatest letter writers as well. He wrote many to his brother, Theo, and reading these letters you cannot help but see Provence through Van Gogh’s remarkable eyes.
'I cannot help that my pictures do not sell. Nevertheless, the time will come when people will see that they are worth more than the price of the paint ...' Vincent van Gogh
Discover the moving story of Vincent van Gogh, with his artistic genius and emotional torment told through personal letters, sketches and paintings in this beautiful reissue of a previous bestseller.
Vincent van Gogh's letters are a written testimony to the artist's struggle to survive and work. This fascinating book's combination of deeply personal letters alongside rough sketches and finished paintings gives an intimate insight into the painter's…
I’m obsessed with travel, and have spent years ambling the planet. I’m also an Associate Professor of Philosophy at Durham University—I spend lots of time reading books, and occasionally writing them. Travel and philosophy can help us make sense of our magnificent, peculiar world.
How can travel help us find the good life?The Art of Travel asks this question of artists such as Edward Hopper and Vincent van Gogh, with profound and amusing results. Why can anticipating travel be more pleasant than actually going away? What is the lure of the Bahamas, of the ‘exotic’, of open deserts? Throughout, De Botton invites us to pay better attention to the world around us. I especially enjoy his musings on the profundities of travel—on waiting at Heathrow airport, circling ring-roads, and dried ketchup of motorway service stations.
From the author of the Number One bestseller, THE CONSOLATIONS OF PHILOSOPHY, this is an inspirational and witty guide to how to make our travels go better. Calling upon such guides as Hopper, Flaubert and Ruskin, de Botton accompanies us on an eye-opening and entertaining tour of the philosophical questions behind our desire to travel - and the capricious nature of our thoughts and emotions when we do.
I am the author of 180 books for children, including the classic (30 plus years in print) picture book The Big Green Pocketbook. As a kid, I checked out more nonfiction books than novels. I read about stars, dinosaurs, ice age mammals, rocks, animals, and birds. I wanted to combine all those interests into one job: astronomer-paleontologist-geologist-zoologist-ornithologist, but I couldn’t even afford community college. I became a writer of children’s books, where I could be involved in all of those occupations and more. I’ve written 50 nonfiction books for children and believe the very best books being published for kids today are in the area of children’s narrative nonfiction.
Picture book biographies need to narrow their focus on a subject, and I love the way the author achieves this. She could have written about Van Gogh’s life in general, but she used the refrain “Vincent can’t sleep” to describe his childhood, schooling, boring jobs, and finally becoming an artist. Insomnia led to his most well-known painting, “The Starry Night.”
I also admire how gently she portrayed his mental illness by emphasizing his quest to find the colors of the night. Lean prose contrasts neatly with Van Gogh’s free-wheeling brushstrokes, richly illuminated by Grandpré’s sweeping illustrations.
A gorgeous, lyrical picture-book biography of Vincent van Gogh by the Caldecott Honor team behind The Noisy Paint Box.
Vincent can’t sleep . . . out, out, out he runs! flying through the garden—marigold, geranium, blackberry, raspberry— past the church with its tall steeple, down rolling hills and sandy paths meant for sheep, He dives at last into the velvety, violet heath, snuggles under a blanket of sapphire sky, and looks up, up, up . . . to visit with the stars.
Vincent van Gogh often found himself unable to sleep and wandered under starlit skies. Those nighttime experiences provided…
I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
An insightful examination of art collector Peggy Guggenheim, a fascinating character, Ms. Guggenheim was friends with a vast assortment of American and European writers and artists. The reader gets to see the contradictory sides of this brilliant and unconventional woman. As a result of reading this book, I wrote a play about her entitled The Collection.
"Mrs. Guggenheim, how many husbands have you had?" she was once asked. "D'you mean my own, or other people's?"
Peggy Guggenheim's tempestuous life (1898-1979) spanned the most exciting and volatile years of the twentieth century, and she lived it to the full. How she became one of the century's foremost collectors of modern art-and one of its most formidable lovers-is the subject of this lively and authoritative biography.
Her father, Benjamin Guggenheim, went down with the Titanic en route home from installing the elevator machinery in the Eiffel Tower, and it was in Paris in the 1930s that the young…
I’m an award-winning toy inventor and author/illustrator, with a lifelong love of art, learning, and creativity. I strive to inspire the future builders and creators of our world in my books, articles, and blog musings. Some of my favorite reads inspired my creative side.
Graduating from design school with a BFA and having taught Art Enrichment Classes in the schools for many years, I thought I had read every book about Vincent Van Gogh.
But when I read Heiligman’s young adult novel, I finally knew Vincent and felt his passion, literally through his letters to his brother.
And, truly, is there any better way to learn about Vincent than reading in his own words about his passion to paint?
Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner
From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love.
The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend―Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
After the Impressionists and Vincent Van Gogh, the artists that come easily in third place for fictional ink spilled about them are the Pre-Raphaelites. Their personal lives are as colorful as their artwork. Australian Kate Forsyth has tackled the second phase of Pre-Raphaelitism led by Edward Burne-Jones's mythological and Arthurian paintings and William Morris's designs for furniture, wallpaper, and book art. The love lives of the artists, wives, models, and daughters find their way interwoven in the story of the art. Gabriel Rossetti, who was a major figure of the first phase of Pre-Raphaeltisim, is the flint that ignites the second phase. They all want to live in the dreams of the past, and of legends, but real life is never a fairy tale.
A spellbinding reimagining of ‘Sleeping Beauty’ set amongst the wild bohemian circle of Pre-Raphaelite artists and poets.
The Pre-Raphaelites were determined to liberate art and love from the shackles of convention.
Ned Burne-Jones had never had a painting lesson and his family wanted him to be a parson. Only young Georgie Macdonald – the daughter of a Methodist minister – understood. She put aside her own dreams to support him, only to be confronted by many years of gossip and scandal.
Dante Gabriel Rossetti was smitten with his favourite model, Lizzie Siddal. She wanted to be an artist herself, but…
