There are, at the moment, a glut of authors writing about England in the 1800’s, but none of them can hold a candle to Laura Shepherd-Robinson.
Her prose is so immersive you are almost instantly transported back in time and place. Settle in for a fantastic experience, exploring the squalid and eye-opening underbelly of London’s ladies of the night.
One of this author’s trademarks is creating full-blown characters who you come to know and love within a few pages of their being introduced. Chief among them, and why I love this book above her other two, is her main character, Caroline Corsham, easily one of my favorite characters.
Caro is everything you want in a hero – smart, tough-minded, persistent in running down the perpetrator of the murders that keep the plot of this book racing along mud-splattered roads. I think about Caro all the time and sincerely hope the…
'The best historical crime novel I will read this year' - The Times
From the pleasure palaces and gin-shops of Covent Garden to the elegant townhouses of Mayfair, Laura Shepherd-Robinson's Daughters of Night follows Caroline Corsham as she seeks justice for a murdered woman whom London society would rather forget . . .
'This is right up there with the best of C. J. Sansom and Andrew Taylor' - Amanda Craig, author of The Golden Rule
London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she…
I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.
This is a historical novel about the life of Theodora, Empress of Byzantium. She was born in the sixth century and worked as a prostitute, but eventually became the most powerful woman in the Byzantine Empire. The book is very introspective and we learn a lot about Theodora's inner world. Even though the world throws the worst at her, she still finds the strength to continue onward and keep a sense of justice and positivity.
Multi-award winning novel including gold medals in the Readers' Favorite Historical Personage, IBPA's Best New Voice Fiction, eLit's Best eBook in Historical Fiction, Montaigne Medal finalist (Eric Hoffer Book Award) and Screencraft's Cinematic Book competition.
Inspired by true events, Far Away Bird delves into the complex mind of Byzantine Empress Theodora. This intimate biographical account follows the extraordinary transformation of a poor young woman in a rigid medieval society. From the brothels to the bathhouses, from the theaters to the palaces, Theodora learns to let go of the people she loves most and embrace her own exploitation. But when Theodora…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
I love Diana Norman’s historical novels and she inspires the way I write mine.
Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.
The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.
The ad declared
“Debauching, graphic sex scenes,” and the title involved a vicar. Well, I’ve
never bought a book on the strength of an advertisement before, but this ad copy
intrigued me.
Actually, Melissa and the Vicar turned out to be a very
well-written Regency romance with vivid characters and a delightful English
village setting, in which a London brothel madam convalescing in the country catches
the eye of the angelic village curate.
I loved this tale for its vivid
characters, humour, and twisting plot. Oh, and then there was the debauchery—it’s
definitely there, it’s pretty steamy, but this romance has so much more to
offer beyond sex.
Melissa Griffin is quite literally sick and tired. She's the owner of one of London's most exclusive brothels, but her failing health is telling her she can't continue to keep working at her current pace. A relaxing stay in the country is exactly what she needs. Falling for the small town's gorgeous young vicar--a virgin, no less--was never part of her plan. Their love is scandalous, forbidden...and everything Melissa never knew she wanted. Denying her feelings is unthinkable. Avoiding devastation when her past inevitably drives them apart? Impossible.
Magnus Stanwyck never resented his vow of celibacy...until meeting Melissa. As beautiful…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Sadly, when asked about the artist, most people describe Vincent as the man who chopped off his own ear. I hate that they do.
This book though is neither gratuitous nor indulgent. Instead, it offers a detailed, well-researched, and intelligent response to the question - Why did Van Gogh cut off his ear?There has been much speculation about the events that led to Vincent delivering his ear to a maid at a brothel in Arles.
This book is essential reading for any who wishes to open conversations about Vincent’s motivations and the happenings that led to that gruesome act on a specific day in December.
On a dark night in Provence in December 1888 Vincent van Gogh cut off his ear. It is an act that has come to define him. Yet for more than a century biographers and historians seeking definitive facts about what happened that night have been left with more questions than answers.
In Van Gogh’s Ear Bernadette Murphy sets out to discover exactly what happened that night in Arles. Why would an artist at the height of his powers commit such a brutal act of self-harm? Was it just his lobe, or did Van Gogh really cut off his entire ear?…
I am the bestselling author of more than 46 romance novels. I love history, enjoy research, and am always looking for little-known facts to make my stories more authentic. Some of those facts have revealed that women in the 19th century often took on occupations, hobbies, or causes that challenged them and sometimes placed them in danger. Although seldom acknowledged as such, women in the 19th century were a force to be reckoned with, although their contributions were often overlooked. But through reading personal accounts, letters of the time, biographies, and nonfiction accounts about various women’s roles, I have gained a greater appreciation for how daring women have been throughout history.
I find such fun in an innocent miss wanting to explore a brothel. Curiosity and inquisitiveness are attitudes that I believe drive adventurous women. But they don’t always start a brawl in a brothel nor do they have the scientific mind to develop a small bomb that will allow them to escape. I always enjoy a heroine with a sharp mind who isn’t afraid to use it. Vivienne Lorret brings humor to her stories, making her characters incredibly relatable. I smiled throughout the story and loved the heroine’s little quirks.
USA Today bestselling author Vivienne Lorret continues her charming new trilogy with a bluestocking whose search for information on the mating habits of scoundrels has her stumbling upon the missing heir to an earldom... in the London underworld.
Jane Pickerington never intended to start a brawl in a brothel. She only wanted to research her book. Yet when her simple study of scoundrels goes awry, she finds herself coming to the rescue of a dark, enigmatic stranger... who turns out to be far more than an average rake out for a night of pleasure. He's positively wild!
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Even though it’s about a neighboring country, and I think we even met when we were both living abroad, Amit’s experience of Cambodia in the 1990s couldn’t have been more different from my experience of Laos. He focuses on the excesses of expat life in the capital city; for better or for worse, it makes for a great read.
Phnom Penh is a city of beauty and degradation, tranquillity and violence, and tradition and transformation; a city of temples and brothels, music and gunfire, and festivals and coups.
But for many, it is simply an anarchic celebration of insanity and indulgence. Whether it is the $2 wooden shack brothels, the marijuana-pizza restaurants, the AK-47 fireworks displays, or the intricate brutality of Cambodian politics, Phnom Penh never ceases to amaze and amuse. For an individual coming from a modern Western society, it is a place where the immoral becomes acceptable and the insane becomes normal.
