I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
Tourists, who are marched through the only designated, purposely-built brothel in Pompeii, stare at the cubicles with built-in masonry beds and wall paintings depicting sexual acts. Richardson pieces together an array of evidence, from various finds and graffiti to the early excavation reports, to assess the experiences of both the male clients and the female prostitutes. According to Richardson, more than sex was provided by the women of the brothel. This book imaginatively reconstructs the activities of the brothel in an intriguing way.
In this book, Sarah Levin-Richardson offers the first authoritative examination of Pompeii's purpose-built brothel, the only verifiable brothel from Greco-Roman antiquity. Taking readers on a tour of all of the structure's evidence, including the rarely seen upper floor, she illuminates the subculture housed within its walls. Here, prostitutes could flout the norms of society and proclaim themselves sexual subjects and agents, while servile clients were allowed to act as 'real men'. Prostitutes and clients also exchanged gifts, greetings, jokes, taunts, and praise. Written in a clear, engaging style, and accompanied by an ample illustration program and translations of humorous and…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
Sweet drew me in from the start with this story of 17-year-old seamstress Lahan Sawyer who was raped in late 18th century New York. The book not only tells us the story of this crime and Sawyer’s courage to press charges but also opens a window into life in that era, from class dynamics to legal proceedings around claims of rape, to the political dynamics of New York in those years after the Revolution.
But what I really love about this book is its narrative force. Sweet renders the world of a New York recovering from war as he speculates and contextualizing Swayer’s life within the broader city, which she had little power to control.
On a moonless night in the summer of 1793 a crime was committed in the back room of a New York brothel - the kind of crime that even victims usually kept secret. Instead, seventeen-year-old seamstress Lanah Sawyer did what virtually no one in US history had done before: she charged a gentleman with rape.
Her accusation sparked a raw courtroom drama and a relentless struggle for vindication that threatened both Lanah's and her assailant's lives. The trial exposed a predatory sexual underworld, sparked riots in the streets, and ignited a vigorous debate about class privilege and sexual double standards.…
Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.
The common seaman and the pirate in the age of sail are romantic historical figures who occupy a special place in the popular culture, but they remain little known to us. But their lives are not beyond recovery. Rediker tours the sailor's North Atlantic, following seamen and their ships along the pulsing routes of trade and into rowdy port towns. He recreates life along the waterfront, where seafaring men from around the world crowded into brothels, alehouses, and city jails. And Rediker explores the natural terror that inevitably shaped the existence of those who plied the forbidding oceans of the globe in small, brittle wooden vessels. The mariners in Between the Devil and the Deep Blue Sea are working men, struggling to overcome the exploitive tendencies of the age in which they lived.
Between the Devil and the Deep Blue Sea focuses upon the seamen's experience in order to illuminate larger historical issues such as the rise of capitalism, the genesis of free wage labor, and the growth of an international working class. These epic themes were intimately bound up with the everyday hopes and fears of the common men who toiled upon the deep.
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
As a child, I fell in love with horses. As a teen, I fell in love with a cowboy. That’s how I became the wife and mother of professional rodeo bullfighters and wrote for rodeo magazines. Today I write historical cowboy romances. The Western way of life is down-to-earth, honest, and God-fearing—even in our contemporary world, and I’ve written several of those stories as well. But my favorite challenge takes me back to the 1800s when life was simpler. Not easier, just simpler even though people faced the same emotional challenges we face today. I love writing about their journeys and encouraging readers that there is hope.
I loved the heroine’s grit! Boy howdy, no one’s going to get anything over on her. The story is both gritty and sweet. Real. Full of truth and hope and opposition. Her setting puts you right in the action and her characterizations leave you feeling like you know these people. This was the first book I read from Blanton, and I have since read a couple more.
100,000+ copies! The best-selling saga of sisters finding love in a rowdy, frontier mining town!
Charles McIntyre owns everything and everyone in the lawless, godless mining town of Defiance.
When three good, Christian sisters show up, stranded and alone, he decides to let them stay. The decision may cost him everything, from his brothel...to his heart.
Naomi Miller, angry with God for widowing her, wants no part of Defiance or the saloon-owning, prostitute-keeping Mr. McIntyre. It would seem, however, that God has gone to elaborate lengths to bring them together. The question is, "Why?" Does God really have a plan…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
I saw the world premiere of this play at the Goodman Theatre in Chicago and never forgot it.
What stays with me most is the powerful main character Mama Nadi, a fierce, shrewd businesswoman who runs a brothel in the Democratic Republic of Congo during a civil war. And though she lives in a world where sex trafficking, rape, mutilation, and other brutality is commonplace, she knows how to keep her establishment flourishing and her girls, safe.
Playwright Nottage based her characters on women and girls whom she interviewed during a trip to Africa. The authenticity of the characters and storyline may help explain why the play went on to earn multiple awards, including a Pulitzer Prize for Drama.
“A powerhouse drama. . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday
“An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New York
A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s…
The ad declared
“Debauching, graphic sex scenes,” and the title involved a vicar. Well, I’ve
never bought a book on the strength of an advertisement before, but this ad copy
intrigued me.
Actually, Melissa and the Vicar turned out to be a very
well-written Regency romance with vivid characters and a delightful English
village setting, in which a London brothel madam convalescing in the country catches
the eye of the angelic village curate.
I loved this tale for its vivid
characters, humour, and twisting plot. Oh, and then there was the debauchery—it’s
definitely there, it’s pretty steamy, but this romance has so much more to
offer beyond sex.
Melissa Griffin is quite literally sick and tired. She's the owner of one of London's most exclusive brothels, but her failing health is telling her she can't continue to keep working at her current pace. A relaxing stay in the country is exactly what she needs. Falling for the small town's gorgeous young vicar--a virgin, no less--was never part of her plan. Their love is scandalous, forbidden...and everything Melissa never knew she wanted. Denying her feelings is unthinkable. Avoiding devastation when her past inevitably drives them apart? Impossible.
Magnus Stanwyck never resented his vow of celibacy...until meeting Melissa. As beautiful…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Sadly, when asked about the artist, most people describe Vincent as the man who chopped off his own ear. I hate that they do.
This book though is neither gratuitous nor indulgent. Instead, it offers a detailed, well-researched, and intelligent response to the question - Why did Van Gogh cut off his ear?There has been much speculation about the events that led to Vincent delivering his ear to a maid at a brothel in Arles.
This book is essential reading for any who wishes to open conversations about Vincent’s motivations and the happenings that led to that gruesome act on a specific day in December.
On a dark night in Provence in December 1888 Vincent van Gogh cut off his ear. It is an act that has come to define him. Yet for more than a century biographers and historians seeking definitive facts about what happened that night have been left with more questions than answers.
In Van Gogh’s Ear Bernadette Murphy sets out to discover exactly what happened that night in Arles. Why would an artist at the height of his powers commit such a brutal act of self-harm? Was it just his lobe, or did Van Gogh really cut off his entire ear?…
I picked this up cheaply in a second-hand
bookstore. What a bargain it was. It introduced me to Detective Sergeant
Washington (there is a subplot here) Poe of the National Crime Agency’s
Serious Crime Analysis Section and his offsider Matilda ‘Tilly’ Bradshaw, a brilliant mathematician and programmer extraordinaire.
I immediately spent much
more per copy (see homo economicus in my third
choice entry) buying all of Craven’s books: and consuming (I am an economist at
heart) them avidly.
I appreciated the anti-authority stance of Detective Poe
but fell in love with the socially naïve Tilly: it was good to see a role-model
female geek taking center stage.
The writing is outstanding: the darkest crimes
are lightened by humor, and clever solutions are thrown by unexpected twists.
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022
Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022
'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker
'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series
'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
