I don’t write about well-behaved women. I prefer rebels and outcasts, women who, by choice or circumstance, live outside of social norms. 19th-century American history is full of such women—if you know where to look. Hint: not in most public-school textbooks. They’re found, instead, in archives and libraries, in old newspapers and journals, in family letters and autobiographies. The characters in my most recent novel, Reliance, Illinois, were inspired by badass 19th-century women, such as Victoria Woodhull, Mary Livermore, and Olympia Brown. Each of the novels in the list below were inspired by or based on audacious women. I hope you enjoy them as much as I have!
The forthright honesty and the audacity of Nora Simms, narrator of Erika Mailman’s Woman of Ill Fame, is stunning and nearly as compelling as the murder mystery at the center of the novel. Set in San Francisco during the Gold Rush, the novel takes us into the city’s bordellos, which, like the rest of the state, have been infected by aget rich quick at any costethos. The cost for many of Nora’s colleagues is high. Women of ill-fame are being killed, one by one, and only Nora is capable and willing to wade through layers of deception to discover the identity of the killer and to save her own life.
Nora is not your typical damsel in distress and that might be why I love this book so much. She’s not a “good” woman, by society's standards, but she is one of the most surprising…
Looking for a better life, prostitute Nora Simms arrives in Gold Rush San Francisco with a plan for success: to strike it rich by trading on her good looks. But when a string of murders claims several of her fellow women of ill fame, Nora grows uneasy with how closely linked all of the victims are to her. She must distinguish friend from foe in a race to discover the identity of the killer.
"I LOVED Woman of Ill Fame! Nora Simms is hilarious, heartbreaking, tough, perceptive...and one of the most engaging characters I've ever met between the pages of…
I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.
This is a historical novel about the life of Theodora, Empress of Byzantium. She was born in the sixth century and worked as a prostitute, but eventually became the most powerful woman in the Byzantine Empire. The book is very introspective and we learn a lot about Theodora's inner world. Even though the world throws the worst at her, she still finds the strength to continue onward and keep a sense of justice and positivity.
Multi-award winning novel including gold medals in the Readers' Favorite Historical Personage, IBPA's Best New Voice Fiction, eLit's Best eBook in Historical Fiction, Montaigne Medal finalist (Eric Hoffer Book Award) and Screencraft's Cinematic Book competition.
Inspired by true events, Far Away Bird delves into the complex mind of Byzantine Empress Theodora. This intimate biographical account follows the extraordinary transformation of a poor young woman in a rigid medieval society. From the brothels to the bathhouses, from the theaters to the palaces, Theodora learns to let go of the people she loves most and embrace her own exploitation. But when Theodora…
I picked this up cheaply in a second-hand
bookstore. What a bargain it was. It introduced me to Detective Sergeant
Washington (there is a subplot here) Poe of the National Crime Agency’s
Serious Crime Analysis Section and his offsider Matilda ‘Tilly’ Bradshaw, a brilliant mathematician and programmer extraordinaire.
I immediately spent much
more per copy (see homo economicus in my third
choice entry) buying all of Craven’s books: and consuming (I am an economist at
heart) them avidly.
I appreciated the anti-authority stance of Detective Poe
but fell in love with the socially naïve Tilly: it was good to see a role-model
female geek taking center stage.
The writing is outstanding: the darkest crimes
are lightened by humor, and clever solutions are thrown by unexpected twists.
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022
Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022
'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker
'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series
'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
Quick note—this series is (IMO) the spiciest of the 5 recommendations I include on my list. And Pearce takes some liberties with historical accuracy. However, her characters are deeply damaged and it takes a powerful love—and storytelling ability—to make them whole and able to fall in love. Those elements are particularly well represented in this tale. I try to avoid recommending book 2 of a series and yes, you really should read book 1 first, but this book does stand alone and I find it the most powerful story of the series.
A husband and wife find a solution to their troubles in this historical erotic romance by the New York Times bestselling author of Simply Sexual.
At Madame Helene's exclusive House of Pleasure in London, all guests are welcome to explore beyond their inhibitions . . .
Forced to wed at a young age, Abigail Beecham is tired of living in a sexless marriage. She longs to succumb to the delicious pleasures of pure carnal lust that she has only read about. And if her husband can't satisfy her erotic needs, she's ready to find a man who can . .…
The ad declared
“Debauching, graphic sex scenes,” and the title involved a vicar. Well, I’ve
never bought a book on the strength of an advertisement before, but this ad copy
intrigued me.
Actually, Melissa and the Vicar turned out to be a very
well-written Regency romance with vivid characters and a delightful English
village setting, in which a London brothel madam convalescing in the country catches
the eye of the angelic village curate.
I loved this tale for its vivid
characters, humour, and twisting plot. Oh, and then there was the debauchery—it’s
definitely there, it’s pretty steamy, but this romance has so much more to
offer beyond sex.
Melissa Griffin is quite literally sick and tired. She's the owner of one of London's most exclusive brothels, but her failing health is telling her she can't continue to keep working at her current pace. A relaxing stay in the country is exactly what she needs. Falling for the small town's gorgeous young vicar--a virgin, no less--was never part of her plan. Their love is scandalous, forbidden...and everything Melissa never knew she wanted. Denying her feelings is unthinkable. Avoiding devastation when her past inevitably drives them apart? Impossible.
Magnus Stanwyck never resented his vow of celibacy...until meeting Melissa. As beautiful…
I’ve been a part of the LGBTQ+ community my whole life and have always been passionate about advocating for the people who identify as such. Furthermore, I have always had a fascination with emotional stories and the combination of a lack of many LGBTQ+ books with an abundance of romance and emotional thrillers out there makes it a ripe topic for stories. As a lesbian myself, it is very hard to write stories that don’t have those kinds of couples, so I tend to stick to that genre and I’m absolutely addicted to lesbian books.
While reading this book, I was impressed by the skillful ability of the author to make me sympathize with the characters and begin rooting for them.
Their masterful execution of character development and the way I wanted to jump into the story to help make it one of the most amazing I have ever read and I would highly recommend it to those who are struggling to find a way to overcome sadness.
"Schulze's depiction of the Victorian era is atmospheric and intense in conveying the persecution gay people faced." - Kirkus Review
England, 1881. Being gay is both a sin and a crime. Parents disowning their children is considered honourable. Consensual sex risks life in prison. Sodomy scandals ruin careers and reputations. Homosexuals have to choose between safety and happiness.
After an unspeakable incident gets him exiled from his idyllic Irish hometown, twenty-four-year-old Jack Branson rebuilds his life in fog-and-mould London as a house call prostitute for closeted members of the British aristocracy. His dangerous, lucrative profession makes him dependent on the…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
Sweet drew me in from the start with this story of 17-year-old seamstress Lahan Sawyer who was raped in late 18th century New York. The book not only tells us the story of this crime and Sawyer’s courage to press charges but also opens a window into life in that era, from class dynamics to legal proceedings around claims of rape, to the political dynamics of New York in those years after the Revolution.
But what I really love about this book is its narrative force. Sweet renders the world of a New York recovering from war as he speculates and contextualizing Swayer’s life within the broader city, which she had little power to control.
On a moonless night in the summer of 1793 a crime was committed in the back room of a New York brothel - the kind of crime that even victims usually kept secret. Instead, seventeen-year-old seamstress Lanah Sawyer did what virtually no one in US history had done before: she charged a gentleman with rape.
Her accusation sparked a raw courtroom drama and a relentless struggle for vindication that threatened both Lanah's and her assailant's lives. The trial exposed a predatory sexual underworld, sparked riots in the streets, and ignited a vigorous debate about class privilege and sexual double standards.…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
I love Diana Norman’s historical novels and she inspires the way I write mine.
Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.
The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
English expat John Blofeld spent two decades in China (1932–51) before living out the last three of his life in Thailand. A renowned scholar of Buddhism and Taoism, Blofeld (like fellow expat Sinologists Edmund Backhouse and E.T.C. Werner) effectively disappeared into the woodwork, consorting almost exclusively with locals and mastering both vernacular and classical Chinese. In his City of Lingering Splendour, he looks back on his sojourn in the capital in the bustling 1930s-40s. But in contrast to standard accounts of Beijing’s palaces and temples (such as by Bredon and Arlington & Lewisohn above), Blofeld evocatively spotlights the often overlooked secular sites, the bathhouses and restaurants, opium dens, and bordellos, along with his connoisseurship of Chinese tea, thus conferring important archival value on his portrait of the city. This is also the side of Beijing I can relate to – the dark side, the underbelly of the great city –…
In his early twenties, John Blofeld spent what he describes as "three exquisitely happy years" in Peking during the era of the last emperor, when the breathtaking greatness of China's ancient traditions was still everywhere evident. Arriving in 1934, he found a city imbued with the atmosphere of the recent imperial past and haunted by the powerful spirit of the late Dowager Empress Tzu Hsi. He entered a world of magnificent palaces and temples of the Forbidden City, of lotus-covered lakes and lush pleasure-gardens, of bustling bazaars and peaceful bathhouses, and of "flower houses" with their beautiful young courtesans versed…
