Here are 100 books that Hotel de Dream fans have personally recommended if you like
Hotel de Dream.
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I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.
O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Miss Austen is Cassandra, sister of the more famous Jane, who takes centre stage in this story, though Jane is there, too, as the beloved missed sister, not the novelist. The year is 1840, Jane has been dead for twenty years, Cassandra is in her sixties and though frail is on a quest to find some missing letters which may reveal secrets about Jane and Cassandra which must not be known. It’s a mystery and we want to know if Cassandra will find those letters, but it is also a touching portrait of sisterly devotion. Cassandra makes an admirable heroine, determined and resourceful despite her frailty. It also tells much about the way in which spinsters, usually ignored by society, have a rich and complex inner life.
The Sunday Times bestselling novel, set to be a major TV drama ________________________ 'You can't help feeling that Jane would have approved.' OBSERVER
'So good, so intelligent, so clever, so entertaining - I adored it.' CLAIRE TOMALIN ________________________ Throughout her lifetime, Jane Austen wrote countless letters to her sister. But why did Cassandra burn them all?
1840: twenty three years after the death of her famous sister Jane, Cassandra Austen returns to the village of Kintbury, and the home of her family's friends, the Fowles.
She knows that, in some dusty corner of the sprawling vicarage, there is a cache…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.
This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.
Read about their scandalous lives—hers in some ways even more so than his.
THE NEW YORK TIMES BESTSELLER OF THE JAZZ AGE NOW AN AMAZON ORIGINALS SERIES STARRING CHRISTINA RICCI
'If ever a couple ... became an era, it was F Scott Fitzgerald and his glamorous "flapper" wife, Zelda. They were the Jazz Age' Independent
When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen and he is a young army lieutenant. Before long, Zelda has fallen for him, even though Scott isn't wealthy or prominent or even a Southerner and keeps insisting, absurdly, that his writing will bring him both fortune…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
This is an incredible story about Edgar Allen Poe’s wife told through the eyes of his mistress. Very well done and it really gives a look into Mr. and Mrs. Poe and their marriage. But it also gives us a sense of the passionate romance between Poe and his mistress.
Inspired by literature's most haunting love triangle, award-winning author Lynn Cullen delivers a pitch-perfect rendering of Edgar Allan Poe, his mistress's tantalizing confession, and his wife's frightening obsession in this new masterpiece of historical fiction to which Sara Gruen says, "Mrs. Poe had my heart racing...Don't miss it!"
And make sure to check out the captivating new novel from Lynn Cullen-Twain's End-where the acclaimed author tells a fictionalized imagining of the relationship between iconic author Mark Twain and his personal secretary, Isabel Lyon.
1845: New York City is a sprawling warren of gaslit streets and crowded avenues, bustling with new…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
Life Beside Itself is a startling book not only because of what it reveals about the history of settler-colonial government care imposed upon Arctic communities during the tuberculosis crisis (1940-60s) and the suicide crisis (1980s onwards) but for the raw emotional proximity that it provides to the individuals whose lives were changed by policies that, ironically, were derived from care itself.
It is a well-researched book that unnerved me with the haunting emotional intimacies its ethnographic and imagistic approach brought through the pages. The intractable longing of a young man waiting each year at the harbour for the ship, the C.D. Howe, that took his grandmother away to a southern hospital is just one of the things in this book that wounds its readers by recounting different forms of care.
In Life Beside Itself, Lisa Stevenson takes us on a haunting ethnographic journey through two historical moments when life for the Canadian Inuit has hung in the balance: the tuberculosis epidemic (1940s to the early 1960s) and the subsequent suicide epidemic (1980s to the present). Along the way, Stevenson troubles our commonsense understanding of what life is and what it means to care for the life of another. Through close attention to the images in which we think and dream and through which we understand the world, Stevenson describes a world in which life is beside itself: the name-soul of…
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
This contemporary retelling of The Secret Garden sets the story in a closed-down tuberculosis sanitarium. Roo's journey to uncover the mysteries of the house and bring life to the garden tucked away inside it unfolds beautifully on the page. With well-developed characters, a deeply haunting revelation, and a setting that springs to life with vivid detail, this was a great take on a classic.
Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.
As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she…
I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
Growing up, my brother and I were a pigeon pair, almost like twins. He was a sensitive boy who wore glasses and played the piano beautifully. Boarding school thumped all that out of him and forced him along a different path. The central character of this novel echoed this dynamic, drawing Brodie Moncur, the Scottish piano tuner, straight to my heart. Despite Brodie’s recurring bouts of tuberculosis and the violence of his bullying family, he gently pursues Lika Blum, a beautiful Russian singer, across 19th-century Europe. The passion and revenge meted out on this gentle soul cannot deaden his rapture for Lika. He knows that he is a man with limited time on his hands who is “trapped in a maddening cycle of strange unhappiness.”
'Boyd on form is the ultimate in immersive fiction, and Love is Blind is Boyd at the top of his game . . . magnificent' Sunday Times
'A finely judged performance: a deft and resonant alchemy of fact and fiction, of literary myth and imagination' Guardian Book of the Week
This is William Boyd's sweeping, heart-stopping new novel. Set at the end of the 19th century, it follows the fortunes of Brodie Moncur, a young Scottish musician, about to embark on the story of his life.
When Brodie is offered a job in Paris, he seizes the chance to flee…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
I am an author fortunate to be alive because of emergency medical treatments I received as an infant, treatments not available to one of my older sisters who died as a result. That I grew up in Rochester Minnesota—home to the world-famous Mayo Clinic where my father worked as a pediatric endocrinologist—also may have increased my awareness of how illness and its medical treatments can affect a young person’s life.
This nonfiction book on tuberculosis, published the same year as my book, begins with the discovery of a skull marked by the scars of tuberculosis. Turns out it belonged to a young man who died over 500,000 years ago from the disease. The authors trace the devastating effects of tuberculosis to modern day when our drugs can no longer fully guarantee treatment. This book tells a fascinating, yet worrisome, story about a most dreaded disease.
"Who knew the biography of a germ could be so fascinating?”—Kirkus (starred review)
This is the story of a killer that has been striking people down for thousands of years: tuberculosis. After centuries of ineffective treatments, the microorganism that causes TB was identified and the cure was thought to be within reach—but drug-resistant varieties continue to plague and panic the human race.
The "biography" of this deadly germ and the social history of an illness that could strike anywhere are woven together in an engrossing, carefully researched narrative. Includes a bibliography, source notes, and index.
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 1860s, the ailing Lady Duff Gordon is advised by doctors to seek warmer climes if she is to recover from an advanced case of tuberculous. She travels to Egypt and embarks from Cairo by sailing a boat up the Nile and deep into Nubia. Along the way she comments on encounters with people of all classes and occupations that she meets. The book stands in stark contrast to the largely unsympathetic picture of the Egyptian peasantry by other British writers of the time. Her sympathetic portrayal includes seeing the importance of Islam and deploring foreign efforts to convert the population to Christianity. Her depictions show that even during this early period certain basic values existed that in a general way still guide behavior today in Egypt.
In 1862, Lucie Duff Gordon left her husband and three children in England and settled in Egypt, where she remained for the rest of her short life. Seeking respite from her tuberculosis in the dry air, she moved into a ramshackle house above a temple in Luxor, and soon became an indispensable member of the community. Setting up a hospital in her home, she welcomed all - from slaves to local leaders. Her humane, open-minded voice shines across the centuries through these letters - witty, life-affirming, joyous, self-deprecating and utterly enchanted by her Arab neighbours.
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