Here are 100 books that The Black Angels fans have personally recommended if you like
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I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
I thought my scientific career peaked in 6th grade when I won the science fair since soon after, all my spare time went to ballet. In college, a broken foot prompted a shift from dance to arts journalism, and then an unplanned pregnancy, complicated birth, and postpartum depression prompted a shift to writing about women’s health. From this, I branched out to various types of science and history, always through the lens of feminism. As an author and journalist, my job is to be professionally curious; I’m always asking why, how, and where: Why are things the way they are? How did they get that way? And where are the women?
Dava Sobel is the unquestionable queen when it comes to writing the history of women in science. You can’t go wrong in choosing anything she’s written, but I particularly enjoyed this group portrait of the women hired as “human computers” at the Harvard Observatory in the late 1800s to interpret astronomical data and observations collected by the male astronomers.
While some of these women were trained scientists, many were simply wives, sisters, or daughters of the Harvard astronomers. Sobel deftly shows how, when given a chance, women were capable of incredible scientific inquiry. I love all of the vivid scenes Sobel recreates and how she is able to bring these women to life so eloquently.
From #1 New York Times bestselling author Dava Sobel, the "inspiring" (People), little-known true story of women's landmark contributions to astronomy
A New York Times Book Review Notable Book
Named one of the best books of the year by NPR, The Economist, Smithsonian, Nature, and NPR's Science Friday
Nominated for the PEN/E.O. Wilson Literary Science Writing Award
"A joy to read." -The Wall Street Journal
In the mid-nineteenth century, the Harvard College Observatory began employing women as calculators, or "human computers," to interpret the observations their male counterparts made via telescope each night. At the outset this group included the…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
Virginia Woolf knew – she insisted – that a life spent maintaining a house, throwing dinner parties, and taking children on sailing expeditions was not necessarily, not categorically, a trivial life.
Even a modest, domestic life is still, for the person living it, an epic journey, however ordinary it might appear to the outside observer. Woolf refused to dismiss lives that most male writers ignore or even denigrate.
And you can get lost in her magnificent sentences; no one puts words together as beautifully as Virginia Woolf.
“Radiant as [To the Lighthouse] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.”—Eudora Welty, from the Introduction.The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of…
I thought my scientific career peaked in 6th grade when I won the science fair since soon after, all my spare time went to ballet. In college, a broken foot prompted a shift from dance to arts journalism, and then an unplanned pregnancy, complicated birth, and postpartum depression prompted a shift to writing about women’s health. From this, I branched out to various types of science and history, always through the lens of feminism. As an author and journalist, my job is to be professionally curious; I’m always asking why, how, and where: Why are things the way they are? How did they get that way? And where are the women?
I will read books on pretty much any topic and genre if they are narrative-driven, literary, and compelling. With this book, I could tell from the first page that this book was going to check all of those boxes. At both the sentence level and story level, this book is incredible.
An epic adventure of 1930s women scientists studying the Grand Canyon rendered in lush prose? Yes, please. Nonfiction wilderness adventure books starring women, let alone women scientists, are a rare treat; in the hands of such a skilled author, they are truly dazzling.
In the summer of 1938, botanists Elzada Clover and Lois Jotter set off down the Colorado River, accompanied by an ambitious expedition leader and three amateur boatmen. With its churning rapids, sheer cliffs and boat-shattering boulders, the Colorado River was famed as the most dangerous river in the world. But for Clover and Jotter, it held a tantalising appeal: no one had surveyed the Grand Canyon's plants, and they were determined to be the first.
Through the vibrant letters and diaries of the two women, science journalist Melissa L. Sevigny traces their forty-three-day journey, during which they ran rapids, chased…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I had always been aware of the story of Madame Restell, but I always wanted to read something more detailed about her, especially that wasn’t judgmental of her career. Because she was a female physician (mainly known for her abortion services) operating in the 1840s until 1875, her story has often been distorted and sensationalized.
I loved that Wright gave more context to her story and brought it to life through the environmental details of the era. She also emphasized the urgency of the story, particularly the historical moment we are currently living in. Mired in controversy for most of her life, Madame Restell (born Ann Trow Lohman) is a character that Wright renders in a compelling, sympathetic, and human manner.
**Longlisted for the Brooklyn Public Library Book Prize in Nonfiction (2023)**
**An Amazon EDITOR'S PICK for BEST BOOKS OF 2023 SO FAR in BIOGRAPHY/MEMOIR and HISTORY**
**An Amazon EDITOR'S PICK for BEST BOOKS OF THE MONTH (March 2023)**
**A Bookshop.Org EDITOR'S PICK (March 2023)**
“This is the story of one of the boldest women in American history: self-made millionaire, a celebrity in her era, a woman beloved by her patients and despised by the men who wanted to control them.”
An industrious immigrant who built her business from the ground up, Madame Restell was a self-taught surgeon on the cutting…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I loved that Julia Satow uncovers the history of lesser-known female department store professionals who hit the pinnacle of their careers in an era when few women were allowed to have executive careers following the Depression.
What delighted me the most were the details of tactics employed by the women to attract more consumers to the stores, such as selling bestselling novels that glamorized the career of an assistant buyer in the shop or the men’s club in which they could gawk at underwear models while shopping for lingerie for their wives. I was also surprised and amused by the stories of name artists such as Salvador Dali, who created window displays for the stores.
NEW YORK TIMES BESTSELLER • A glittering portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza. • "Ms. Satow’s carefully researched book is compulsively readable: I found myself dashing through it like a novel. She portrays the women with verve; we get a glimpse into their lives, as well as a sense of what it was like at each of these retail meccas." —The Wall Street Journal
The twentieth century American department store: a palace of consumption where every wish could be met under one…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
As someone who has written about women in the underground economy in the 1850s, I appreciated having this additional perspective on Black working women in the 1920s who were variously numbers runners, psychics, and sex workers.
These jobs gave women an opportunity to make money at a time when so many options were cut off for them. I especially enjoyed reading about Stephanie St. Claire, who held a huge influence in Harlem in the numbers runners game and defied the authorities and mafia gang leaders while making a lot of money at her work. Her story is phenomenal, and Harris does it great justice.
During the early twentieth century, a diverse group of African American women carved out unique niches for themselves within New York City's expansive informal economy. LaShawn Harris illuminates the labor patterns and economic activity of three perennials within this kaleidoscope of underground industry: sex work, numbers running for gambling enterprises, and the supernatural consulting business. Mining police and prison records, newspaper accounts, and period literature, Harris teases out answers to essential questions about these women and their working lives. She also offers a surprising revelation, arguing that the burgeoning underground economy served as a catalyst in working-class black women (TM)s…
I grew up in Scotland, and from the moment I visited New York City as a tourist, I have been obsessed! I moved to NYC officially in 2000 and have been endlessly fascinated by its history. As a new immigrant who moved here knowing no one and having very little money, I struggled a lot in my initial years, and that left me wondering how people, particularly women, had survived being in the City in prior years, especially with less privileges than I had and so many more obstacles in their way to making a living. I hope these books give you the insight they gave me.
I had frequently heard stories through the New York City history grapevine about the 19th-century Jewish crime boss Mrs. Mandelbaum, but only in a shallow way. That’s why I found it a real treat to read a detailed book about her life and the extraordinary ways in which she pilfered diamonds, silk, and other sought-after Gilded Age goodies.
I was most fascinated by the way Margalit Fox laid out her gang’s intricate methods of robbing banks, including the diagrams that brought these actions to life. Mandelbaum’s demise at the end of the book is surprisingly touching.
America’s first great organized-crime lord was a lady—a nice Jewish mother named Mrs. Mandelbaum.
“A tour de force . . . With a pickpocket’s finesse, Margalit Fox lures us into the criminal underworld of Gilded Age New York.”—Liza Mundy, author of The Sisterhood
In 1850, an impoverished twenty-five-year-old named Fredericka Mandelbaum came to New York in steerage and worked as a peddler on the streets of Lower Manhattan. By the 1870s she was a fixture of high society and an admired philanthropist. How was she able to ascend from tenement poverty to vast wealth?
