I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
Before Trans is a triple biography of three very remarkable French women writers, all of whom preferred men’s clothing and behaved in unladylike ways. The three are Jane Dieulafoy (1850 - 1916), explorer and archeologist; the novelist Rachilde (Marguerite Eymery,1860-1953); and the erotic writer Marc de Montifaud (Marie-Amélie Charteroule de Montifaud,1845-1912). The distinctive feature of this provocative book is the author’s effort to understand these women who chose to defy the boundaries of femininity but lived in a world that was “before trans” – before what we understand today as transgender, where one’s sex and one’s gender self-understanding do not line up. It is a brilliant book, which one reviewer describes (and I agree) as “exceedingly well-written, layered, and compelling.” Mesch’s pioneering triple biography is not to be missed.
A fascinating exploration of three individuals in fin-de-siecle France who pushed the boundaries of gender identity.
Before the term "transgender" existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850-1916), Rachilde (1860-1953), and Marc de Montifaud (1845-1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity.
Dieulafoy fought alongside her husband in the Franco-Prussian War and traveled with him to the Middle East; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous…
This book is stunningly beautiful, dealing with self-discovery and childhood trauma in a sensitive way. It is joyful and melancholy, filled with found family and love, and one of my favorites of the year.
Sparrow has to be the perfect daughter. If she can
control everything, then maybe she can hold their life together, but when Mom
spirals out of control despite Sparrow’s best efforts, Sparrow ends up being
sent to live with her Aunt Mags.
As Shadow encourages Sparrow to take chances and
find out who she is, Sparrow realizes that maybe “she” isn’t quite right, and
maybe “he” isn’t either. Whoever Sparrow actually is, it’s time they find out. But
whatever they find, they know now it’s not up to them to keep the world on
their shoulders.
Full of humor and heartbreak, this story about a nonbinary character navigating a binary world is perfect for fans of Alex Gino and Kyle Lukoff.
It’s exhausting trying to be the perfect daughter. Still, getting good grades without making any waves may be the only way to distract from the fact that Sparrow Malone’s mother is on the verge of falling apart. Which means no getting upset. No being weird. No standing out for the wrong reasons.
But when Mom’s attempts to cope spiral out of control, Sparrow is sent to live with Aunt Mags on a sprawling estate full…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
I love stories about artists, and I loved the creativity of the whole idea behind this adult fantasy set against an Asian-inspired backdrop, where art is magic and can be used to make things happen in the physical world.
But even better is the fact that the main character—a skilled artist roped into working for a corrupt entity—is nonbinary, and this is nothing more than a mundane fact. It’s a clear reminder that gender is just one part of a person’s existence—and probably not the most important one.
Gyen Jebi isn't a fighter, or a subversive. They just want to paint.
One day they're jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government's automaton soldiers.
But when Jebi discovers the depths of the Razanei government's horrifying crimes-and the awful source of the magical pigments they use-they find they can no longer stay out of politics.
What they can do is steal Arazi, the ministry's mighty dragon automaton, and find a way to fight...
I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).I was a columnist for The Philosopher Magazine for eight years, PhilosophyNow for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off.
I have always thought that we desperately need to hear from transmen and transwomen to help distinguish the effects of biological sex from those of cultural gender conditioning—more specifically, to illuminate both the influence of our respective high levels of estrogen or testosterone) and, in a word, sexism. Using interviews with transmen, Schilt very much does the latter. Consider this book a thorough precursor (2010) to the much-publicized experiences of Martin and Nicole (Google it); Martin concludes, about his experience being treated as Nicole, "It sucked." Indeed. (And the surprise experienced by so many transmen at their post-trans experiences supports the view that most women have no idea how easy men have it.)
The fact that men and women continue to receive unequal treatment at work is a point of contention among politicians, the media, and scholars. Common explanations for this disparity range from biological differences between the sexes to the conscious and unconscious biases that guide hiring and promotion decisions. "Just One of the Guys?" sheds new light on this phenomenon by analyzing the unique experiences of transgender men - people designated female at birth whose gender identity is male - on the job. Kristen Schilt draws on in-depth interviews and observational data to show that while individual transmen have varied experiences,…
I have always loved children. I love tiny babies just discovering the world around them. I love elementary-age kids who are taking pride in developing new skills and learning how to deal with challenges. I love teens who are questioning and rethinking the things they thought they knew. I also love the science and practice of psychology (my profession for over thirty years) and, I love books. To date, I have written nine books. My audience ranges from preschool to high school and topics include strategies to understand and cope with problems as well as psychology as a topic of study.
This gentle picture book introduces us to Jacob who wants to dress up like his friend, Emily, and not in the costumes the other boys prefer. Despite being teased when he arrives at school wearing a dress fashioned from a towel, Jacob decides he wants a “real” dress. With support from his parents, he makes one of his own. Further teasing is met by Jacob’s expression of pride in his creation and refusal to compromise who he is. This colorful book promotes acceptance of gender nonconformance and can serve as an opener to discussions of the topic with young children.
One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015
An affirming story about gender nonconformity.
Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional…
I’ve been baffled by everything, especially myself, for as long as I can remember. In my late 20s, after years as a wandering hippy poet, I decided that science is our best hope for answers, and I became a science journalist. The mystery at the heart of science—as well as religion, philosophy, and the arts--is the mind-body problem. In a narrow, technical sense, the mind-body problem investigates how matter generates the mind, but it really asks: What are we, what can we be, what should we be? Below are some of my favorite books touching on these questions.
Sex is an essential part of who we are. What determines our sexual preferences? Do they stem primarily from nature or nurture? Deirdre McCloskey, an eminent economist, is especially qualified to answer these questions. She began her life as Donald, who was married and in his 50s when he realized that he was really a she and became a woman. Crossing, a memoir of McCloskey’s agonizing, exhilarating transformation, is a fascinating deep dive into sexual identity.
A New York Times Book Review Notable Book of the Year
"I visited womanhood and stayed. It was not for the pleasures, though I discovered many I had not imagined, and many pains too. But calculating pleasures and pains was not the point. The point was who I am."
Once a golden boy of conservative economics and a child of 1950s privilege, Deirdre McCloskey (formerly Donald) had wanted to change genders from the age of eleven. But it was a different time, one hostile to any sort of straying from the path--against gays, socialists, women with professions, men without hats,…
Valerie M. Hudson is a University Distinguished Professor and holds the George H.W. Bush Chair in the Department of International Affairs at The Bush School of Government and Public Service at Texas A&M University, where she directs the Program on Women, Peace, and Security. Hudson was named to the list of Foreign Policy magazine’s Top 100 Global Thinkers, and was recognized as Distinguished Scholar of Foreign Policy Analysis (FPA/ISA) and awarded an inaugural Andrew Carnegie Fellowship as well as an inaugural Fulbright Distinguished Chair in the Arts, Humanities, and Social Sciences at Australian National University. She has been selected as the Distinguished Scholar Award recipient for 2022 by the Political Demography and Geography Section (PDG/ISA) of the International Studies Association.
This slim volume by the French philosopher is one I have read many times; nearly every sentence is underlined. Though not strictly about international affairs, it was Agacinski that first sparked in me the sight of the far horizon: diarchy as the political system that should obtain between men and women. Once you understand that the face of humanity is dual, not single, everything changes. Agacinski was one of the crucial voices that led to the adoption of party candidate parity as the law of the land in France.
Sylviane Agacinski has never shied away from controversy. Vilified by some-including many feminists-and celebrated by others as a pioneer of gender equality, she has galvanized the French political scene. Her articulation of the theory of "parity" helped inspire a law that went into effect in May 2000 requiring the country's political parties to fill 50 percent of the candidacies in every race with women. Sylviane Agacinski, according to The New Yorker, "is sometimes credited with making parite respectable." Agacinski begins with the notion that sexual difference should be affirmed rather than denied. Sex, Agacinski points out, is not a social,…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
I’ve been pondering philosophical questions and trying to understand my queer sexuality since childhood. While checking out The Portable Nietzsche in my high school library, the librarian warned me the philosopher was “a bad man.” Then I had to read the book, which not only taught me to become critical of all forms of authority, but also, perhaps paradoxically, empowered me to embrace my queerness. As a college and graduate student, I studied many of the American academic movements based in Continental philosophy grouped under the rubric, “theory.” When queer theory emerged in the early 1990s’, I found a place for myself. I'm convinced that we should never stop putting our identities under critique.
Paul B. Preciado’s Testo Junkie, originally published in Spanish in 2008 and republished in English translation in 2013, is lusty, hyperbolic, and explosive.
It’s part postqueer, trans-feminist manifesto, part record of a cis-female’s illicit experimentation with testosterone, and part explicit fucking. A much more enjoyable book than Judith Butler’s groundbreaking Gender Trouble and Bodies that Matter, and it has the advantage of updating Butler’s Foucault-based theory with the twenty-first-century concerns.
Preciado argues that today’s “pharmacopornographic” regime utilizes drugs and erotic imagery—hormone shots and money shots—to control our subjectivity and gender, instating a system of knowledge and power in which the body “no longer inhabits disciplinary spaces but is inhabited by them.”
This visionary book on gender and sexuality weaves together high theory and intimate memoir, with "spectacular" results—"and the gendered body will never be the same again" (Jack Halberstam).
What constitutes a "real" man or woman in the twenty-first century? Since birth control pills, erectile dysfunction remedies, and factory-made testosterone and estrogen were developed, biology is definitely no longer destiny.
In this penetrating analysis of gender, Paul B. Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
It’s always great to get a reminder to be true to yourself when you don’t fit in easily.
This dystopian YA novel has good worldbuilding and a rich lexicon of new words that gives it that idiosyncratic futuristic feeling. The protagonist is a barely fifteen-year-old girl “bender”—someone who doesn’t feel comfortable in their assigned gender and doesn’t hide that. She has been sent to a camp that will determine her future, making sure she doesn’t end up in the “Blight”, a huge concentration camp for society’s undesirables.
But for a good outcome, she must conform, and her fellow campers and new experiences make that confusing and difficult. The ending is fairly open, but she has clearly learned to be true to herself and reject arbitrarily assigned labels.
In a futuristic society run by an all-powerful Gov, a bender teen on the cusp of adulthood has choices to make that will change her life—and maybe the world.
Fifteen-year-old bender Kivali has had a rough time in a gender-rigid culture. Abandoned as a baby and raised by Sheila, an ardent nonconformist, Kivali has always been surrounded by uncertainty. Where did she come from? Is it true what Sheila says, that she was deposited on Earth by the mysterious saurians? What are you? people ask, and Kivali isn’t sure. Boy/girl? Human/lizard? Both/neither? Now she’s in CropCamp, with all of its…
