Fans pick 100 books like Open Throat

Shockingly, it wasn’t until taking an Asian-American History class in college that I learned about the US internment of Japanese-Americans during World War II. My husband is Japanese-American, and so I now also have family who experienced this shameful time in our history firsthand.

Evergreen is the second book in Naomi Hirahara’s Japantown Mystery series, the first being Clark and Division. It takes place during post-WWII and centers around Aki (a nurse’s aide) and her family's struggles after being released from Manzanar in 1946. This backdrop and its inherent social injustices are adeptly interwoven with a murder mystery happening in Little Tokyo.

In itself, this is a compelling combination of mystery and historical fiction. But it's also a morally significant book, and I'm so glad that Naomi Hirahara was the one to write it. 

The Marriage Portrait is a revisionist story of Lucrezia de Medici, the daughter of a 16th century Florentine duke who marries her off to the ruthless ruler of another region in northern Italy. Lucrezia’s husband is infertile but of course she is blamed for not being able to conceive. She overhears a plot to do away with her, so her husband can try to beget an heir on someone else. Lucrezia, who can get no help from her parents, has to figure out how to outwit her husband and escape. I’ll let you read this suspenseful and richly layered novel to find out if she manages to survive.

Absolution is about the wives of American men with non-combat roles in the U.S. government in Vietnam. The men have brought their families to Saigon. Tricia is a new arrival, and Charlene lures her into the insular world of the American wives. I’ve always been interested in the politics of the late 1960s in the U.S., so I found this book fascinating because it takes place in 1963, before the Kennedy assassination. 

I was captivated by Tricia and Charlene’s friendship because it is complicated and intense. I loved how Tricia is intrigued by Charlene but also intimidated by her and aware that they’d never be friends if they’d met under different circumstances. McDermott skillfully portrays the ambiguity inherent in many friendships, and I appreciated her exploration of this dynamic.

The one thing I appreciate above all else in a novel is emotional gravitas. That feeling transcends time and place; the only thing that matters is what happens to the character(s) you care about. You feel your heart beating, and when you finally put the book down, all you can say is ‘wow.’

Stacy Willingham’s debut lingers long in the memory after the book is read. Her talent at describing setting is any writer’s dream, and her characters snuck into my heart and made me care deeply, all the way to the pulse-pounding conclusion. It is the best thriller I have read in the past half-decade, only challenged by her subsequent novels.

Again, fiction that is based on facts–but in this novel, the facts take over and engulf the reader in an apocalyptic tornado.

The book has an obsessive quality. Most of it deals with the life of the legendary mathematician John von Neumann, known as the “father of the computer,” who switched from pure mathematics to nuclear destruction, artificial life, and various other games.

Labatut’s admirably well-researched saga explores the inhuman face of science and the demonic aspects of progress “for which there is no cure” (copyright John von Neumann). A technological maelstrom to give Edgar Allan Poe the creeps, the book shows that romantic science has come a long way since Dr. Frankenstein. 

I fell off the Ewan McEwan wagon for several years. 

Why? His sentences are gorgeous and impeccable but sometimes his plots seemed glitchy to me or his research was too in your face. But, Lessons! It’s one of those books that has so much of the world in it, while at the same time the characters are deep, vivid, flawed (yes, indeed), and the scenes intense and unforgettable. 

The clarity of his thinking and his understanding of politics, the eras we’ve lived through, the confusion of emotions we suffer from, and the way people fail each other as well as show up—I clutch this book to my heart.  

I enjoy a good redemption arc, particularly ones that show more messy mistakes. In this book, Samantha Mills crafts a tight narrative detailing Zenya's fall and redemption as she navigates the complicated choices of her life. The story is told in parallels, each alternate chapter unfolding details of her present or past in complementary ways, revealing Zenya’s character in a way that emphasizes how both have led to her current situation. 

It also pulls no punches. Zenya’s relationships are colored by various forms of emotional abuse, ranging from the neglect of her father to the manipulative grooming of her mother figure, in ways that struck home personally. It’s a difficult path, portrayed here with compassion and brutal honesty.

This new novel from Libyan writer Matar is mainly a story about the love between friends, especially male friends, but that love is set against displacement and trauma and the psychological difficulties of being separated from one's country, family, culture, and identity.

A contemplative, deeply thoughtful novel, it is totally engaging and searingly honest, just as much about being a human being as it is about political ideologies or survivor guilt. 

Now, this is a makeover. Minor Nigerian god Shigidi is ugly, low-status, and neglected, but he can’t quit his job: that’s just not an option when you’re a god. Unless a powerful succubus needs a sidekick to pull off an interdimensional heist.

This book was a ride, and I enjoyed every minute of it. Sort of crime-spree-meets-spiritual-reckoning, Shigidi has romance, action, and that all-important (to me) opportunity to find out who exactly you can be when you drop all the pre-conditions. I’m hoping for a sequel.

The titular character in this book is, in fact, a house, and it has quite the personality! With hidden passages, winding halls, and secrets beneath the floorboards, this mansion is the perfect backdrop to a haunting tale about magic and legacy.

I loved the tales within tales that Alix E. Harrow wove inside the narrative: this book is a Southern Gothic classic for the 21st century.