I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Steinbeck wrote this novel about a country occupied by the Nazis during World War II.
Although the name of this country is never mentioned, it was generally acknowledged that it was Norway. The focus is on one particular town and shows what life is like when you are not free and live in constant fear.
This book found its way to Europe and was translated into European languages and widely distributed clandestinely. It served to encourage occupied countries to rebel against their oppressor.
Occupied by enemy troops, a small, peaceable town comes face-to-face with evil imposed from the outside—and betrayal born within the close-knit community
A Penguin Classic
In this masterful tale set in Norway during World War II, Steinbeck explores the effects of invasion on both the conquered and the conquerors. As he delves into the emotions of the German commander and the Norwegian traitor, and depicts the spirited patriotism of the Norwegian underground, Steinbeck uncovers profound, often unsettling truths about war—and about human nature.
Nobel Prize winner JohnSteinbeck’s self-described “celebration of the durability of democracy” had an extraordinary impact as Allied…
I spent a career as a television film editor, crafting other writers’ words and directors’ visions to help tell a story. I’ve always loved mysteries and the good ones always have clues that only the savviest of sleuths can figure out. When humor is added it’s even better. That’s what I’ve tried to do with my writing.
While not as funny as the above books, I like this one for its story of betrayal, dignity, and revenge. Set in Mussolini’s fascist regime and the Nazi occupation, young Angelina Rosini witnesses her mother’s brutal murder and will enact revenge no matter how long it takes. She escapes to Rome with her daughter and joins the resistance where she encounters spies, and friends that are not really friends. Who can you really trust? The characters are believable and flawed like most of us. This novel is full of action, Nazi cruelty, and a relentless determination to make things right.
Nazi-occupied Rome sets the stage for Bridge of Sighs and Dreams, where the lives of two women collide in an arena of deception, greed, and sacrifice.
Following an allied attack, Angelina Rosini flees to Rome from her bombed-out village and a ruthless Nazi officer bent on revenge. In Rome, the spirited portrait artist channels her creativity into the art of survival for herself and her young daughter. Unwilling to merely endure, and armed with ingenuity, wit, and unyielding optimism, she enters the shadow world of the Resistance where she zigzags through a labyrinth of compassionate allies and cunning spies.
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
I'm not usually a romance reader, but I love Eva Ibbotson's romances. Sadly, Ibbotson is no longer with us, but when I heard that Laura Wood has a similar style, I knew I had to check out her work.
I had a smile on my face all through this book. Though it's inspired by Shakespeare's Much Ado About Nothing, it's set amongst British characters living in Italy in the early 1930s.
The lighter elements of romance and fun are tinged with the coming specter of fascism and war. Wood balances these two contrasting elements wonderfully.
"...it will sweep you into a glorious, romantic summer haze!" - thebookactivist
A long, hot Italian summer. A duel of kisses. The rules: sparks must fly. Dreams must dance. Neither party must fall in love. In grey, 1930s England, Bea has grown up kicking against the conventions of the time, all the while knowing that she will one day have to marry someone her parents choose - someone rich enough to keep the family estate alive. But she longs for so much more - for adventure, excitement, travel, and maybe even romance.
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
These days, the word fascist is pretty quickly pulled out as a handy insult. Orwell warned even back in the 1940s that the term was used so much that it was becoming meaningless. But when I listen to some of the race-obsessed autocratic leaders lurking in today's politics, I’m convinced “fascist” is a tailor-made description rather than an easy epithet.
I love this book because it helped me get past the hesitation with using that word and is, to my mind, the ultimate philosophical dissection of today’s fascism. For philosopher Alberto Toscano and the thinkers he discusses, fascism is a process at the heart of capitalism itself, "a dynamic that [even] precedes its naming."
His book describes the many aspects of fascism from well beyond Europe in the early twentieth century. If we look around, we can see the percolations of this process producing and reproducing "the racial fantasy of…
The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the 'Great Replacement' to campaigns against critical race theory and 'gender ideology', today's global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies.
Drawing especially on Black radical and anti-colonial theories of fascism, Toscano makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a…
I’ve been trying to understand people’s politics since I was a kid and wondered why my dad, who had been a boy in Sicily under Mussolini, spoke so fondly of “il Duce”—even though Dad was an otherwise independent thinker who believed in people’s inherent dignity, not to mention a man who was an immigrant and an outsider and thus exactly the kind of person fascists hate. I think this background partially explains why I focus my writing on interpreting the significance and appeal of widespread and, in some cases, morally indefensible and contradictory cultural-political ideologies such as neoliberalism and racism.
I started reading books about today’s fascism when I noticed the label being used repeatedly in the wake of Trump’s 2016 presidential campaign. The first book I read was this one.
This very brief study compares the old-guard fascist leaders to Trump by considering elements like rhetorical style, ideas about gender and race, and what we can think of as Trump's way of being in the world. Connolly, a political philosopher, uses the classic studies of Nazism to speculate on the group psychology of today’s followers of authoritarians and analyze people’s attachment to them.
He understands that fascism results from capitalism’s inherent cruelties and will not be easily discarded or simply voted out. He argues, instead, that we must support pluralism and democracy as a starting point.
Coming to terms with a new period of uncertainty when it is still replete with possibilities
This quick and engaging study clearly lays out the United States' current democratic crisis. Examining the early stages of the Nazi movement in Germany, William E. Connolly detects synergies with Donald Trump's rhetorical style. Tapping into a sense of contemporary fragility, Aspirational Fascism pays particular attention to how conflicts between neoliberalism and the pluralizing left have placed the white working class in a bind. Ultimately, Connolly believes a multifaceted democracy constitutes the best antidote to aspirational fascism and rethinks what a politics of the…
I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.
This play profoundly affected me (even though it only played out in my head and not on a real stage). It is both disturbing and moving. It is absurdist, but that nightmarish detachment from reality somehow sends an even stronger shock to the system in its warnings about how fascism takes hold: that strong human tendency towards social thinking (emerging neuroscience research suggests a substantial overlap between physical pain and social pain).
This is much more than just an allegory on authoritarianism, however. Recently, people have used it to explain how easily society gave up on a public health approach to the ongoing Covid pandemic. Maybe getting COVID-19 repeatedly and, at some point, eventually getting long-term COVID-19/turning into a Rhinoceros is not so bad?
I’m a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one you’ve been given.
This is a wonderful book attentive to the cultural dimensions of fascism.
It is also a good book for making sense of fascism’s global attraction. Within a few years of its creation in Italy, fascism began to attract adherents around the world. To give just a few examples, there were Goldshirts in Mexico, Grayshirts in South Africa, Blackshirts everywhere from Kenya to the United States, and Greenshirts in Egypt and France. In Ireland were Blueshirts. And in China there were Blueshirts as well.
In Revolutionary Nativism, the historian Maggie Clinton details the Chinese Blueshirts’ ideological vision of exclusionary nationalism, hyper-modernist regeneration, and military authoritarianism.
The Blueshirts’ attempts to realize their vision, Clinton writes, amounted to a “Cultural Revolution from the Right.”
In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrial…
I’m President of the Writers Guild Initiative, with a mission of giving a voice to populations not being heard (LGBT asylum seekers, exonerated death row prisoners, Dreamers, etc.). In our writing workshops I see how marginalized communities are deprived of their rights and how insidiously minority rule is seizing power. Fascism depends on demonizing the Other, which was weaponized during the Trump years and is exploding on the right. This issue animates my life and work as a writer, mentor, speaker, and teacher. In the USA, democracy is hanging by a thread. My book takes a deep dive into what this means for an American family over the next fifteen years.
This is a short, urgently written handbook for the heart-stopping moments when you hear the sounds of fascism downstairs and realize you forgot to lock the window. “To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. The biggest wallet pays for the most blazing light.” Fake news, Fox News, alternative facts, the Big Lie, QAnon, the replacement theory, the MAGA movement, evangelical theocracy, and fascism have made their way into our house and are creeping up the stairs and we wait, foolishly believing it will listen to reason.
'A sort of survival book, a sort of symptom-diagnosis manual in terms of losing your democracy and what tyranny and authoritarianism look like up close' Rachel Maddow
'These 128 pages are a brief primer in every important thing we might have learned from the history of the last century, and all that we appear to have forgotten' Observer
History does not repeat, but it does instruct.
In the twentieth century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised…
One of my great fears is the assault on democracy, the truth, and common decency happening in so many parts of the world.
Fascism is on the rise even in nations who pride themselves on their democratic principles like Canada and the United States. I loved Albright's easy-reading summary and analysis of the rise of fascism in countries all over the world and its most dangerous manifestation in the nation she has served as a highly respected public servant.
A personal and urgent examination of Fascism in the twentieth century and how its legacy shapes today's world, written by one of America's most admired public servants, the first woman to serve as U.S. secretary of state
A Fascist, observes Madeleine Albright, "is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have."
The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty…
