I get a fuzzy, euphoric feeling when I see a room full of books I can smell and touch. Thrillers, mysteries, epic fantasies, classics, romance… Ah, to find narratives with strong characters, amazing worlds, and thick plots that I can get lost in! A little spice is always nice, but please don’t violate me with explicit obscenities. My soul is not meant for these modern times. I’m especially impressed when writers have the ability to paint sensual scenes in a subtle, crafty way that leaves the details to a reader’s imagination. My happy place is reading in a treehouse library that overlooks my forest. One day I’ll go there.
I go insane over a killerrific suspense thriller, and this one checked all the right boxes for me. The setting is 1930s England, for one. So many of my favorite mysteries are set in that era.
The main character was easy to fall in love with. I loved that she was a female spy in that time period. It was thought-provoking and torturous trying to guess how to solve the crime.
The fifth novel in Anne Perry's breathtakingly tense and exciting spy thriller series, featuring young British photographer and secret agent Elena Standish, set in the 1930s when the world was a place of increasing fear and uncertainty...
As Hitler's influence spreads across Europe, the future of Britain is at stake...
It is late summer 1934 when retired MI6 agent John Repton's body is found near Wyndham Hall in the Cotswolds. Repton was killed while investigating the Wyndham family's ties to fascist sympathisers, and Elena Standish is assigned to discover if one of them resorted to murder . . .
On Tyranny is essential reading for 2024. As we see the rise of authoritarianism in the US and around the globe, Snyder's book prepares the reader in how to spot it and what to do to reject it. It's a very quick read and incredibly important. I bought to give to friends and family.
'A sort of survival book, a sort of symptom-diagnosis manual in terms of losing your democracy and what tyranny and authoritarianism look like up close' Rachel Maddow
'These 128 pages are a brief primer in every important thing we might have learned from the history of the last century, and all that we appear to have forgotten' Observer
History does not repeat, but it does instruct.
In the twentieth century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Described as an ‘alternate history coming-of-age YA’, Ursa packs a real punch. Set in a world deeply divided into those who can live freely and those denied all human rights, it shows what happens when the desire for freedom in those oppressed ignites into a revolution. Brutal and unflinching, with important things to say about fascism and xenophobia, you won’t be able to stop reading!
As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
I Hate the Internet is an uncompromising punch in the face that blends comedy with a didactic, experimental style. It names names and kicks ass. It’s vibrant and energizing. The majority of traditional literary fiction at its core finds its value in teaching empathy through believable characters. And while there’s nothing wrong with that, we still stand today with a world collapsing around us environmentally and politically. We need more books that just say fuck it, conservative forms have not saved us from global warming, political fascism, or dehumanizing capitalism so let’s try something different. At least here’s a unique attempt to rage against the machine. I call it a must-read.
In New York in the middle of the twentieth century, comic book companies figured out how to make millions from comics without paying their creators anything. In San Francisco at the start of the twenty-first century, tech companies figured out how to make millions from online abuse without paying its creators anything.
In the 1990s, Adeline drew a successful comic book series that ended up making her kind-of famous. In 2013, Adeline aired some unfashionable opinions that made their way onto the Internet. The reaction of the Internet, being a tool for making millions in advertising revenue from online abuse,…
I have loved espionage and crime thrillers—beach reads and lit fiction—since my early teens. If the plots involve ordinary people being pulled into extraordinary events with action and romance, then I’m hooked. I have studied Ian Fleming and James Bond and have taught university classes on the subject. I believe that we can learn a lot about our culture, society, and human nature from a well-written novel. I enjoy the flexibility the genre allows and I have added resonant events, history, music, and connections to my Welsh homeland in my novels.
I am intrigued by espionage plots that involve amateur spies and Ambler, inspired by the earlier gentleman spy genre, excelled at placing ordinary people in extraordinary situations. Ambler does this superbly in Cause with his main protagonist Nicholas Marlow, a down-on-his luck engineer, finds himself pulled into a deadly spy plot in pre-war fascist Italy. Ambler’s plotting is taut and engaging—more so given when it was written and the subject matter. Along with his rather naïve, romantic Marlow there are Fascist secret police, Nazi agents, and Soviet spies—who are actually the forces of good—(remember the time and the European situation!) Ambler’s influence on the post war espionage thriller writers is pretty clear here. Fleming even namechecks him, having Bond read Ambler’s Mask of Dimitrious (also a great book) in From Russia With Love.
Nicky Marlow needs a job. He’s engaged to be married and the employment market is pretty slim in Britain in 1937. So when his fiancé points out the Spartacus Machine Tool notice, he jumps at the chance. After all, he speaks Italian and he figures he’ll be able to endure Milan for a year, long enough to save some money. Soon after he arrives, however, he learns the sinister truth of his predecessor’s death and finds himself courted by two agents with dangerously different agendas. In the process, Marlow realizes it’s not so simple to just do the job he’s…
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.
'Moorehead paints a wonderfully vivid and moving portrait of the women of the Italian Resistance...an excellent book... She depicts a tragic fate that is timeless, of dreams forged in adversity, shattered by collisions with practical politics' MAX HASTINGS, SUNDAY TIMES
A Spectator Book of the Year
The extraordinary story of the courageous women who spearheaded the Italian Resistance during the Second World War
In the late summer of 1943, when Italy changed sides in the War and the Germans - now their enemies - occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca…
I am both a musician and an author: a Juilliard-trained professional composer who fell into writing after a Ph.D. in electronic music at NYU. Both of my biographies—a favorite genre—chronicle the lives of inventors who married music to electronics and altered the trajectory of music. But their lives each took strange turns—sometimes in almost fictional dimensions—demonstrating that leaving a technological and artistic mark on posterity often has a black side that history overlooked. I’m fascinated by the psychic profiles of my subjects, and I love books that show how character is not black and white—that those who moved the needle of human progress also harbored dark realms in their personalities.
As a New Yorker, I’ve glanced fleetingly over the years at architect Philip Johnson’s monumental structures that dot the city, and as a Ph.D. student, I spent hours researching under the atrium of his Bobst Library at NYU, assuming incorrectly—as this book demonstrates—that Johnson was a traditionally-schooled, distinguished architect of sound personal character. Lamster’s revealing biography untangles a disturbingly complex man—an almost gentleman farmer among architects with limited technical background, lofty plans, and a lifelong engagement with fascism.
This book pulls back the curtain to unveil an unexpected trail of machinations between Johnson and his circle of the wealthy and powerful, showing how a doyen of modern culture hid his failings from the public behind the façade of his towering creations.
When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT&T Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion.
Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to…
I’m a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one you’ve been given.
This is a wonderful book attentive to the cultural dimensions of fascism.
It is also a good book for making sense of fascism’s global attraction. Within a few years of its creation in Italy, fascism began to attract adherents around the world. To give just a few examples, there were Goldshirts in Mexico, Grayshirts in South Africa, Blackshirts everywhere from Kenya to the United States, and Greenshirts in Egypt and France. In Ireland were Blueshirts. And in China there were Blueshirts as well.
In Revolutionary Nativism, the historian Maggie Clinton details the Chinese Blueshirts’ ideological vision of exclusionary nationalism, hyper-modernist regeneration, and military authoritarianism.
The Blueshirts’ attempts to realize their vision, Clinton writes, amounted to a “Cultural Revolution from the Right.”
In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrial…
As a child, I read stories of courageous women and men who risked their lives for their faith, for their freedom, or for the freedom of others. Many of these stories were dark and brutal. History taught me that governments are capable of atrocities that defy understanding. Fiction stories led me to envision dark futures. But I do not enjoy stories that discourage or depress. Instead, I believe stories should display hope, faithfulness, and sacrifice. I admire the heroes of our history and I seek fiction that speaks these same truths. We need stories that inspire us to stand up, to speak out against injustice, no matter the consequences.
What leads people to join a movement? What causes a group to sacrifice freedom for power, victory, and equality? How does oppression begin?
When Ben is unable to answer a student’s question, “Why did the German people not stop the Nazis?” he devises an experiment. Would American students surrender their individuality and follow his leadership blindly? What follows quickly spirals out of control. The students and their teacher are forced to confront how a movement transforms those who become caught in its current. And some students are forced to learn the cost of daring to speak against the majority.
When Ben shows his pupils a film about the Nazis' persecution of the Jews, they can't believe it could happen. So he introduces a new disciplinary system in an attempt to shown them how powerful group pressure can be. But things get out of hand.
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
Zeev Sternhell, who died in 2020, was a scholar of matchless integrity and a personal friend.
His groundbreaking study, Neither Right Nor Left, transformed our understanding of the history of fascism. It also upended the received wisdom that indigenous fascism had been nonexistent in France: the myth that fascist ideology had been brutally imposed on the French in 1940 by the Nazi conquerors. Sternhell’s book intervened in timely fashion to remind us that France was the birthplace not only of republican humanism, but also of the European counterrevolution, as represented by intellectuals such as Joseph de Maistre, Edouard Drumont, and Maurice Barrès.
He demonstrates that, at the time of the Dreyfus Affair (1894-1905), counterrevolutionary ideology metastasized into a series of diabolically antisemitic pro-fascist movements. Perhaps the best-known exemplar was the Integral Nationalism of Charles Maurras and the Action Française.
Sternhell’s stunning conclusion, which continues to be hotly debated today, is…
"Few books on European history in recent memory have caused such controversy and commotion," wrote Robert Wohl in 1991 in a major review of Neither Right nor Left. Listed by Le Monde as one of the forty most important books published in France during the 1980s, this explosive work asserts that fascism was an important part of the mainstream of European history, not just a temporary development in Germany and Italy but a significant aspect of French culture as well. Neither right nor left, fascism united antibourgeois, antiliberal nationalism, and revolutionary syndicalist thought, each of which joined in reflecting the…
