My childhood, very much shaped by World War II, led me the study of international relations and political psychology. I have written numerous books on conflict management and prevention, and also on ancient Greek thinkers and writers, and the elusive nature of knowledge. In recent years I have begun to explore these themes in fiction. This shift has been exhilarating and liberating and provides me the opportunity to present the tragic understanding of life and politics to a larger audience.
Mansfield is another pioneering, modernist
writer, whose psychologically driven characters have sudden epiphanies.
Insights of this kind are extremely difficult to make credible in stories yet
she invariably succeeds. Understanding how she pulls this off enriched my
understanding of how plots work and how personalities are depicted. I might
also add that I am married to a New Zealand and some time in that country, so
nice to have a local, so to speak, author.
This was Katherine Mansfield's last collection of short stories to be published during her lifetime. They are The Garden Party, A Dill Pickle, Her First Ball, The Doll's House, The Daughters of the Late Colonel and A Cup of Tea. The stories vary in length and tone, yet all are sensitive revelations of human behaviour that reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.
The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.
The fate of women in this time in history is completely held by the men of the family.
I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life…
An enthralling historical novel of immigration, courage and first love from an award-winning New Zealand author.
Eloise and her family must leave Cornwall on a treacherous sea journey to start a new life in 1870s colonial New Zealand. On the ship across, Eloise meets Lars, a Norwegian labourer travelling below decks, and their lives begin to intertwine. When her brother disappears, her father leaves and the family are left to fend for themselves in their new home, Eloise must find the strength to stand up for what she believes in and the people she loves.
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
There is a lot to love about this book. The level of detail about every element of Scottish ethnicity under consideration is extraordinary. Bueltmann seems to leave no stone unturned in her examination of Scottish associations. I am always a big fan of historical databases, so the analysis based on the database compiled for this research of society members, based on extant sources, is a big selling point for me.
Many society membership lists have been lost to history, and the New Zealand census returns were systematically destroyed, so compiling such a database was no mean feat. What has always most strongly stuck with me, though, is how the stories of individual migrants are woven throughout, not just thrown in as examples but integral to understanding the phenomena she is exploring. John Jack and family, for example, turn up at different points in their lives at different points in the…
The Scots accounted for around a quarter of all UK-born immigrants to New Zealand between 1861 and 1945, but have only been accorded scant attention in New Zealand histories, specialist immigration histories and Scottish Diaspora Studies. This is all the more peculiar because the flow of Scots to New Zealand, although relatively unimportant to Scotland, constituted a sizable element to the country's much smaller population. Seen as adaptable, integrating relatively more quickly than other ethnic migrant groups in New Zealand, the Scots' presence was obscured by a fixation on the romanticised shortbread tin facade of Scottish identity overseas. Uncovering Scottish…
I'm an author from New Zealand, who writes fiction and non-fiction for adults, but I'm also an accidental children's book writer. Accidental? I never thought I would write books for children, but the then 10-year-old in our family demanded a children's book, and the popular Elastic Island Adventures series was born. I always remember how much joy I got from discovering books as a child, so I'm interested in books that are fun for children but encourage creativity and literacy. I love when books are so enjoyable that children don't realize how much they are learning, where they can enjoy exploring the 'theater of the mind'.
The Just series is by a New Zealand author and is perfect for slightly older children, 11 to 14 years.Just Keep Going is an engaging read with delightful characters and wonderful messages about the environment and the importance of friends and family, with a main character who proves to be resourceful, caring, and brave. It's the perfect blend of real life and fantasy, encouraging the theater of the mind to get children positively thinking about many issues.
Becky always loved visiting her dad in New Zealand until she returns during the pandemic.
Now he’s got a baby with her new stepmum and everything has changed. Worse still, her windsurfer hasn’t arrived yet, so there’s nothing for her to do but wait for Mum who is stuck overseas.
Then Becky finds a strange stone at Whale Bay and her luck changes. She makes new friends, joins an environmental group, borrows a windsurfer, and has several close encounters with a bottlenose dolphin who simply won’t leave her alone.
But what is wrong with the dolphin? Is it trying to…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is its challenge for New Zealand historians to examine the role of different British cultures in shaping New Zealand society. Akenson, a Canadian author, took a one-year research fellowship in New Zealand, and this resulting book has changed the face of migration studies in New Zealand in the decades since.
He describes previous works as cementing a tradition of biculturalism, ‘lumping… all white settlers into a spurious unity’, but more than just laying down the challenge to do something about that ‘lumping,’ he then shows a way forward, examining the Irish in New Zealand. Marvellous!
I chose the ‘Best’ title with trepidation: there are many sorts of aces and reading tastes will differ. I’m a cis-gender female, sex averse, verging on sex-repulsed. So, why M/M? Firstly, because reading about other females is too much like being involved myself. Secondly, because I’m het-romantic so I like my MCs to be male. And sex? I can take sex on the page as long as it isn’t gratuitous; it must be meaningful. I’ve chosen five very different books, but they all have gay protagonists and they meet my ace-based needs. In case it’s an issue, I’ve commented on the flame count.
Another crime story. It’s a lengthy tale that, because so many men and partnerships are involved, made me work hard, but the intriguing plot is character-driven, which I like. The setting is fifties Australia. I’m English and I admit that I tend to forget about the huge part played in the Second World War by Australian, New Zealand, and Canadian troops, aka ANZAC. What links Jones’ gay protagonists is their military background. I felt that I learnt something and that pleased me. Nothing on the page to worry aces.
"I'm sorry I have to tell you this, Harry, but Daley Morrison was murdered. It was no heart attack. He was stabbed through the heart and then staked out, naked, in the middle of the Sydney Cricket Ground as some sort of warning to someone."
Harry Jones almost fell into his chair, such was his shock.
Clyde Smith is brought into the investigation by his former colleague, Sam Telford, after a note is found in the evidence bags with Clyde's initials on it. Someone wants ex-Detective Sergeant Smith to investigate the crime from outside the police force. It can only…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
For me, Catherine Lacey’s debut novel Nobody Is Ever Missing is a kind of reverse exploration of foreignness.
Elyria escapes from a comfortable New York life to New Zealand, where she backpacks down to the South Island towards a half-hearted invitation to stay from a poet she once met. Interesting to see your own country through the eyes of another writer as she observes “a boring little mountain, a plain blue lake, a gas station, the same as ours only slightly not” while she searches for a “small and manageable life”.
As she outwardly drifts through the landscape she also takes us on a very inward journey, interrogating her own thoughts about her adopted sister’s suicide, the mutual grief that drew her to her husband, and her mother’s drinking.
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge.
Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks.
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
I love that this book tells a bleak migration story–the stories of those for whom migration was the beginning of a period of struggle. The most often told migration stories are the successful ones. The migrants who arrived in their new land and excelled–built a business empire, became prime minister, bought up huge swathes of land, and passed their wealth onto their descendants. Even at the time, letters home to family who stayed behind seldom spoke of hardship or difficulties.
Taking lunatic asylum records as its core source, this book allows this other end of the settler experience spectrum to be examined through an institutional lens that is perhaps less widely consulted than it deserves to be.
This book provides a social, cultural, and political history of migration, ethnicity, and madness in New Zealand between 1860 and 1910. Its key aim is to analyse the ways that patients, families, asylum officials, and immigration authorities engaged with the ethnic backgrounds and migration histories and pathways of asylum patients and why. Exploring such issues enables us to appreciate the difficulties that some migrants experienced in their relocation abroad, hardships that are often elided in studies of migration that focus on successful migrant settlement.
Drawing upon lunatic asylum records (including patient casebooks and committal forms), immigration files, surgeon superintendents reports,…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.
The New Zealand Wars were a series of conflicts that profoundly shaped the course and direction of New Zealand history.Fought between the Crown and various groups of Māori between 1845 and 1872, the wars touched many aspects of life in nineteenth-century New Zealand, even in those regions spared actual fighting. Physical remnants or reminders from these conflicts and their aftermath can be found all over the country, whether in central Auckland, Wellington, Dunedin, or in more rural locations such as Te Pōrere or Te Awamutu.Following on from the best-selling The Great War for New Zealand, Vincent O'Malley's new book provides…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
A houseful of women, moving from their long-term home in New Zealand to a new location by the sea. What you get in this short tale is an accumulation of moments that add up to an intense mosaic of the life of women in a male-dominated family.
From the little girl Kezia to the pregnant wife Linda, from the sometimes benevolent grandmother to the handyman who chops off the head of a live duck to see it still running, this book enthralls in its detail, its poetic and emotional resonance, and the insights it gives into female consciousness in a world of constrictions.
Don’t look for ‘what happens next’; look instead for the diamond facets the story reveals in every sentence. When you get to the end, you may feel that this book is a jewel beyond price.
Radical, witty and inventive, Katherine Mansfield is one of the twentieth century's most accomplished short-story writers and this selection of stories showcases her dazzling skill.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Prelude & Other Stories is edited and introduced by Professor Meg Jensen.
This selection of stories by Katherine Mansfield showcases her remarkable ability to delve into the human mind; in stories such as 'The Garden Party' she reveals the tension between innocence…
