Fans pick 100 books like Scottish Ethnicity and the Making of New Zealand Society, 1850-1930

Data-driven migration research is my absolute favorite kind of migration literature. While this book excels at this, and a truly robust sample of migrants underpins it as a whole, the statistics that underpin the research are presented so that they wouldn’t scare a non-specialist reader.

It is a model of how to make data-driven research accessible to a general readership. I love how it is neatly divided into thematic sections by birthplace, but nevertheless avoids repetition. If I had to recommend just one book to someone about British and Irish migration to Aotearoa this would be it. I can’t recommend it highly enough as a general overview of the major trends. 

What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.

Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too. 

I love that this book tells a bleak migration story–the stories of those for whom migration was the beginning of a period of struggle. The most often told migration stories are the successful ones. The migrants who arrived in their new land and excelled–built a business empire, became prime minister, bought up huge swathes of land, and passed their wealth onto their descendants. Even at the time, letters home to family who stayed behind seldom spoke of hardship or difficulties.

Taking lunatic asylum records as its core source, this book allows this other end of the settler experience spectrum to be examined through an institutional lens that is perhaps less widely consulted than it deserves to be.

What I love most about this book is its challenge for New Zealand historians to examine the role of different British cultures in shaping New Zealand society. Akenson, a Canadian author, took a one-year research fellowship in New Zealand, and this resulting book has changed the face of migration studies in New Zealand in the decades since.

He describes previous works as cementing a tradition of biculturalism, ‘lumping… all white settlers into a spurious unity’, but more than just laying down the challenge to do something about that ‘lumping,’ he then shows a way forward, examining the Irish in New Zealand. Marvellous!

Ah, were you ever going to shout the famous question, “Why’d you do it!?”, at a character, it would have to be at Morvern.

Another book that grabbed the filmic imagination, this time of Lynne Ramsay, Morvern has the quietest moment of madness on this list. She finds her boyfriend, whom she never names but gives him a Godlike uppercase H whenever He is mentioned, dead by his own hand on the floor of their flat and coolly accepts the fact.

Then, as a sort of civic duty and not to cause a fuss, she chops him up and buries the pieces of him in a suitably empty Scottish landscape. As you do. The draft novel she steals from him seems obviously hers, as all her actions seem obviously Morvern.

Eveline has a secret. Her family thinks her daft, but even though she cannot hear, she has taught herself to read lips. She is content to keep her abilities to herself, as it enables her to “hear” all the things people say when they think no one is listening. Unexpectedly, she finds herself betrothed to a rival clan leader, who accepts her begrudgingly, only because she is beautiful. But Eveline is shocked to discover that her new husband’s voice is so deep she can hear him.  

This book is more of a steamy romance than my usual choice, but I love the Scottish setting and the heroine’s bravery and confidence. Even though she is tossed into situations that were not of her choosing, she is strong and smart, and deeply in love, which gives her the strength to make a new life for herself. After finishing this book, I wrote… show more.

I absolutely adored this book. I laughed from beginning to end. This is an adventure like no other and set in one of my favourite countries, Scotland. I have been lucky to visit Scotland twice. Its history, culture, scenery, and people have intrigued me since I was a child. The main characters are kilt-wearing animals, eating lots of cake and doing their best to fit in. These wolves might be the polite high society type, but they have a voracious appetite that makes the story so entertaining. It’s a tale full of delightful Scottish humour, castles, dungeons, and a villainous real estate agent. This hilarious romp through the Scottish countryside brings back wonderful memories of all that I have encountered while visiting this fabulous country. 

Hard Nox is set in Scotland and is brilliantly written. It's the start of series two and I fell in love with the world that Jolie had built. I did put this book down a few chapters in to find the first book of the first series. I wanted to read them in order and I'm so glad I did. It was hard at the time to find books showing the Scots dialect and Jolie does it well. So much so, I'm one of her ARC readers and I have started collecting the paperback copies. This is my favourite of all her books.

The murder of Henry Stewart, Lord Darnley, has baffled historians and authors for centuries, yet the queen’s consort is often a minor figure in the greater tragedy/romance of Mary. While writing my own book, I was eager to know more about the ill-fated lang lad other than the results of his self-centred scheming conspiracies–David Rizzio’s assassination, his own murder at Kirk o Field, and ultimately Mary’s downfall. And so it was refreshing to read this excellent biography which gives Darnley centre stage. By recreating his childhood and family background, particularly around his ambitious mother, Margaret Douglas, Countess of Lennox, Caroline Bingham offers a fascinating portrait of this flawed character who stole the queen’s heart and then broke it. 

At times her account made me feel sorry for this gullible pawn in the Game of Queens.

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.