Here are 100 books that A Woman of Good Character fans have personally recommended if you like
A Woman of Good Character.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
Data-driven migration research is my absolute favorite kind of migration literature. While this book excels at this, and a truly robust sample of migrants underpins it as a whole, the statistics that underpin the research are presented so that they wouldn’t scare a non-specialist reader.
It is a model of how to make data-driven research accessible to a general readership. I love how it is neatly divided into thematic sections by birthplace, but nevertheless avoids repetition. If I had to recommend just one book to someone about British and Irish migration to Aotearoa this would be it. I can’t recommend it highly enough as a general overview of the major trends.
This book explores the question of who New Zealand's Pakeha ancestors were. It presents and interprets the findings of a major statistical analysis of immigrants from the United Kingdom over a century and a half drawn from death registers and shipping records. The book looks at for the first time and in detail such issues as the geographical origins of the founding ancestors, their occupational and class background, their religions and their values. Did our forefathers and mothers come from particular areas of Britain, did they tend to practise certain occupations, were they Catholics or Protestants, working people or aristocrats?…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
There is a lot to love about this book. The level of detail about every element of Scottish ethnicity under consideration is extraordinary. Bueltmann seems to leave no stone unturned in her examination of Scottish associations. I am always a big fan of historical databases, so the analysis based on the database compiled for this research of society members, based on extant sources, is a big selling point for me.
Many society membership lists have been lost to history, and the New Zealand census returns were systematically destroyed, so compiling such a database was no mean feat. What has always most strongly stuck with me, though, is how the stories of individual migrants are woven throughout, not just thrown in as examples but integral to understanding the phenomena she is exploring. John Jack and family, for example, turn up at different points in their lives at different points in the…
The Scots accounted for around a quarter of all UK-born immigrants to New Zealand between 1861 and 1945, but have only been accorded scant attention in New Zealand histories, specialist immigration histories and Scottish Diaspora Studies. This is all the more peculiar because the flow of Scots to New Zealand, although relatively unimportant to Scotland, constituted a sizable element to the country's much smaller population. Seen as adaptable, integrating relatively more quickly than other ethnic migrant groups in New Zealand, the Scots' presence was obscured by a fixation on the romanticised shortbread tin facade of Scottish identity overseas. Uncovering Scottish…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
I love that this book tells a bleak migration story–the stories of those for whom migration was the beginning of a period of struggle. The most often told migration stories are the successful ones. The migrants who arrived in their new land and excelled–built a business empire, became prime minister, bought up huge swathes of land, and passed their wealth onto their descendants. Even at the time, letters home to family who stayed behind seldom spoke of hardship or difficulties.
Taking lunatic asylum records as its core source, this book allows this other end of the settler experience spectrum to be examined through an institutional lens that is perhaps less widely consulted than it deserves to be.
This book provides a social, cultural, and political history of migration, ethnicity, and madness in New Zealand between 1860 and 1910. Its key aim is to analyse the ways that patients, families, asylum officials, and immigration authorities engaged with the ethnic backgrounds and migration histories and pathways of asylum patients and why. Exploring such issues enables us to appreciate the difficulties that some migrants experienced in their relocation abroad, hardships that are often elided in studies of migration that focus on successful migrant settlement.
Drawing upon lunatic asylum records (including patient casebooks and committal forms), immigration files, surgeon superintendents reports,…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is its challenge for New Zealand historians to examine the role of different British cultures in shaping New Zealand society. Akenson, a Canadian author, took a one-year research fellowship in New Zealand, and this resulting book has changed the face of migration studies in New Zealand in the decades since.
He describes previous works as cementing a tradition of biculturalism, ‘lumping… all white settlers into a spurious unity’, but more than just laying down the challenge to do something about that ‘lumping,’ he then shows a way forward, examining the Irish in New Zealand. Marvellous!
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This gripping psychological thriller centers around a girl who is caught up in a religious cult, her name changed and all her supports ripped away. How will she survive this? Will she be able to escape? Still in print after 20 years, this book won the Storylines Gaelyn Gordon Award for a Much-loved Book 2009.
A classic bestseller that's been in print for over 20 years, this gripping YA thriller follows a teenage girl caught in a religious cult.
Imagine that your mother tells you she's going away. She is going to leave you with relatives you've never heard of - and they are members of a strict religious cult. Your name is changed, and you are forced to follow the severe set of social standards set by the cult. There is no television, no radio, no newspaper. No mirrors. You must wear long, modest clothes. You don't know where your mother is, and you…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
A writer of predominantly fantasy and historical fiction, Sheryl Jordan’s books have heart and soul. The Raging Quiet, a fantasy novel, introduces us to outsider Marnie, a young widow living in an isolated medieval community. Her only friends are a priest and a weird, "mad" youth called Raven, who she realizes is not mad at all, but deaf. When she teaches him "hand words" they are both suspected of witchcraft and find themselves under attack. It’s a book that pierces your heart and stays with you for a long time afterward.
OUTSIDERS Widowed just two days after her unwilling marriage to a man twice her age, Marnie finds herself an outsider in the remote seaside village of Torcurra. Spurned by the townsfolk who suspect her involvement in her husband's death, she has only two friends: the local priest and the madman known as Raver, even more of an outcast than Marnie herself. Marnie makes a remarkable discovers about Raver, whom she renames Raven, and the two forge a deep bond that begins to heal her own bruised heart. But the suspicious villagers see Raven's transformation as evidence of witchcraft, and suddenly…
I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.
Finally, a book with WWII letters that doesn’t focus exclusively on the British or Americans! Some of the soldiers are also from Australia, New Zealand, and even Germany! It helps to have a broader view of the conflict and it is very interesting to observe the differences in points of view. Moreover, this book provides the reader with beautiful photos of the letter writers, in addition to their names and stories before and after the war. Unfortunately, there is little or no historical context surrounding each letter, which is not disturbing when one is already familiar with the subject but is essential to understand all their subtleties.
Writers from 20 Allied and Axis countries are gathered in this unique collection of letters from service-men and women to their friends, families and sweethearts. WORLD WAR II LETTERS provides an unflinching perspective on the lives of those who served throughout the world - in Europe, the Pacific, Northern Africa and Asia. Wide-ranging in scope, WORLD WAR II LETTERS includes writings by officers and infantry, nurses and doctors, pilots, POWs, those injured in action, killed in combat, and those reported missing. Introductory biographies and photographs vividly capture military life before, during and after the war.
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Described as an ‘alternate history coming-of-age YA’, Ursa packs a real punch. Set in a world deeply divided into those who can live freely and those denied all human rights, it shows what happens when the desire for freedom in those oppressed ignites into a revolution. Brutal and unflinching, with important things to say about fascism and xenophobia, you won’t be able to stop reading!
