Here are 100 books that Ursa fans have personally recommended if you like
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As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
If you’re into philosophy, this is the book for you! It explores the big questions about the origins of life and human consciousness, and what is it to be human and what makes a soul. Set in a distant future, on an island republic brutally policed to keep out survivors from the ruined world beyond its shores, Anaximander is put through a grueling examination to get into The Academy. I loved how it pushed my brain and went in places I wasn’t expecting.
The island Republic has emerged from a ruined world. Its citizens are safe but not free. Until a man named Adam Forde rescues a girl from the sea. Fourteen-year-old Anax thinks she knows her history. She'd better. She's sat facing three Examiners and her five-hour examination has just begun. The subject is close to her heart: Adam Forde, her long-dead hero. In a series of startling twists, Anax discovers new things about Adam and her people that question everything she holds sacred. But why is the Academy allowing her to open up the enigma at its heart? Bernard Beckett has…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Though not packaged as YA, I think it sits well here. It’s speculative cli-fi, imagining an Aotearoa New Zealand ravaged by climate change. Steeped with Māori references, it’s a rollicking good yarn with a serious undertow and questions about how we care (and don’t care) for our environment, and the things that join and divide us.
In a radically changed Aotearoa New Zealand, Van's life in the swamp is hazardous. Sheltered by Rau and Matewai, he mines plastic and trades to survive. When a young visitor summons him to the fenced settlement on the hill, he is offered a new and frightening responsibility-a perilous inland journey that leads to a tense confrontation and the prospect of a rebuilt world.
`Patchett's is an extraordinary imaginative achievement: an unsettlingly strange, and fully realised, narrative situation and world. I read The Burning River experiencing a mixture of intellectual exhilaration and emotional agitation of an intensity fiction has not produced…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
When Tegan dies, she wakes up a hundred years later, locked in a government facility with no idea what happened. As she tries to make sense of this future world, it starts to feel as if something is very wrong. Should she keep her head down and just live out her life, or should she fight to make the future better for all? An excellent story from a world-class writer. “Accessible, thoughtful and compelling — science fiction done right.” – Kirkus Reviews
My name is Tegan Oglietti, and on the last day of my first lifetime, I was so, so happy.
Sixteen-year-old Tegan is just like every other girl living in 2027--she's happiest when playing the guitar, she's falling in love for the first time, and she's joining her friends to protest the wrongs of the world: environmental collapse, social discrimination, and political injustice.
But on what should have been the best day of Tegan's life, she dies--and wakes up a hundred years in the future, locked in a government facility with no idea what happened.
As a mystery writer, I’ve always got my eye out for a great place to hide a body. I can’t help it, it’s a hazard of the job. I also love to travel, and a mix of the two has always been irresistible to me, whether I’m reading or writing. I’d say I’m not the only one who enjoys a little sightseeing with my whodunits, because my first book, Death in the Aegean, was nominated for an Agatha Best First Novel Award by the Malice Domestic community. I hope you enjoy these picks that combine some of my ideal vacation spots with entertaining whodunits.
I’ve never been to New Zealand, and this book makes me feel like I’m there with forensic odontologist Alexa Glock, who identifies bodies via dental records.
She navigates men, murder, and the ocean in this tightly woven murder mystery that’s as much about her personal life as her professional one. I learned quite a bit about sharks and whales, and bonus, this mystery includes quicksand!
A new title in the Alexa Glock Forensics Mysteries. When bodies wash up on the beach, is man or animal the culprit? It'll take everything forensic specialist Alexa Glock has to seek out the truth. Because lips may lie, but teeth never do... These thrilling New Zealand mysteries are:Perfect for Fans of Kathy Reichs and Candice FoxFor readers of forensic mysteries and international mysteriesFor lovers of police procedurals and marine scienceAt first, Alexa Glock's initial case as a traveling forensic investigator seems straightforward-her expertise in teeth helps her identify the skeletal remains of a hunter found on the remote Stewart…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is its challenge for New Zealand historians to examine the role of different British cultures in shaping New Zealand society. Akenson, a Canadian author, took a one-year research fellowship in New Zealand, and this resulting book has changed the face of migration studies in New Zealand in the decades since.
He describes previous works as cementing a tradition of biculturalism, ‘lumping… all white settlers into a spurious unity’, but more than just laying down the challenge to do something about that ‘lumping,’ he then shows a way forward, examining the Irish in New Zealand. Marvellous!
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
A writer of predominantly fantasy and historical fiction, Sheryl Jordan’s books have heart and soul. The Raging Quiet, a fantasy novel, introduces us to outsider Marnie, a young widow living in an isolated medieval community. Her only friends are a priest and a weird, "mad" youth called Raven, who she realizes is not mad at all, but deaf. When she teaches him "hand words" they are both suspected of witchcraft and find themselves under attack. It’s a book that pierces your heart and stays with you for a long time afterward.
OUTSIDERS Widowed just two days after her unwilling marriage to a man twice her age, Marnie finds herself an outsider in the remote seaside village of Torcurra. Spurned by the townsfolk who suspect her involvement in her husband's death, she has only two friends: the local priest and the madman known as Raver, even more of an outcast than Marnie herself. Marnie makes a remarkable discovers about Raver, whom she renames Raven, and the two forge a deep bond that begins to heal her own bruised heart. But the suspicious villagers see Raven's transformation as evidence of witchcraft, and suddenly…
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.
Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too.
Between the 1840s and 1880s, thousands of young single women came to New Zealand as assisted migrants from Britain and Ireland. In this detailed study of forgotten lives, Charlotte Macdonald highlights the experiences and identities of a vitally important migrant group, one previously overshadowed by the stories of gold diggers, pastoralists, soldiers, adventurers and agricultural labourers.Macdonald, a pioneer of research into women’s history, brings a new perspective on New Zealand’s European settlement. Her compelling study will appeal to anyone seeking to investigate the origins of contemporary New Zealand identity.
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.
The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.
The fate of women in this time in history is completely held by the men of the family.
I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life…
An enthralling historical novel of immigration, courage and first love from an award-winning New Zealand author.
Eloise and her family must leave Cornwall on a treacherous sea journey to start a new life in 1870s colonial New Zealand. On the ship across, Eloise meets Lars, a Norwegian labourer travelling below decks, and their lives begin to intertwine. When her brother disappears, her father leaves and the family are left to fend for themselves in their new home, Eloise must find the strength to stand up for what she believes in and the people she loves.
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
After graduating, the narrator's family set him up with a job on Wall Street but it just isn't for him despite his upbringing preparing him for this kind of route. A few months later, he sets off on a round-the-world trip. The book features the first eighteen months of this journey spent in Australasia scraping a living in any way he can with occasionally outlandish casual jobs including beekeeping, running a youth hostel, and working on a production line in a cardboard box factory. He comes across a young woman, another traveller, sleeping beneath a table of honey pots and they begin a passionate yet fraught love affair.
Not only is this a great story, it is also punctuated with Bloom's vivid descriptions of landscapes and people he encounters along the way. There are meditations on the quirky details of life and reminiscing on an unusual childhood.
