Here are 100 books that The Burning River fans have personally recommended if you like
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As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
If you’re into philosophy, this is the book for you! It explores the big questions about the origins of life and human consciousness, and what is it to be human and what makes a soul. Set in a distant future, on an island republic brutally policed to keep out survivors from the ruined world beyond its shores, Anaximander is put through a grueling examination to get into The Academy. I loved how it pushed my brain and went in places I wasn’t expecting.
The island Republic has emerged from a ruined world. Its citizens are safe but not free. Until a man named Adam Forde rescues a girl from the sea. Fourteen-year-old Anax thinks she knows her history. She'd better. She's sat facing three Examiners and her five-hour examination has just begun. The subject is close to her heart: Adam Forde, her long-dead hero. In a series of startling twists, Anax discovers new things about Adam and her people that question everything she holds sacred. But why is the Academy allowing her to open up the enigma at its heart? Bernard Beckett has…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
Described as an ‘alternate history coming-of-age YA’, Ursa packs a real punch. Set in a world deeply divided into those who can live freely and those denied all human rights, it shows what happens when the desire for freedom in those oppressed ignites into a revolution. Brutal and unflinching, with important things to say about fascism and xenophobia, you won’t be able to stop reading!
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
When Tegan dies, she wakes up a hundred years later, locked in a government facility with no idea what happened. As she tries to make sense of this future world, it starts to feel as if something is very wrong. Should she keep her head down and just live out her life, or should she fight to make the future better for all? An excellent story from a world-class writer. “Accessible, thoughtful and compelling — science fiction done right.” – Kirkus Reviews
My name is Tegan Oglietti, and on the last day of my first lifetime, I was so, so happy.
Sixteen-year-old Tegan is just like every other girl living in 2027--she's happiest when playing the guitar, she's falling in love for the first time, and she's joining her friends to protest the wrongs of the world: environmental collapse, social discrimination, and political injustice.
But on what should have been the best day of Tegan's life, she dies--and wakes up a hundred years in the future, locked in a government facility with no idea what happened.
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The only non-fiction book on my list, this prescient, chilling work examines the geopolitics of climate change.
Written in 2008 by an ex-naval officer turned journalist, this book works on two levels. First, cogent explanations of the science and interviews with senior military personnel from America and Great Britain. Then, eight scenarios that describe how the world might react as emissions rise.
Scenario One: 2045. The average global temperature is 2.8°C higher than in 1990. Prognosis: Awful.
And the scary thing is that’s pretty close to the trajectory we are currently on.
Dwindling resources. Massive population shifts. Natural disasters. Spreading epidemics. Drought. Rising sea levels. Plummeting agricultural yields. Crashing economies. Political extremism. These are just some of the expected consequences of runaway climate change in the decades ahead - and any of them could tip the world towards conflict. Bold, unflinching, and based on exhaustive research, "Climate Wars" grippingly reveals how world leaders are likely to react, and promises to be one of the most important books of the coming years.
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
This book describes life after an electromagnetic pulse (EMP) attack on the United States and the collapse of our civilization and even our humanity, as the necessity of a ‘survival of the fittest’ mentality takes over. The story follows Sean and Maria as they use their wits, skills, faith, and personal values to navigate the post-apocalyptic world. There are quite a few brand-name references to specific survival gear, and I felt the book could be considered a manual for various components of preparedness, such as stockpiling, getting home, bugging out, tactical preparations, joining with others for safety, etc. I highly recommend this book for those who enjoy a good survival story as well as those who are interested in preparing for any future apocalypse or even a smaller, shorter-lived catastrophe.
EMP: Equipping Modern Patriots is a harrowing story of survival following the destruction of the electric grid and nearly every electronic device in the country. Can you imagine a world with no phones, no TV, no internet, and no way to access your bank account? Without the electric grid, there would be no lights, no heating or air conditioning in your house, no public water, and the sewer would likely back up into your home. Without modern vehicles or interstate trucking, the supermarkets would quickly run out of food and supplies. Unprepared, the government would be helpless to feed the…
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse…
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?
I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.
Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it.
I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
I was surprised at how much I loved The Wizard of the Kremlin. I was sorry to reach the last page. Why? The central character is a fascinating post-modern Machiavellian political strategist whose machinations set the global standard for disinformation as a political tool in the post-modern, digital world.
Vadim Baranov is based on a real-life character, Russian President Putin’s long-time former PR man and advisor, Vladislav Sirkov. The book is an imagined one-night meeting with the now-retired former reality TV producer, an utterly cynical but simultaneously surprisingly morally aware man, who unwinds the story of his career.
THE INTERNATIONAL SENSATION - a stunning work of political fiction about the rise to power of Putin's notorious spin doctor
'A great book, casting light on the creatures that crawl and slither behind the Kremlin's walls, on the mineral hardness of Putin, on the chaos engine that is his way of hurting us' John Sweeney
'An acute and timely dissection of Russian power, told through the eyes of a shadowy political advisor to Putin' Financial Times
'A fictional wandering through the dark corridors of the Kremlin' The Times, Biggest Books of the Season
As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.
In a sparsely populated world settling into ruin, Makepeace patrols a city’s remains alone as the last sheriff. It isn’t until the shocking intrusion of people from the outside world that she realizes she will need to leave her quiet orbit and grapple with the problem of wider humanity.
One of the things I love best about this novel is how far into it you get before it’s even specified that Makepeace is a woman. Her thoughts, dreams, and ambitions are the defining points of her character rather than her gender and she won’t let any of the people around her forget it. This is a rough novel of survival but Makepeace is as tough as they come, at times providing the only positive human note.
Far North is a 2009 National Book Award Finalist for Fiction.
My father had an expression for a thing that turned out bad. He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.
Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
This book features a sort of contest between “real-world” and “fantasy-world” accounts of the hero’s behavior.
Some warriors experience “the Thrill” when they fight: battle is invigorating (because it gets your blood, oxygen, and adrenaline flowing); this is the stuff of modern psychology or biology.
No, wait, the Thrill is basically a supernatural being. Naturally: Sanderson’s world incorporates creatures who appear when various strong emotions are in play. But his handling of psychology is realistic in other respects, so that explanation makes sense, too….
But why does the Thrill affect the hero more than others? Maybe he’s just a bloodthirsty barbarian. No, wait, he has a special relationship with the supernatural creature. But doesn’t that mean they’re kindred spirits, and maybe the hero is a bloodthirsty barbarian?
The #1 New York Times bestselling sequel to Words of Radiance, from epic fantasy author Brandon Sanderson at the top of his game.
In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.
Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their…
