100 books like Oathbringer

The Bloodwrath is basically Berserkergang, not possession, right? It affects badgers almost exclusively. What a bummer to be a badger and bear a burden that no one else has!

But it’s a bit more like possession in this book. Lady Cregga has the Bloodwrath more strongly than anyone has ever observed before; her personality seems to reflect this, as she’s impatient, brusque, and aggressive (even for a badger). She’s wounded and loses her sight, and the Bloodwrath goes away.

Even though her personality appears to be tied up with her madness, the Bloodwrath must be something external, since it can leave her without destroying her. Is it an inborn quality or an effect brought about by her personal choices, an appetite that can be satiated, or something else?

The brand of possession is fairly standard: a Drakhaoul possesses a man, enabling him to transform into a dragon—but the man must replenish his strength vampirically.

I like the interplay of personal responsibility and victimization, the use of supernatural powers to protect one’s friends at the cost of innocent suffering.

The Drakhaoul has a name and personality; it’s definitely a discrete being, but it’s also a part of the hero. But then the hero successfully exorcises his demon. But the demon’s memories are left behind, and the hero starts to wonder if he’s going mad.

The demon’s absence, not its presence, drives the hero to madness and despair (even though he hates the demon). The hero simultaneously hates and longs for a dark power, which is and is not uniquely his.

You’re soon going to notice that I like clever variations on a common theme.

This book is a really fun mishmash of possible ways for possession to happen: a person can be possessed by a friendly ghost, a malevolent demon—or both at once! The heroine travels back in time (unusual for fantasy) and possesses the ghost when she was still alive. Two good guys can occupy the same body without surrendering their autonomy; but one can also take over when the other’s strength fails.

I also like the interweaving of the protagonist’s adventures in both the past and the present with chapters from a thousand-year-old journal. The temporal complexity works well with the way the characters fold into each other.

Greek tragedy is similar to fantasy except for matters of form (e.g. the chorus). Euripides was a startlingly modern playwright, especially when it comes to psychology.

Heracles can be portrayed as a monstrous monster-slayer (I’m looking at you, Sophocles), but in Euripides he’s noble, brave, and domestic. He performs his labors because he’s the kind of guy to use his powers for good.

Hera, being a jealous jerk, drives him mad; Madness herself is unenthusiastic about the whole affair, recognizing that Heracles has made the world a better place.

But insane Heracles knows that he’s murdering innocent people. Is that who he really is? Is it all Hera’s fault?

I have a tender spot for heroines who experience such strong emotions that they’re prone to being tossed by their own inner tempests. (I…ahem…might resemble that last comment). Romy had to make a wretchedly hard choice to protect her brother and the fallout separates her forever from the man she loves. She’s a determined, fiery woman and her diligence helps her survive in a city where her magical gift is forbidden. Her past could easily have made her bitter, but she fights with hope for second chances and a ferocious love that makes me adore her! When Romy teams up with other magically gifted people for a complicated heist, she’s consistently kind, unifying, and bravely vulnerable. I just love her!

In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have. 

I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.

A generational ship fallen to ruin and tribalism? Sign me up! Roy spares no effort in bringing to life his vivid, action-packed book. The fun here is less the characters than the world-building and how artfully the past is revealed plot-point by plot-point like a delicious sci-fi strip-tease. Plus, Roy drew the shit out of this book.

Legend is one of those books that feels nostalgic when you read it. It perfectly mixes all of the elements from the 2010 dystopian classics, with a wonderful dual narration. In Legend we read the story through Day and June’s eyes. Both are from completely opposite parts of society, which makes the story twice as interesting. It even has elements of enemies to lovers! What this book does so well with its dual narration, is it lets you see more of the world that the author has created, which we wouldn’t normally get had she chosen to tell the book from one of these characters. Personally, I preferred Day’s POV, and the arc his story took. 

In One Second After, everything about our comfortable, familiar world is turned upside-down in the blink of an eye. In his novel, Forstchen examines how reliant we are on our infrastructure and how quickly we degenerate once that network is broken. The book, while not a great feat of literature, is fast-paced and enjoyable. Despite a few one-dimensional characters, gender stereotypes, and occasional flat dialogue, I loved the invaluable information about EMPs (a topic I never knew I wanted to know more about) and appreciated the novel’s harsh, unflinching vision of how fragile our society is. The idea that everything you know and love can change in one measly second is a powerful lesson that should be pondered not just through the lens of EMPs, but in general life.

I love a book where the character finds strength she never knew she possessed. Cassie is just a regular high school kid until the Others arrive. She thinks she has to depend on others to survive the alien invasion, but after her little brother Sam is recruited into the military’s resistance force, Cassie realizes that she’s capable of far more than just cheerleading.

As a fellow “fake it ‘til you make it” girl, I love Cassie’s willingness to put on a brave face and her “I can handle this,” facade, until she finds out that she actually can handle it. Cassie is resourceful and intelligent, and while she’s not ruthless, she’ll do what she has to to protect those she loves.