Here are 87 books that Under the Mountain fans have personally recommended if you like
Under the Mountain.
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I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
Elizabeth Knox is a world-class writer with an exceptional imagination and her fantasy novel, Dreamhunter, is a great introduction to her work. Set in an alternative past, dreamhunters harvest dreams which are transmitted to the public for entertainment and therapy – or worse. Fifteen-year-old Laura Hame must enter The Place of Dreams to uncover what happened to her missing dreamhunter father and in the process reveals how the government has used dreams to control an ever-growing population of convicts and political dissenters. Those who love Philip Pullman or Garth Nix won’t be disappointed.
Laura comes from a world similar to our own but for one difference: The Place. An unfathomable land filled with dreams of every kind and invisible to all but a select few: the Dreamhunters. Treated as celebrities, the Dreamhunters catch larger-than-life dreams and relay them to audiences in the magnificent dream palace, The Rainbow Opera.
Now, 15 year-old Laura and her cousin Rose are going to find out whether they are part of this prestigious group. But nothing in their darkest nightmares can prepare them for what they are about to discover. For within the Place lies a horrific secret…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
Perhaps our greatest writer for children and young adult fiction, two-time Carnegie Medal winner Margaret Mahy, this book won the 2005 Phoenix Award from the Children's Literature Association. Essentially it’s a love story, but not as you’ve ever experienced it before. It’s brainy, surprising, endearing, and really, really worth a read!
Determined to satisfy her curiosity about her unknown father, eighteen-year-old Angela May embarks on an emotional journey that shapes and forever alters the way she looks at herself, her unconventional mother, and her devoted friend Tycho. Reprint.
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
A writer of predominantly fantasy and historical fiction, Sheryl Jordan’s books have heart and soul. The Raging Quiet, a fantasy novel, introduces us to outsider Marnie, a young widow living in an isolated medieval community. Her only friends are a priest and a weird, "mad" youth called Raven, who she realizes is not mad at all, but deaf. When she teaches him "hand words" they are both suspected of witchcraft and find themselves under attack. It’s a book that pierces your heart and stays with you for a long time afterward.
OUTSIDERS Widowed just two days after her unwilling marriage to a man twice her age, Marnie finds herself an outsider in the remote seaside village of Torcurra. Spurned by the townsfolk who suspect her involvement in her husband's death, she has only two friends: the local priest and the madman known as Raver, even more of an outcast than Marnie herself. Marnie makes a remarkable discovers about Raver, whom she renames Raven, and the two forge a deep bond that begins to heal her own bruised heart. But the suspicious villagers see Raven's transformation as evidence of witchcraft, and suddenly…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This gripping psychological thriller centers around a girl who is caught up in a religious cult, her name changed and all her supports ripped away. How will she survive this? Will she be able to escape? Still in print after 20 years, this book won the Storylines Gaelyn Gordon Award for a Much-loved Book 2009.
A classic bestseller that's been in print for over 20 years, this gripping YA thriller follows a teenage girl caught in a religious cult.
Imagine that your mother tells you she's going away. She is going to leave you with relatives you've never heard of - and they are members of a strict religious cult. Your name is changed, and you are forced to follow the severe set of social standards set by the cult. There is no television, no radio, no newspaper. No mirrors. You must wear long, modest clothes. You don't know where your mother is, and you…
Crime and espionage are a lifelong fascination for me. I used to think my dad was a spy when I was young because he didn’t talk about work. Turned out he didn’t think I’d be interested in his day as a Quantity Surveyor, my Grandad was a LEO so talking about work wasn’t really a thing. Or they were both spies. Over the years I have made some good friends in the espionage community and various policing agencies and they’re kind enough to share their expertise with me. I’m a big fan of fast-moving stories with intricate plots and action and hopefully they'll draw you in as well. I hope you enjoy the books.
This book is the first in the Jaded Trilogy. It’s set in New Zealand during the 1970s. It’s a twisty plot (which I particularly love) and there are Russian spies.
NZ in the ’70s (mid-Cold War) when nothing was as it seemed and everyone had an agenda, whether it was stealing a painting, growing and distributing weed, or counter surveillance on a Russian diplomat. And things overlapped as they do in New Zealand.
This is a fun exciting book. It reminded me of what the world was like before phones became computers back when everything was analog. As a writer of spy/PI thrillers, it was a great read. (I’m a fan, I’ve read all of Nick Spill’s work including his non-fiction.)
Alexander, the curator, is sent to Auckland to escort Captain James Cook to the Auckland Art Gallery. On opening night, the priceless portrait is stolen. Alexander has to find the painting to save his career but he also has to deal with a Soviet spy whom he has been clandestinely photographing. He meets Dr. Mel Johnson who proves irresistible to him when he is invited to her female-only martial arts school. A Maori Land Rights group led by Wiremu Wilson claims to have kidnapped Captain Cook and is holding the painting ransom for lands that were seized before and after…
I’ve always delighted in stories where characters find they are not quite who they thought. I love double identities, triple identities, dual roles, and mysterious extra names…so long as they are written so I can believe in them. My own family tree is full of people using names or personas that weren’t quite what one might expect, and I follow the tradition in that although there is just one of me, physically speaking, I wear a great many hats. I have also loved hidden identity TV and film, such as Nowhere Man, and the first iteration of Total Recall. Many of my own books deal with identity, and it was difficult to pick just one!
Laura Chant knows the world can wobble. She knows the boy at school, Sorry Carlisle, is a good deal more than he seems. When her little brother is lost to a vicious predator, Laura has to find a new self, or perhaps her own hidden depths, and face the changeover, which will remake her into another form. To do this, she has to place her trust in Sorry and his strange family, but she’ll do anything to save Jacko. Margaret Mahy is one of my favourite writers, and I think this book is her best. It is beautifully written in her inimitable style.
When her little brother seems to become possessed by an evil spirit, fourteen-year-old Laura seeks the help of the strangely compelling older boy at school who she is convinced has supernatural powers
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
Understanding the demographic, technological, and cultural pressures that prompt migration fascinates me. What makes a person leave behind everything they have ever known to go somewhere they have never seen, knowing the move is probably permanent? What features of individual and group identity are most important when you are on the other side of the world from everything that previously formed that identity? Examining such questions makes me reflect on my life and what makes me me. For example, visiting Scotland for my PhD research made me realize that I was not ‘New Zealand European’ but a New Zealander, which is a distinct identity.
What I love most about this book is the focus on women. That sounds really obvious, given the title, but it’s unusual. Male migrants are so easy to find in historical sources. On shipping lists, women and children were often only recorded as ‘wife and 5 children’ of a named man.
Due to this bias in the primary sources, men are usually at the center of 19th-century migration literature. Their experience is taken as the norm. Their motivations are assumed to be the ones guiding the migration. So I really love that this spotlight on women highlights the experiences and importance of these migrants to New Zealand and also that it has forced historians who have come after this publication to try harder to include women in their migration stories, too.
Between the 1840s and 1880s, thousands of young single women came to New Zealand as assisted migrants from Britain and Ireland. In this detailed study of forgotten lives, Charlotte Macdonald highlights the experiences and identities of a vitally important migrant group, one previously overshadowed by the stories of gold diggers, pastoralists, soldiers, adventurers and agricultural labourers.Macdonald, a pioneer of research into women’s history, brings a new perspective on New Zealand’s European settlement. Her compelling study will appeal to anyone seeking to investigate the origins of contemporary New Zealand identity.
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
For me, Catherine Lacey’s debut novel Nobody Is Ever Missing is a kind of reverse exploration of foreignness.
Elyria escapes from a comfortable New York life to New Zealand, where she backpacks down to the South Island towards a half-hearted invitation to stay from a poet she once met. Interesting to see your own country through the eyes of another writer as she observes “a boring little mountain, a plain blue lake, a gas station, the same as ours only slightly not” while she searches for a “small and manageable life”.
As she outwardly drifts through the landscape she also takes us on a very inward journey, interrogating her own thoughts about her adopted sister’s suicide, the mutual grief that drew her to her husband, and her mother’s drinking.
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge.
Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks.
![Cat Connor Author Of [Whiskey Tango Foxtrot]](https://res.cloudinary.com/hzpwrwfdi/image/upload/c_thumb,g_face,h_160,w_160/media/profiles/Cat_Connor_rgp4bs.webp "Cat Connor Author Of [Whiskey Tango Foxtrot]")
