Fans pick 88 books like Morvern Callar

Is there a madder moment of madness in all of literature than that of The Driver’s Seat’s protagonist Lise?

A firecracker of a novel (most editions come in under one hundred pages of breakneck-speed story), and yet a whole firework display of literary techniques (most startlingly a third chapter opening prolepsis – flashforward – to the suicidally-invited murder of Lise). It’s the technique itself that is the star. Is this satire, parody, comedy? Can comedy be so dark?

Spark noted both that this book was an existential ‘whydunnit?’ without feeling the need to provide us with anything so simplistic as a ‘why’, and also that it was her favourite of all her novels. There is no reason on Earth why it shouldn’t also be one of your favourites.

The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.

Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.

A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.

Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.

This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.

The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.

That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers. 

Eveline has a secret. Her family thinks her daft, but even though she cannot hear, she has taught herself to read lips. She is content to keep her abilities to herself, as it enables her to “hear” all the things people say when they think no one is listening. Unexpectedly, she finds herself betrothed to a rival clan leader, who accepts her begrudgingly, only because she is beautiful. But Eveline is shocked to discover that her new husband’s voice is so deep she can hear him.  

This book is more of a steamy romance than my usual choice, but I love the Scottish setting and the heroine’s bravery and confidence. Even though she is tossed into situations that were not of her choosing, she is strong and smart, and deeply in love, which gives her the strength to make a new life for herself. After finishing this book, I wrote… show more.

There is a lot to love about this book. The level of detail about every element of Scottish ethnicity under consideration is extraordinary. Bueltmann seems to leave no stone unturned in her examination of Scottish associations. I am always a big fan of historical databases, so the analysis based on the database compiled for this research of society members, based on extant sources, is a big selling point for me.

Many society membership lists have been lost to history, and the New Zealand census returns were systematically destroyed, so compiling such a database was no mean feat. What has always most strongly stuck with me, though, is how the stories of individual migrants are woven throughout, not just thrown in as examples but integral to understanding the phenomena she is exploring. John Jack and family, for example, turn up at different points in their lives at different points in the… show more.

I absolutely adored this book. I laughed from beginning to end. This is an adventure like no other and set in one of my favourite countries, Scotland. I have been lucky to visit Scotland twice. Its history, culture, scenery, and people have intrigued me since I was a child. The main characters are kilt-wearing animals, eating lots of cake and doing their best to fit in. These wolves might be the polite high society type, but they have a voracious appetite that makes the story so entertaining. It’s a tale full of delightful Scottish humour, castles, dungeons, and a villainous real estate agent. This hilarious romp through the Scottish countryside brings back wonderful memories of all that I have encountered while visiting this fabulous country. 

Hard Nox is set in Scotland and is brilliantly written. It's the start of series two and I fell in love with the world that Jolie had built. I did put this book down a few chapters in to find the first book of the first series. I wanted to read them in order and I'm so glad I did. It was hard at the time to find books showing the Scots dialect and Jolie does it well. So much so, I'm one of her ARC readers and I have started collecting the paperback copies. This is my favourite of all her books.

The murder of Henry Stewart, Lord Darnley, has baffled historians and authors for centuries, yet the queen’s consort is often a minor figure in the greater tragedy/romance of Mary. While writing my own book, I was eager to know more about the ill-fated lang lad other than the results of his self-centred scheming conspiracies–David Rizzio’s assassination, his own murder at Kirk o Field, and ultimately Mary’s downfall. And so it was refreshing to read this excellent biography which gives Darnley centre stage. By recreating his childhood and family background, particularly around his ambitious mother, Margaret Douglas, Countess of Lennox, Caroline Bingham offers a fascinating portrait of this flawed character who stole the queen’s heart and then broke it. 

At times her account made me feel sorry for this gullible pawn in the Game of Queens.

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.