I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
This posthumously published novel is the last offering from the punk rocker, poet, and writer Jim Carrol. Carrol was a friend of Patti Smith and Andy Warhol and a product of the New York City art scene in the 1970s and 1980s.
The central character is Billy, a successful painter with such deep artistic sensitivities that navigating small things like relationships, his health, and earning money is crushingly difficult. The book reads like an allegory as much novel as moving characters through action seems a secondary aim. In this way, it reminds me of Franz Kafka’s A Hunger Artist.
A moving, vividly rendered novel from the late author of The Basketball Diaries.
When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches…
By Chase Reynolds Ewald and Heather Sandy Hebert
Author
Why are we passionate about this?
At Home in the Wine Country coauthorsHeather and Chase love the open, nature-focused attitude toward living that California does so well. Heather worked in the field of architecture for 25 years and is the author of The New Architecture of Wine. Chase has been a western lifestyle writer for 30 years and is the author of 14 books, including Modern Americana, American Rustic, Cabin Style, and Bison. As writers and consultants they work with publishers, magazines, and design, hospitality and wine clients to craft and convey their stories. Heather and Chase live in spectacularly scenic Marin County, halfway between San Francisco and California's iconic wine country.
A big bold book glorious in its celebration of art with a West Coast perspective authored by collector Chara Shreyer and interior designer Gary Hutton. One of the most significant private collections of modern art in the U.S. — approximately 600 pieces — is showcased in homes ranging from a Pacific beach house to a Los Angeles aerie to a ridgetop residence in Marin County. The book features masterworks by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella, plus important works by emerging 21st-century artists. It is a colorful, vibrant, and poignant portrayal of one woman's art journey.
Leading art collector Chara Schreyer’s forty-year collaboration with interior designer Gary Hutton has produced five residences designed to house 600 works of art, including masterpieces by Marcel Duchamp, Andy Warhol, Donald Judd, Louise Nevelson, Diane Arbus, and Frank Stella. Art House takes readers on a breathtaking visual tour of these stunning spaces, which range from an architectural tour-de-force to a high-rise “gallery as home.” An exploration of a life devoted to living with art and to designing homes that honor it, this title is an inspiration for art and design lovers alike.
My husband of 35 glorious years died of Pancreatic cancer in 2020. In two months, as COVID slammed, we had to put our beloved dog down, my husband’s lesson horse went hooves up, my husband died, I replaced two HVAC units and a water heater. I am a writer/journalist whose style is conversational. Writing about my grief maelstrom as if telling a friend focused me on the dark humor. My book Horse Sluts and articles in Horse Nation and other equine and/or mature-focused magazines are written in the same, “I’m no expert, but this is my experience” POV. I know the tone that helps.
“Bat shit is patient.” Simple, clear, dead on to describe the crazy life-clowns that leap from dark corners as I fend off grief... loss.
I Was Better... may not be a “grief” book, per se, but Fierstein dances us through the fears, struggles, and losses in his journey to live a life he wants. His quote, “Look back, but don’t stare” felt as though he quoted it for me to help deal with many joyous and painful memories of my husband.
I Was Better... is a tropical island where I could escape the squalls of my life of loss. I relished his musicals, strode the flamboyant streets of New York, and was embraced by Fierstein’s poignant and dearly funny honesty. His rage against the night was mine too. He and I kept dog paddling – together.
NEW YORK TIMES BEST SELLER • A poignant and hilarious memoir from the cultural icon, gay rights activist, and four-time Tony Award–winning actor and playwright, revealing never-before-told stories of his personal struggles and conflict, of sex and romance, and of his fabled career
Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows: Hairspray, Fiddler on the Roof, Mrs. Doubtfire, Independence Day, Cheers, La Cage…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I love this book because it describes a closed world; an underground scene that was glamorous and edgy. The world of Andy Warhol attracted writers, artists, models, fashion designers, and other ‘beautiful people.’ Warhol helped many of his minions achieve great fame.
I love that the author is a budding writer and also, for all intents and purposes, fatherless. Many of his experiences resonated deeply with my own. This book has the detailed descriptions and self-reflection of a great memoir.
An evocative coming-of-age memoir—the story of the education of a wayward wild child and acidhead who, searching for meaning and purpose, found refuge in the demimonde of the ruined but magical metropolis that was New York City in the 1970s.
“In his beautiful memoir, Do Something, Guy Trebay paints a picture of a vanished, pre-AIDS Gotham that’s both gritty and dazzling.” —The New York Times Book Review
Born in the Bronx, Guy Trebay was raised in an atmosphere of privilege on Long Island’s North Shore after his entrepreneurial father struck business gold with Hawaiian Surf, a wildly successful cologne company…
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).
Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth…
Burnt Diaries is Emma Tennant's third volume of memoirs, set mostly during the 1970s, in which she lays bare the experience of her affair with Ted Hughes while she was editor of the avant-garde literary magazine, Bananas. Tennant's insights are engaging and honest - she offers perceptions of the writers that contributed to her magazine - from Angela Carter who was commissioned to write The Company of Wolves for it, to JG Ballard who was supportive of the magazine from its inception and wrote a story for each issue. Running a new literary magazine brought Tennant into contact with a…
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I’ve read a handful of Warhol biographies and this is easily my favorite. It does a good job of breaking down his life experiences, his art and the philosophies behind The Factory, his purposeful creation of himself as an icon, and his adaptations to the American fine art and underground art landscapes that changed throughout his career. The book also has plenty of great party stories involving countless celeb friends. And to offset that all, peaks into his spending. The one bummer for me was that there weren’t enough pictures. But, well, I guess that’s what all my other Warhol books are for.
Pop: The Genius of Andy Warhol is a groundbreaking reassessment of the most influential and controversial American artist of the second half of the 20th century. Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.
Andy Warhol was a friend of mine for over twenty years, and I have read most of the biographies about him published since his death in 1987. None of them capture the real character and personality of the artist, as well as this fascinating memoir by the sister of Edie Sedgwick, Warhol’s first “superstar.”
It is also the story of the wealthy but famously dysfunctional Sedgwick clan, as well as a touching “letter” addressed to Edie’s brother who committed suicide at a young age.
As It Turns Out is a family story. Alice Wohl is writing to her brother Bobby, who died in a motorcycle accident in 1965, just before their sister Edie Sedgwick met Andy Warhol. After suddenly seeing Edie's image in a clip from Andy's extraordinary film Outer and Inner Space, Wohl was moved to put her inner dialogue with Bobby on the page in an attempt to reconstruct Edie's life and figure out what made Edie and Andy such iconic figures in American culture and in our collective imagination. What was it about him that enabled him to anticipate so much…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
Nothing Specialfollows Mae, a teenager in 1967, who drops out of school and becomes a typist in Andy Warhol’s Factory studio.
Transcribing taped conversations of Warhol and his contemporaries, Mae feels like she’s entered a new world – along with Shelley, a fellow typist who soon becomes a close friend. But is Shelley all she seems? This is a closely observed psychological novel exploring what it means to truly know another person, and how much we have the right to expect from our friends.
The writing zips along effortlessly, driven by Mae’s poised, ironic voice, which expertly captures the ersatz confidence of being young.
A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK
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'A blade-sharp coming-of-age novel' SPECTATOR
'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT
'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY
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A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
One
of the most creative premises I’ve encountered in a long time: After leaving
the Velvet Underground but before starting his solo career, Lou Reed spends a
year working for his father’s accounting firm and gets wrapped up in a murder
mystery.
Lyrics, characters, and situations from throughout Lou Reed’s entire
catalog set the stage and add another layer to the story for fans of music and
mystery alike. It’s the exact type of music-based fiction/non-fiction hybrid
sub-genre I love but have trouble finding examples of.
In the fall of 1970, Lou Reed walked away from rock and roll. He left the Velvet Underground, and New York City, returning to Long Island. He moved in with his parents and got a job as a typist at his father’s accounting firm. He told friends his career in music was over. Vicious takes an imagined look at what happened to Reed after he quit his band, and before the successful solo career that began in 1971.
The story follows Reed as he finds himself drawn into a strange case at his dad’s office. Someone’s trying to claim the…
