I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
Of the many biographies of Andy Warhol this early one remains the best, written by a man who worked and partied with the artist in the heyday of the artist’s glamorous world (and I make another brief cameo appearance). Everything about the enigmatic icon of contemporary art continues to inform our culture and I was deeply influenced not only by Warhol’s paintings but by my friendship with him from 1964 until his death in 1987. In books and movies he has been transformed into a cultural icon rather than the complicated amusing hard-working artist I knew. Bob Colacello wrote this book shortly after Warhol died and for me is the best portrait of the “real” Andy Warhol and the era he helped to define.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante.
In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and…
Andy Warhol was a friend of mine for over twenty years, and I have read most of the biographies about him published since his death in 1987. None of them capture the real character and personality of the artist, as well as this fascinating memoir by the sister of Edie Sedgwick, Warhol’s first “superstar.”
It is also the story of the wealthy but famously dysfunctional Sedgwick clan, as well as a touching “letter” addressed to Edie’s brother who committed suicide at a young age.
As It Turns Out is a family story. Alice Wohl is writing to her brother Bobby, who died in a motorcycle accident in 1965, just before their sister Edie Sedgwick met Andy Warhol. After suddenly seeing Edie's image in a clip from Andy's extraordinary film Outer and Inner Space, Wohl was moved to put her inner dialogue with Bobby on the page in an attempt to reconstruct Edie's life and figure out what made Edie and Andy such iconic figures in American culture and in our collective imagination. What was it about him that enabled him to anticipate so much…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I love this book because it describes a closed world; an underground scene that was glamorous and edgy. The world of Andy Warhol attracted writers, artists, models, fashion designers, and other ‘beautiful people.’ Warhol helped many of his minions achieve great fame.
I love that the author is a budding writer and also, for all intents and purposes, fatherless. Many of his experiences resonated deeply with my own. This book has the detailed descriptions and self-reflection of a great memoir.
An evocative coming-of-age memoir—the story of the education of a wayward wild child and acidhead who, searching for meaning and purpose, found refuge in the demimonde of the ruined but magical metropolis that was New York City in the 1970s.
“In his beautiful memoir, Do Something, Guy Trebay paints a picture of a vanished, pre-AIDS Gotham that’s both gritty and dazzling.” —The New York Times Book Review
Born in the Bronx, Guy Trebay was raised in an atmosphere of privilege on Long Island’s North Shore after his entrepreneurial father struck business gold with Hawaiian Surf, a wildly successful cologne company…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
The quintessential book for anyone writing a modern biography, as well as a page-turning read. Jean Stein and George Plimpton brilliantly create a moving portrait of an Andy Warhol acolyte who became a Warhol Superstar and then an enduring icon of the 1960s, before dying of a drug overdose at age 28. A fascinating oral history that simultaneously depicts a beautiful, glamourous, and troubled young woman and a nation undergoing a paradigm shift.
A brilliant and unique biography of Andy Warhol's tragic muse, the 60s icon Edie Sedgwick
'Exceptionally seductive... You can't put it down' LA Times
Outrageous, vulnerable and strikingly beautiful - in the 1960s Edie Sedgwick became both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol.
Born into a wealthy New England Edie's childhood was dominated by a brutal but glamourous father. Fleeing to New York, she became an instant celebrity, known to everyone in the literary, artistic and fashionable worlds. She was Warhol's twin soul, his creature, the superstar of his films and, finally,…
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
Fashion is, without any question, a matter of one's own taste. Or so one would think. But no other successful fashion designer has ever analysed and observed the New York fashion world of the 1950s to mid-60s as mercilessly and literarily as John Weitz did in his novel published in 1970. With his clearly English-influenced men’s designs he kept his distance from New York’s high society. Perhaps this was due to his unusual life path.
John Weitz, born to a famous Berlin Jewish family. To guarantee his education, in 1936 his parents send him to London. After his A-levels, John and a short apprenticeship emigrated to the US and worked after 1944 for the OSS (now the CIA) during the Second World War as an under-cover agent in German-occupied France and witnessed the liberation of the Nazi concentration camp Dachau.
Weitz's reputation as a men's fashion designer had the name…
Here is the world of haute couture, racing cars, Seventh Avenue, Palm Beach, Sebring, New York, where the Beautiful People - and their vultures and hangers-on - pretend to live. It is a world where young Philip Ross, through a sexual arrangement that provides him with his first break, crawls onto the lowest rung of the fashion ladder and begins the great climb, over backs and bodies, from couturier's assistant to nationwide fame as an avant-garde American designer.
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
I have been moved by women’s stories that are buried in time (but not quite gone!) since I was a young girl. As a college student and now professor (I teach writing and gender studies), much of my work is focused on telling hidden stories for the first time and stories where the record needs correcting. This is probably to do with my childhood; I am the oldest daughter in a loving but difficult Irish-Catholic family where women were often shamed for many reasons. When I was 15, I read Sylvia Plath for the first time and knew—there was more to this story, and I meant to find it out.
Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).
Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth…
Burnt Diaries is Emma Tennant's third volume of memoirs, set mostly during the 1970s, in which she lays bare the experience of her affair with Ted Hughes while she was editor of the avant-garde literary magazine, Bananas. Tennant's insights are engaging and honest - she offers perceptions of the writers that contributed to her magazine - from Angela Carter who was commissioned to write The Company of Wolves for it, to JG Ballard who was supportive of the magazine from its inception and wrote a story for each issue. Running a new literary magazine brought Tennant into contact with a…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
This book makes the top of my list simply for the very practical reason that it gathers the majority of available images spanning Basquiat’s entire body of work.
Its small size makes it accessible and affordable, however for that same reason, the images are not reproduced as largely as in other art books. At a chunky 512 pages, this stylish art book is the definitive volume for seeing high-quality reproductions of all of Basquiat’s documented work organized in one volume. It also includes some decent text content.
As a scholar or collector this is a very useful book but it’s also fun for anyone who wants to see comprehensive, or key, specific Basquiat works for an affordable price.
The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.
Basquiat's expressive style was based on raw figures and integrated words…
I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
This posthumously published novel is the last offering from the punk rocker, poet, and writer Jim Carrol. Carrol was a friend of Patti Smith and Andy Warhol and a product of the New York City art scene in the 1970s and 1980s.
The central character is Billy, a successful painter with such deep artistic sensitivities that navigating small things like relationships, his health, and earning money is crushingly difficult. The book reads like an allegory as much novel as moving characters through action seems a secondary aim. In this way, it reminds me of Franz Kafka’s A Hunger Artist.
A moving, vividly rendered novel from the late author of The Basketball Diaries.
When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches…
