73 books like Burnt Diaries

“She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.” I read these opening sentences over and over. They both threw me off and enchanted me. What is this strange cadence? I wondered.

The song of the words wove around me and drew me into a world both political and mystical. In some ways like the Avalon of Marion Zimmer Bradley, in other ways, most definitely not. I have friends who are Lauren Groff fans. I have never made it past the first few pages… until I picked this book up. 

Lacy Crawford’s memoir of sexual assault at the elite St. Paul’s School straddles the precarious line between lyric and reportage. Crawford shies from nothing: we are there as she is held down and orally raped by two upperclassmen; as she describes the consensual sex she undertakes in an attempt to reckon with her rape, as even her own parents abandon her.

Crawford spends the last third of the book untangling the web of documents that prove the school knew of both the assault and her resulting STI (oral herpes that went so far into her throat that doctors couldn’t identify the sores, leaving her sick for months). The horrific burning of her throat keeps her from being able to speak or sing in the school choir, a metaphor for St. Paul’s deliberate destruction of evidence of her rape and subsequent illness to ensure legal protection for her rapists and the… show more.

I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.

A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know… show more.

Likely the origin of my love for books within books, especially those lost or deliberately destroyed, this is the third book in the Emily Starr trilogy, the lesser-known series by Canadian author L.M. Montgomery, of Anne of Green Gables fame.

In it, budding novelist Emily decides against going off to college in the city with her three best friends to remain on her aunt’s Canadian farm, New Moon, and write. She finishes her first novel, A Seller of Dreams (what a title!), in a fit of creative joy but struggles to find a publisher.

Close to despair, she gives it to her bookish friend Dean Priest, an older man who’s in love with her, asking if it’s any good. Aware that her devotion to writing will keep her from him, he lies that the book is “artificial” and the characters “wooden.”

Emily throws it on the fire in her… show more.

Daphne has numerous elements that I particularly adore in a story: a classic writer as a character, an English manor house setting, and a mystery. Layer in a Brontë connection, and it’s a perfectly pleasing literary page-turner. In 1957, Daphne du Maurier is at her remote, seaside mansion in Cornwall, distracting herself from personal woes by researching a biography about Branwell Brontë, reprobate and possibly misunderstood brother of Charlotte, Emily, and Anne. Intertwined is a second storyline set in present-day London, as a lonely young woman, newly married to a mysterious older man seemingly still in thrall to his first wife, becomes caught up in a fifty-year-old mystery involving du Maurier and the Brontës. 

How much would you be willing to give up for fame and greatness?

By 1895, Henry James had written a number of all-time classics, including Daisy Miller and The Portrait of a Lady, but had never achieved the kind of commercial or popular success he thought he deserved. So in his fifties, he started writing for the theater, hoping to break through.

The Master begins with the London opening of his play Guy Domville, which turns out to be a flop, and follows James as he comes to terms with this failure, and all the other sacrifices he has to make – in his personal and sexual life, too – in order to become the writer he wants to be. 

“Long ago Virginia decreed, in the way that Virginia decrees, that I was the painter and she the writer.” Vanessa and Her Sister is a portrait of two extraordinary and unconventional women, Virginia Woolf and her sister, Vanessa Bell. The story is told in the form of a diary kept by Vanessa, beginning at the turn of the 20th century with the formation of the Bloomsbury Group in London. Priya Parmar has created a sympathetic yet honest portrayal of Virginia Woolf, her genius and her often precarious mental state, and the impact it had on her family—in particular Vanessa, who was an important and steadying influence for her sister and a talented artist in her own right.

This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.

The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.

I reread it every year to remind myself of what is possible.

This memoir and Evaristo’s Booker Prize-winning novel, Girl, Woman, Other, opened my eyes to the struggles of writers and actors in the UK—especially women of color and immigrants—as they tried to find their voices and places and in literary circles.

Raised in a big family by a Nigerian father and British mother, Evaristo describes her upbringing and her efforts to find her voice when there were few venues for writers of color. Her theory of unstoppability is deeply inspiring for anyone who faces roadblocks in pursuing their passions, particularly writers who experienced the sting of multiple rejections before having their work accepted.

Elizabeth Berg wanted to read a novel about George Sand but couldn’t find one…and so she wrote it herself. In The Dream Lover, Berg unfolds the story of Aurore Dupin, who boldly left a loveless aristocratic marriage to make her own way in 19th-century Paris. She adopts the pen name George Sand and becomes France’s bestselling female novelist, living a bohemian lifestyle and scandalizing society by having high-profile love affairs and, even more outrageously, by dressing in men’s clothing. I love stories about trailblazing women, and Berg compellingly conveys how risky and courageous Sand’s actions were at a time when women had few rights.