100 books like Notes on a Silencing

Do you need a good cathartic cry? This book serves as a pillar to remind the world of the atrocities that happened in December of 1937. I remember having to stop after reading certain chapters and engage in self-care, as to take a break from the pain and suffering that it retells. I paused to reflect that I had been glad that the Nazis were occupying certain parts of the city which in-turn provided relief to the Chinese. I can’t fathom the amount of destruction this Capitol endured between contests to see who can be the first to kill 100 people with a sword before the capture of the city to the systematic rape and mutilation of women and young girls. 

This book stands apart as science fiction without the typical tropes of lasers, interplanetary wars, or grand technological advances. Instead, it offers a meditative space to consider life’s big questions in a world that, while different from our own, feels deeply familiar. I liked the exploration of human emotions and the characters' search for purpose.

I found this to be a beautifully imagined world. It showed that no matter where or when we exist, our need for connection, self-discovery, and belonging remains universal. It's a warm, heartfelt exploration of what it means to be alive.

“She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.” I read these opening sentences over and over. They both threw me off and enchanted me. What is this strange cadence? I wondered.

The song of the words wove around me and drew me into a world both political and mystical. In some ways like the Avalon of Marion Zimmer Bradley, in other ways, most definitely not. I have friends who are Lauren Groff fans. I have never made it past the first few pages… until I picked this book up. 

This book gave me permission to be human. In a world that demands perfection and largely being a perfectionist because of this culture. This book reminded me that I can be a feminist and I can like songs that “a real feminist” (however a real feminist is defined) would rage against. If I’m a bad feminist or bad at being a feminist…that still makes me a feminist and I can still be a part of the movement and culture. I’m not looking to be the top feminist. Roxane is a gorgeous soul, and this book is cathartic in the way that it gave me peace to be myself. I’m very thankful that she chose to write this book. It really challenged me to be kinder to myself. 

I love this book for its stark, raw depiction of Viola Davis’s ascent to stardom. Her narration of the audiobook adds a poignant and often wrenching dimension to growing up in abject poverty, overt racism, and fear at the hands of a terrorizing and abusive father.

I was further compelled by her description of therapy in later life, where she struggled against the demons of her past, often in the form of her inner child, battered and belligerent, lacking any confidence to become the stellar human being and actress she was meant to become. Davis’s voice and courage left me both humbled and inspired.  

I love nothing more than a book that unsettles me, that I grasp almost bodily in the reading but have to return to again and again to truly understand. Lose Your Mother is that kind of book. In Chapter Seven, Hartman tells us that, while working in the archive of the Atlantic slave trade, she came across a scandal: on board the slave ship Recovery, two African girls—one named Venus—are murdered by the captain, John Kimber.

A trial ensues. A mate is put on the stand, who admits there was a book on the ship, a list of all its horrors, The Dead Book, but it’s lost now. Lose Your Mother is Hartman’s attempt to write her version of The Dead Book without committing the same violence against the girls that they endured in their short lives. How she wonders, can we reimagine life for Venus when all we know… show more.

Likely the origin of my love for books within books, especially those lost or deliberately destroyed, this is the third book in the Emily Starr trilogy, the lesser-known series by Canadian author L.M. Montgomery, of Anne of Green Gables fame.

In it, budding novelist Emily decides against going off to college in the city with her three best friends to remain on her aunt’s Canadian farm, New Moon, and write. She finishes her first novel, A Seller of Dreams (what a title!), in a fit of creative joy but struggles to find a publisher.

Close to despair, she gives it to her bookish friend Dean Priest, an older man who’s in love with her, asking if it’s any good. Aware that her devotion to writing will keep her from him, he lies that the book is “artificial” and the characters “wooden.”

Emily throws it on the fire in her… show more.

Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).

Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth… show more.

There’s a seedy side to the pharmaceutical industry that started well before the creation of the FDA, and continues through the modern era, fueling the epidemic of opioid drug dependency.

In Pharma, Posner’s comprehensive reporting introduces us to brilliant scientists, incorruptible government regulators, and brave whistleblowers facing off against company executives often blinded by greed.

We learn how the Sacklers built a culture of pain relief on the shoulders of oxycontin – one that ultimately led to the lowest survival rates for Americans in a century.

Partnoy, a distinguished law professor at Berkeley, is a brilliant chronicler of the people and products in modern financial markets. One could read any of his books and say they were among the best ones on the market and corporate chicanery. But I love his first book, in which he tells the tale of his brief time trading derivatives—back in the very early days of those now world-famous products—among the unsavory characters of a Wall Street trading floor. The story has been told by others since (Wolf of Wall Street, Big Short, etc.) but Partnoy may have done it first. And seeing that world through his young, brilliant, and impressionistic eyes is wonderful. His firm tried to block him from publishing the book, but he did it and has gone on to a magnificent academic career in which he continues to tell it like it is, understanding the… show more.