The most recommended books about rape

I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.  

I write novels for adults, young adults (My Life as a Bench won the International Rubery Book of the Year), and children. Using my experience as an art student in Nottingham, I wanted to look at the dark side of Sex in the City. The sexual revolution of the 60s gave women freedom, but at what cost? Conviction rates for sexual assault remain depressingly low and our streets remain unsafe for women at night.

I am the author of several novels—in addition to the one featured here, Impact, It Wasn't Enough (Finalist for the Eric Hoffer Award), Exile, and What Happened to Tom (on Goodreads' "Fiction Books That Opened Your Eyes To A Social Or Political Issue" list).  I was a columnist for The Philosopher Magazine for eight years, Philosophy Now for two years, and the Ethics and Emerging Technologies website for a year ("TransGendered Courage" received 35,000 hits, making it #3 of the year, and "Ethics without Philosophers" received 34,000 hits, making it #5 of the year), and I've published a collection of think pieces titled Sexist Shit that Pisses Me Off. 

My experience is derived from actual experience and my fight to survive. I found it within me to keep my wits about me and think, think, think about my surroundings and my assailant's movements and vulnerabilities. I waited for the one and only moment I would have to escape. Once free, I sought help and I told my story again and again until I found justice.

I’ve been lucky enough to have a happy childhood and enjoy a fulfilling life. Nevertheless, I’ve always been drawn to the darkness… the macabre, the sinister, and the bizarre. My selection of books has, in one way or another, helped to shape me as a writer. I’m constantly fascinated by the process of creating truly disturbed, twisted, or hideous characters. I enjoy the process of working out what makes them tick; shedding my own moral compass and experiencing the world through their eyes… wherever that ends up taking me. 

I began writing The Way I Used to Be back in 2010. For me, it started simply as a place to work through my own private thoughts and feelings about sexual violence. I was writing as a survivor myself, but also as someone who has known, loved, and cared for so many others who have experienced violence and abuse. By the time I finished, I realized my novel had evolved into something much bigger: a story I hoped could contribute something meaningful to the larger dialogue. These powerful books on this list are all a part of that dialogue, each based in a richly diverse, yet shared reality. Readers will learn, grow, heal, and find hope in these pages.

I was born in Chicago and grew up in the suburbs. After a career at the University of Illinois, 150 miles downstate, I moved back to my hometown to recapture the urban vibe that I love. A historian, I love the stories that architecture tells me and wandering the streets of the city never stales. Having romance in my life is important and writing about how relationships can develop in the city is part of that. Everywhere I go in Chicago, I think of how my characters might interact with each other and the setting. Romance can be found in grand restaurants and in odd corners and Chicago has it all.

I read a lot of literary fiction. At the moment, I’m finishing To Paradise by Hanya Yanagihara, which I’ve enjoyed and whose novel, A Little Life, was brilliant. My interest in thriller fiction is sparked by writers who bring their considerable literary talents to their trade. John LeCarré comes to mind. Writers who sacrifice depth of character or concern for place quickly lose my interest. Thankfully, there are many thriller writers who do a superb job of keeping my wandering nature in check. (A quick note: I also write dystopian fiction under my pen name James Jaros.)

Joy Schroeder is a historian devoted to examining the experiences of women in Christianity and Judaism. With concern for female and male victims of violence, Schroeder scrutinizes historical documents to find accounts of harassment, rape, clergy sexual abuse, and other violence. She brings the historical accounts to light while critiquing the cultural patterns that perpetuate violence in our own day. In her work as a pastor and as a professor, she has worked to support victims of harassment, sexual violence, domestic violence, and child abuse. Schroeder is a professor of church history at Capital University (Columbus, Ohio), where she teaches at Trinity Lutheran Seminary and the department of religion and philosophy. 

I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.

Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy. 

I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.

I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!

Women’s rights in the workplace have been my passion for thirty years. As a sociologist who does fieldwork and oral histories, I am interested in understanding work through workers’ perspectives. The most important thing I’ve learned is that employers can be notoriously reluctant to enact change and that the most effective route to workplace justice is through collective action. I keep writing because I want more of us to imagine workplaces that value workers by compensating everyone fairly and giving workers greater control over their office’s rhythm and structure. 

Jamilla Counts born in Chicago during 1973 and raised in Memphis, Tennessee where she currently resides now. Graduated from Pulaski Technical college in Arkansas. Moving on to the University of Arkansas at Little Rock presuing a Bachelor's Degree in Social work. I'm featured in a book released by Tiffany Ludwig in the Rutgers University Press; Fifth or Later Edition (November 30, 2007) called Trappings: Stories of Women, Power, and Clothing, I'm a single parent of two daughters and one grandchild.

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

My interest in gaslighting began when I watched the movie, Gaslight, starring Ingrid Bergman. Until then, I hadn’t understood how someone who appears charming and caring can use someone’s love to control, manipulate and undermine them, to such an extent that the victim doubts their own perception of reality. I started to read accounts of victims of gaslighting. I then realized that someone I knew was going through this. Fiction is a powerful means of creating awareness of issues and injustices, and I hope my new series character, Sally Fairburn, will inspire women to seize back their lives. 

I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school.  I write of it for my grandfather, who was born of exploitation.  I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives.  Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing. 

I am a reader, writer, and professor specializing in memoir writing. I think every single person has a fascinating life. But, when writing it down, it can be difficult to find a narrative structure that allows the story to feel as unique as the human being writing it. I am drawn to memoirs that have fresh, creative ways of organizing their material—memoirs that go beyond or subvert the conventional, straightforward, chronological approach. After all, our memories are often scattered, fragmented, interrupted, non-linear, or just bizarre; memoirs that capture not only the person’s lived experience but also the messiness of memory itself feel more powerful and true to me. 

Joy Schroeder is a historian devoted to examining the experiences of women in Christianity and Judaism. With concern for female and male victims of violence, Schroeder scrutinizes historical documents to find accounts of harassment, rape, clergy sexual abuse, and other violence. She brings the historical accounts to light while critiquing the cultural patterns that perpetuate violence in our own day. In her work as a pastor and as a professor, she has worked to support victims of harassment, sexual violence, domestic violence, and child abuse. Schroeder is a professor of church history at Capital University (Columbus, Ohio), where she teaches at Trinity Lutheran Seminary and the department of religion and philosophy.