Here are 100 books that The Book of Essie fans have personally recommended if you like
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I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.
Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
In late 1950s London, Jean Swinney is a journalist on a local paper, resigned to being given the soft 'women's interest' stories at work, and going home each evening to her crochety, demanding mother.
I worked as a journalist in the 1980s, and even then, the women on the team were often patronised and the men kept the good stories for themselves, so I could absolutely empathise with Jean.
She's far from your classic heroine yet Clare Chambers writes her so beautifully: thoroughly fed up with her lot, yet managing to keep a wry sense of humour and find small moments of pleasure in life.
As a peculiar work assignment led her to a chance at happiness, I was on the edge of my seat, hoping for a happy ending.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Olivia Stephens is one of the most skilled cartoonists of our generation. I was lucky enough to blurb Artie: Artie and the Wolf Moon, like all of Stephens’ work, is heartbreaking and heart-mending, gorgeously and lovingly rendered with a voice and eye for the gentle and powerful ways characters interact with one another…“ Like the best graphic novels set in the Pacific Northwest, Artie’s story could not be told without dense forests that hold both danger and sanctuary.
“A heartfelt, magical family drama you can really sink your teeth into.” ―Nilah Magruder, M.F.K.
After sneaking out against her mother's wishes, Artie Irvin spots a massive wolf―then watches it don a bathrobe and transform into her mom. Thrilled to discover she comes from a line of werewolves, Artie asks her mom to share everything―including the story of Artie's late father. Her mom reluctantly agrees. And to help Artie figure out her own wolflike abilities, her mom recruits some old family friends.
Artie thrives in her new community and even develops a crush on her new friend Maya. But as…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.
Another great series from Rick Riordan. Set somewhat in the real world, a brother and a sister who don’t look alike discover they are descended from long line of a family of both Egyptian pharaohs and magicians. They have special talents to battle gods from Egyptian mythology and must save their father and the world.
Again, so much history and mythology packed into an exciting adventure story. Our whole family loved it.
The Red Pyramid: the first book in Rick Riordan's The Kane Chronicles.
Percy Jackson fought Greek Gods. Now the Gods of Egypt are waking in the modern world...
'I GUESS IT STARTED THE NIGHT OUR DAD BLEW UP THE BRITISH MUSEUM . . .'
CARTER AND SADIE KANE'S dad is a brilliant Egyptologist with a secret plan that goes horribly wrong. An explosion shatters the ancient Rosetta stone and unleashes Set, the evil god of chaos . . .
Set imprisons Dr Kane in a golden coffin and Carter and Sadie must run for their lives. To save their dad,…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I believe Edgar Allan Poe’s stories are ripe for retelling. Poe was constrained by his own aesthetics (he was not fond of longer works), so his short fiction always hinted at larger worlds just beyond the page.
T. Kingfisher gives us one such world behind The Fall of the House of Usher and fills out the story of haunted siblings Roderick and Madeline Usher. I love that Kingfisher, like Poe, knows the names of flowers and fauna, and her book is saturated with trees, flowers, rabbits, and, oh yes, mushrooms. I hunt for mushrooms myself, so I loved this particular element.
The voice of this novel is also key to its success, so I recommend the audiobook as well. It’s a bit campier with the accents, but it adds to the fun.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
Female warriors add more depth to the action/thriller genre and make any character infinitely more interesting. I’ve read and watched enough Jacks, Johns, and Jakes to last a lifetime and I want some Janes in my reading life. I’ve been an avid reader for more than 40 years and always felt that there was a blank space when it comes to female protagonists. Many of my favorite female characters were relegated to supporting roles including some on my list, but when I find a great female character I end up reading her again and again. And if you haven’t seen it yet, watch Lioness on Amazon, it will leave you breathless!
When it comes to Constance Greene, I hardly know where to begin.
She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.
She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.
In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.
When a longtime enemy shows up dead on Pendergast's doorstep, the murder investigation leads him into his own dark past as a vengeful killer waits in the shadows.
It begins with murder. One of Pendergast's most implacable, most feared enemies is found on his doorstep, dead. Pendergast has no idea who is responsible for the killing, or why the body was brought to his home. The mystery has all the hallmarks of the perfect crime, save for an enigmatic clue: a piece of turquoise lodged in the stomach of the deceased.
I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.
Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.
This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.
For Alberta Scaglione, her golden years are turning out much more differently than she expected—and much more deadly . . .
Alberta Scaglione’ s spinster aunt had some secrets—like the fortune she squirreled away and a secret lake house in Tranquility, New Jersey. More surprising: she’s left it all to Alberta. Alberta, a widow, is no spring chicken and she’s gotten used to disappointment. So having a beautiful view, surrounded by hydrangeas, honeysuckle, and her cat, Lola, sounds blissful after years of yelling and bickering and cooking countless lasagnas.
But Tranquility isn’t as peaceful as it sounds. There’s a body…
