Here are 100 books that The Book of Essie fans have personally recommended if you like
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I grew up in a large family that initially didn’t include my mother or father. My mother made the sacrifice of leaving our island of Trinidad to make a home for us in Canada. She was separated from us for years while my grandparents raised me and my brothers. I think that type of upbringing triggered my curiosity about what a family can be. When I became a father at 18, the question of what kind of family I would build became the central theme of my life. It still is today, which is why stories that revolve around family are so captivating for me.
I loved this book because it shows generations of family sacrifice and how the decisions we make in our lifetime can live on for decades after we pass.
I rushed to read this book every evening and had to pull myself away. It was so amazing to me that this author could weave through years and years of family history in a clear, coherent, and powerful way.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
In late 1950s London, Jean Swinney is a journalist on a local paper, resigned to being given the soft 'women's interest' stories at work, and going home each evening to her crochety, demanding mother.
I worked as a journalist in the 1980s, and even then, the women on the team were often patronised and the men kept the good stories for themselves, so I could absolutely empathise with Jean.
She's far from your classic heroine yet Clare Chambers writes her so beautifully: thoroughly fed up with her lot, yet managing to keep a wry sense of humour and find small moments of pleasure in life.
As a peculiar work assignment led her to a chance at happiness, I was on the edge of my seat, hoping for a happy ending.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Olivia Stephens is one of the most skilled cartoonists of our generation. I was lucky enough to blurb Artie: Artie and the Wolf Moon, like all of Stephens’ work, is heartbreaking and heart-mending, gorgeously and lovingly rendered with a voice and eye for the gentle and powerful ways characters interact with one another…“ Like the best graphic novels set in the Pacific Northwest, Artie’s story could not be told without dense forests that hold both danger and sanctuary.
“A heartfelt, magical family drama you can really sink your teeth into.” ―Nilah Magruder, M.F.K.
After sneaking out against her mother's wishes, Artie Irvin spots a massive wolf―then watches it don a bathrobe and transform into her mom. Thrilled to discover she comes from a line of werewolves, Artie asks her mom to share everything―including the story of Artie's late father. Her mom reluctantly agrees. And to help Artie figure out her own wolflike abilities, her mom recruits some old family friends.
Artie thrives in her new community and even develops a crush on her new friend Maya. But as…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
Realistic, contemporary fiction is my jam. I’m in love with the genre for many reasons, but the most significant is this: In life, we often find it difficult to reveal our struggles to others, for fear of being exposed, seen as weak, “crazy”, or incapable. However, in the magical world of contemporary fiction, we allow ourselves to relate without fear of judgment or shame and because how we relate is different for all of us, these raw, emotional stories are some of the most powerful ones to be told. Why? Because it is in these stories that we see ourselves, and in them, we find hope.
This story is a work of family saga art, honestly. In discovering the ins, outs, ups, and downs of Marilyn and David’s loving relationship, we come to know their four adult daughters who are each experiencing life-changing events of their own.
It is both a beautiful and heartbreaking depiction of family dynamics, coming of age, parenthood, and finding one’s way. It’s reconciliation with the past and finding the courage to face the future. It’s a love story, in the traditional sense, but also one between parents and children and among the sisters themselves…all intricately woven into one truly intriguing family story.
No skipping pages for me in this one: I didn’t want to miss a thing!
NEW YORK TIMES BEST SELLER • “A gripping and poignant ode to a messy, loving family in all its glory.” —Madeline Miller, bestselling author of Circe
In this “rich, complex family saga” (USA Today) full of long-buried family secrets, Marilyn Connolly and David Sorenson fall in love in the 1970s, blithely ignorant of all that awaits them. By 2016, they have four radically different daughters, each in a state of unrest.
Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator turned stay-at-home-mom, battles anxiety and self-doubt; Liza, a neurotic and newly tenured professor, finds herself pregnant…
I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.
Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.
This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.
For Alberta Scaglione, her golden years are turning out much more differently than she expected—and much more deadly . . .
Alberta Scaglione’ s spinster aunt had some secrets—like the fortune she squirreled away and a secret lake house in Tranquility, New Jersey. More surprising: she’s left it all to Alberta. Alberta, a widow, is no spring chicken and she’s gotten used to disappointment. So having a beautiful view, surrounded by hydrangeas, honeysuckle, and her cat, Lola, sounds blissful after years of yelling and bickering and cooking countless lasagnas.
But Tranquility isn’t as peaceful as it sounds. There’s a body…
I’ve always been fascinated by people’s motives whether that be in real life or written on the page. That’s what drew me to write in the thriller genre to begin with because at the core, it's about finding out why people do things. But sometimes this genre portrays female characters as either innocent damsels or evil femme fatales, neither of which captures that women are a mix of good and bad like all other people. That’s why I try to write my female protagonists in my novels, short stories, and fictional podcasts, in a way that makes them conflicted humans and causes them to experience both downfalls and triumphs.
This novel is exactly what I look for in a thriller.
It’s fast-paced, filled with twists, and full of complex female characters.
The Howell Family is forced to move from California to Brooklyn for the husband’s job. Wife and mother, Nora is tasked with setting up their new home and getting her two teen daughters settled into their new schools.
However, she discovers their new Brownstone was the site of a grisly murder of an entire family in the 1990s. Soon one of the daughters notices someone stalking her and their house causing the family to fear the killer has returned.
But Nora isn’t the helpless stay-at-home mother everyone thinks she is as she goes through great lengths including hiding a dark past to keep her family safe.
One of Bibliofile's Most Anticipated Mystery/Thriller Books!
“Great psychological suspense with a wallop of a twist.” —Harlan Coben, #1 New York Times bestselling author
New York Times bestselling author Wendy Corsi Staub makes her trade paperback debut with a fast-paced thriller in the vein of Lisa Jewell’s The Family Upstairs and Megan Collins’ The Winter Sister. Here, a family making a fresh start moves into a house which was the site of an unsolved triple homicide—and are watched by an unknown person...
The watcher sees who you are...and knows what you did.
Was it the environmental movement, which burgeoned as I was growing up? Or remnants of Sunday School teachings? For whatever reason, I deeply believe that I have a responsibility to give back to the world more than I take. There are many ways to give back, as my characters Miranda and Russ explore in my novel I Meant to Tell You. In my nonfiction, I’ve investigated the healthcare and financial industries, and also suggested steps we can take in our everyday lives as consumers, parents, and investors. When I’m not writing, I’m organizing environmental clean-ups, collecting supplies for refugees, and phoning public officials.
At 640 pages, this exuberant saga takes an original approach toward the Sixties. The protagonist’s mother, Faye, got swept into the demonstrations at the 1968 Democratic Convention in Chicago almost by accident, because it was part of the student scene. That’s only one of about six plotlines in this book, which focuses on Faye’s abandonment of her son, Samuel, when he was a boy; her arrest for throwing gravel at a right-wing presidential candidate decades later; and the paths propelling the potential mother-son reunion. I was captivated by the energy, richness, and plot twists of this novel, which somehow manages to keep all its balls spinning. (PS: The political protests aren’t what they seem.)
Winner of the Art Seidenbaum Award for First Fiction A New York Times 2016 Notable Book Entertainment Weekly's #1 Book of the Year A Washington Post 2016 Notable Book A Slate Top Ten Book
NEW YORK TIMES BESTSELLER
“The Nix is a mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . . Nathan Hill is a maestro.” —John Irving
From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home,…
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