Here are 100 books that What Moves the Dead fans have personally recommended if you like
What Moves the Dead.
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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.
Full disclosure: I’m a sucker for retellings, as you may have noticed since this book is the second retelling to make my list.
This book retells the 12 Dancing Princesses, exploring the family’s curse more in-depth. That means it’s filled with gothic settings, plenty of tragedy, and the requisite family secrets. It’s the perfect spooky story to keep you up all night (because you won’t be able to put it down).
NEW YORK TIMES BESTSELLER • Get swept away by this “haunting” (Bustle) YA novel about twelve beautiful sisters living on an isolated island estate who begin to mysteriously die one by one. This dark and atmospheric fairy tale inspired story is perfect for fans of Yellowjackets.
"Step inside a fairy tale." —Stephanie Garber, #1 New York Times bestselling author of Caraval
In a manor by the sea, twelve sisters are cursed.
Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of…
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Bleak, beautiful, and visceral. I’ve reread this graphic novel a dozen times just to look at the absolutely stunning creature design that engulfs the environment. Sal, a sword-wielding exterminator, is faced with their crumbling relationship, their terrible job, and the monsters that lurk in every corner of this near-future world—all in one shift.
LA, 2028. Down-on-their-luck exterminator Sal Hernandez is sick of long hours and living in their work van. They’re ready to quit their job and reconcile with their estranged partner. The only thing standing in their way is one last shift. But what seems like a routine call quickly gets out of hand when a proselytizing mass of flesh abducts Sal’s newest coworker, Luke, and turns their extermination job into a rescue mission.
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Set in 1930’s Louisiana, the environment is a character in and of itself—lush, suffocating, dreamlike. In fact, the entire book feels like an unsettling dream. The narrative of trauma and death swirls around Eugene, a reporter, and Johnny Walker, an enigmatic fugitive. Heed the content warnings before you dive into this book, it’s heavy, and Powell leaves very little off the page.
Small-town Louisiana, 1935.When Eugene was twelve, a girl from town disappeared. Everyone said the gators must have got her when she strayed too near the bayou. No foul play, just a terrible accident. But Eugene can't shake the conviction that Mary Beth's death had something to do with the man who used to haunt her—the man no one else could see.Now, nearly two decades later, there are more dangerous things than gators in Chanlarivyè. People are disappearing again, and this time, no one can find the bodies. As the town's unease grows, charismatic fugitive Johnny Walker arrives on the scene,…
Ever since I was a little girl and watched the 1943 version of Jane Eyre on Halloween, I’ve had an affinity for gothic fiction. I love books that keep me up at night, the slow, subtle creep of horror that this genre elicits. Combine that with fantastical elements, or better yet a retelling of an old classic, and I’m in. Writing A Multitude of Dreams, a reimagining of Poe’s The Masque of the Red Death, allowed me to indulge in everything I love about gothic fantasy, and it gave me the perfect excuse to read as much of it as possible.
Clipstone proved herself a master of the genre with her debut, Lakesedge, and its sequel, Forestfall.
Her upcoming novel, Unholy Terrors, continues her streak of deliciously dark and romantic fantasies. This story of a monster hunter falling under the spell of the very monster she’s sent to kill is full of lyrical prose and impeccable Spooky Season vibes.
There’s even a nod to the goth aesthetic, complete with black nail polish and lipstick. Chef’s kiss perfection.
Everline Blackthorn has devoted her life to the wardens―a sect of holy warriors who guard against monsters known as the vespertine.
When a series of strange omens occur, Everline disobeys orders to investigate, and uncovers a startling truth in the form of Ravel Severin: a rogue vespertine who reveals the monsters have secrets of their own.
Ravel promises the help she needs― for a price. Vespertine magic requires blood, and if Everline wants Ravel to guide across the dangerous moorland, she will have to allow him to feed from her.
I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!
My sister has always teased me about my love of men in dark capes (Darth Vader and the Phantom from Phantom of the Opera especially). Combine that—shall we say—preference with my fascination with the tarot, courtly intrigue, and a young woman’s quest to embrace her inner darkness while determining her own destiny and bam! You have Rachel Gillig’s One Dark Window.
One of my favorite things about this novel is that it surprised me, which doesn’t happen easily. From the first embedded fairy tale rhyme, Gillig sweeps her readers away into a mist-cloaked kingdom struggling for its very survival, both desperate for and hidden by the magic of the forest that looms beyond its misty borders.
For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking.
Elspeth needs a monster. The monster might be her.
Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.
Ever since I was a little girl and watched the 1943 version of Jane Eyre on Halloween, I’ve had an affinity for gothic fiction. I love books that keep me up at night, the slow, subtle creep of horror that this genre elicits. Combine that with fantastical elements, or better yet a retelling of an old classic, and I’m in. Writing A Multitude of Dreams, a reimagining of Poe’s The Masque of the Red Death, allowed me to indulge in everything I love about gothic fantasy, and it gave me the perfect excuse to read as much of it as possible.
She’s one of the best Jewish fantasy authors writing today, and she isn’t afraid to cover the darkest aspects of humanity (up to and including cannibalism). Juniper and Thorn is a retelling of The Juniper Tree and follows the story of Marlinchen, her sisters, and their absolutely repulsive wizard father.
Combining fairytale elements - there are hints of The Twelve Dancing Princesses, Cinderella, and Slavic folklore here - with Reid’s utterly immersive voice, Juniper and Thorn has earned its spot among my favorite books.
'A tale of fear and survival, hope and yearning and defiance, in timelessly elegant prose. It will enchant you, break your heart, and chill you to the very marrow.' Samantha Shannon on The Wolf and the Woodsman
From the Sunday Times bestselling author of The Wolf and the Woodsman comes a gothic retelling of The Juniper Tree, where a young witch seeks to discover her identity and escape the domination of her abusive wizard father. Perfect for fans of Angela Carter, Catherynne M. Valente and Shirley Jackson _________________________________
A gruesome curse. A city in upheaval. A monster with unquenchable appetites.…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Even though Daisy and Brittney are the POV leads of this tale, Ivy – a character without a POV – is the reason I added this book to the list. All three girls are complex leads that seem to wind up tighter before the book delivers a gory, emotional gut-punch of an ending. It's like the embodiment of "they had me in the first half, I'm not gon' lie."
I still feel a swell in my chest when I remember the ending of this book. The feelings of unease I felt as I crept deeper into this haunted house story are just as memorable as the utter relief that ripped through me throughout the epic finale.
I cried, I screamed, and most importantly—I felt a LOT.
The Haunting of Hill House meets Sadie in this evocative and mind-bending psychological thriller following two teen girls navigating the treacherous past of a mysterious mansion ten years apart.
Daisy sees dead people-something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she's completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with…
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