Here are 22 books that Unholy Terrors fans have personally recommended if you like
Unholy Terrors.
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I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.
Full disclosure: I’m a sucker for retellings, as you may have noticed since this book is the second retelling to make my list.
This book retells the 12 Dancing Princesses, exploring the family’s curse more in-depth. That means it’s filled with gothic settings, plenty of tragedy, and the requisite family secrets. It’s the perfect spooky story to keep you up all night (because you won’t be able to put it down).
NEW YORK TIMES BESTSELLER • Get swept away by this “haunting” (Bustle) YA novel about twelve beautiful sisters living on an isolated island estate who begin to mysteriously die one by one. This dark and atmospheric fairy tale inspired story is perfect for fans of Yellowjackets.
"Step inside a fairy tale." —Stephanie Garber, #1 New York Times bestselling author of Caraval
In a manor by the sea, twelve sisters are cursed.
Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I believe Edgar Allan Poe’s stories are ripe for retelling. Poe was constrained by his own aesthetics (he was not fond of longer works), so his short fiction always hinted at larger worlds just beyond the page.
T. Kingfisher gives us one such world behind The Fall of the House of Usher and fills out the story of haunted siblings Roderick and Madeline Usher. I love that Kingfisher, like Poe, knows the names of flowers and fauna, and her book is saturated with trees, flowers, rabbits, and, oh yes, mushrooms. I hunt for mushrooms myself, so I loved this particular element.
The voice of this novel is also key to its success, so I recommend the audiobook as well. It’s a bit campier with the accents, but it adds to the fun.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!
My sister has always teased me about my love of men in dark capes (Darth Vader and the Phantom from Phantom of the Opera especially). Combine that—shall we say—preference with my fascination with the tarot, courtly intrigue, and a young woman’s quest to embrace her inner darkness while determining her own destiny and bam! You have Rachel Gillig’s One Dark Window.
One of my favorite things about this novel is that it surprised me, which doesn’t happen easily. From the first embedded fairy tale rhyme, Gillig sweeps her readers away into a mist-cloaked kingdom struggling for its very survival, both desperate for and hidden by the magic of the forest that looms beyond its misty borders.
For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking.
Elspeth needs a monster. The monster might be her.
Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This is a story of monsters and magic and a dark fantasy that is–finally–properly dark.
It is not an easy read since it describes domestic violence, abuse, and other kinds of dark depravity. However, it is also a beautiful take on one of the most disturbing Grimm tales, with a heroine I rooted for from the beginning and a fractured, twisted romance I loved.
'A tale of fear and survival, hope and yearning and defiance, in timelessly elegant prose. It will enchant you, break your heart, and chill you to the very marrow.' Samantha Shannon on The Wolf and the Woodsman
From the Sunday Times bestselling author of The Wolf and the Woodsman comes a gothic retelling of The Juniper Tree, where a young witch seeks to discover her identity and escape the domination of her abusive wizard father. Perfect for fans of Angela Carter, Catherynne M. Valente and Shirley Jackson _________________________________
A gruesome curse. A city in upheaval. A monster with unquenchable appetites.…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
Lucille Kallen was an amazing TV writer but only wrote five of her cozy mysteries starring small-town, middle-aged reporter Maggie Rome who served as an Archie Goodwin for her cerebral boss, editor C. B. Greenfield. They were all witty and fun, but this one centers around the very real Boston Symphony Orchestra and their summer rehearsal space, Tanglewood music center near the MA-NY border. Expansive hills, the petty rivalries of professionals, and a not-often-used method of murder make this book a must for any mystery lover. Plus, the author was clearly as adoring of Ravel as I am, which is why this slim volume still has a place on my bookshelf after 30-plus years.
I’m a reader and an author who loves stories that are so beautifully written they wrap you up tight in comfort, ensuring no matter what hurt the characters go through, you know it will all be okay in the end. And in stressful times—even in times that aren’t so stressful!—I think we all need that little bit of fictional certainty, that knowing that everything is going to be okay in the end. I started writing to give queer characters suffering from problems like loneliness, anxiety, and homelessness, as many happy endings as I could.Because no matter the difficulties you may be going through, everyone deserves a happy ending.😊
This is the story of two young men, one rich, one homeless but it’s not a simple rescue me type story. Laurie and Sasha reach out desperately to one another from their different worlds, and against all odds begin an affair, hidden in the attics of Laurie’s sumptuous home and on the bleak moorland of a Romani encampment. For Laurie, it’s a delicious sexual awakening, and Sasha returns his affections, opening up to him a whole new world of freedom. But Sasha has secrets, and a murky, violent past.
I’ve reread this book countless times. Harper Fox’s writing is breathtaking and it’s so comforting to read characters you can’t help but adore falling in love and finding their way through conflict to a safe and happy ending.
Laurence Fitzroy is trapped in a golden cage. The only son of a wealthy London baronet, he’s struggling to escape his father’s suffocating world. But Laurie is losing his fight. At nineteen years of age, bright and imaginative, he’s no match for the brutal Sir William. Laurie wants to be an actor – bad enough as far as Sir William is concerned, but, worse than that, he’s gay.
One bitter winter night, he meets a young homeless man huddled in blankets outside the opera house. The two form a bond straight away, and Laurie takes him home, wanting only to…
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
Everybody who has read this extraordinary book seems to have an overwhelming urge to discuss it with other people. It tells the true story of the murder of a young woman in 1931 in northern England, a death for which no-one was ever brought to trial. This is not just an unsolved mystery but deftly reveals what life was like in a north Northumberland town in the 1930s, as well as exposing how chaotic and class ridden policing was at the time.
In January 1931, on a lonely stretch of Northumberland road known as Wolf's Nick, flames rose up into the night sky from the neighbouring moorland.
Beyond help, Evelyn Foster lay engulfed in flames near her burning car, desperately hoping to be found by a passing vehicle.
With her last breath, she described her assailant: a mysterious man with a bowler hat who had asked her to drive him to the next village, then attacked her and left her to die.
What followed was a remarkable effort by some members of the police to track down Evelyn's killer while other members…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
Part-Cornish, as a child I spent family holidays in Cornwall and was told family stories of Cornish relatives, especially of great grandfather Philip Henry Hammer and his numerous children who left Cornwall for destinations near – London and Wales – and far–South Africa, Australia, and Tasmania – to make a living. Old family photographs, some from the 1870s helped to bring these men and women alive and inspired me to write The Hammers of Towan. The more I research Cornish history, the more I learn, and the more I want to write about Cornish people and their place in the world.
A fascinating description of the Cornish way of life as it was in the late 19th and earlier part of the 20th century.
I especially enjoyed the many early photographs of places, activities, and people which really enliven the text – good background information for my writing project.
Cornwall's spectacular shoreline, with its brutal cliffs, desolate moors and pre-historic coastal settlements, has long held a source of fascination for those who cross the Duchy's boundary line. Yet despite the endurance of seascapes and ancient landscapes, which remain hidden from mainstream tourist routes, there are, throughout Cornwall, stories of change. Patterns of life have adapted to a shifting world, and whole communities have been affected as traditions are gradually subsumed in the struggle for 'progress'. However, remnants of recent history are still evident in Cornwall's architecture, its redundant transport systems and its cultural relics. This book is an exploration…
I’ve written almost one hundred historical romances, so when it comes to making a marriage in a book swoonworthy, I know the hard work that an author has to put in. Whether it’s enemies to lovers, instalove, grumpy/sunshine, whatever it is: I have a huge amount of respect for authors who spend the time crafting a love story that makes me absolutely desperate for the wedding.
I have never found a modern-day author who encapsulates the roaring 1920s in such a resplendent as Emmanuelle de Maupassant: the humour, the wit, the descriptions of the Highlands which Emmanuelle knows so well, and of course, the mystery of eccentric relatives who are not what they seem.
I love this trilogy, with more than one unusual marriage...
It's 1928 and Bright Young Things are taking London by storm, but debutante Ophelia's life is all mapped out: marriage to a cod-faced aristocrat and a life of dull respectability.
Refusing to play along, Ophelia is banished to her ancestral home in the Highlands of Scotland. There, she'll be so bored, she'll come to her senses... won't she?
Meeting her eccentric relatives, Ophelia isn't so sure, and there's utter mayhem as guests arrive for her grandmother's birthday celebrations.
Everyone is having a ball... until tragedy strikes on a moorland shoot.
... don't miss the other two volumes in this hilarious…
