The most recommended books about relics

James Patterson is one of my favorite authors and his historical novel The Jester is a masterpiece, blending an intriguing story of treachery, deceit, and love against the backdrop of Medieval Britain. Patterson brings the characters into living color, especially the poor peasants who toil within the cold, stone walls. While the plot is fantastic in its own right, the author does something unique that sets him apart – his chapters are always short and easy to read. Cliffhangers dangle at the end of most of the pages, keeping the reader on the edge of his seat. The combination makes this book hard to put down and you’ll be finished in no time. It's clear he understands what the reader wants, and he delivers!

This book is a masterful mix of mystery and the miraculous!

Set in Paris, in the early twentieth century, the author will take you on a wild ride, something like a cross between Indiana Jones and National Treasure – and it’s not a long book, so it’s a great way to introduce yourself to this prolific author.

If you’ve never heard of Davis Bunn, he’s more famous than you would guess, and a best-selling author. Do yourself a favor, and introduce yourself to his work.

This fascinating doorstopper of a book contains more than 500 photographs of buildings that have long since disappeared from London’s streets. It provides a tantalising glimpse of the city that our ancestors knew and carries me off on a time travelling adventure every time I look through it.

Most fantasy books take so long to tell the story. This series starts quickly and enchants the entire time! A hero who defends a blind priest against all manner of evil and danger. This is a story you will fall in love with and will not be able to put down! Without revealing too much... Not all heroes wear capes 

Gripping character introductions, organic magic systems, extraordinary world-building, and superb writing. I felt the fire burn Selah and the yearning in William’s heart to do good despite loyalty to faulty leadership. Fighting galore!

I love weaving on a loom. I almost always write a weaver into my novels and Walker-Henderson’s series has a weaver too!

The Legendaries’ abilities - speed, strength, magnetic attraction, lung capacity, and resistance to fire are measurable and augmented in this story. Through the whole series geography is explored. Each Legendary comes from a different environment and climate. Selah comes from the desert. William comes from the mountains with mixed forest. They travel to the plains and the icy regions in their quest for the ancient relic that gives the possessor power over their destiny.

This is a great read. It’s fast-paced, has interesting characters, and plenty of action and intrigue.

It features an Australian teen (Sadie) who finds herself caught in the middle of an ancient conflict nearing its final battle. I enjoyed the Perth setting, the dynamic between Sadie and the people she cares about, and the brilliant way Myke brings a fresh twist to some creepy ancient mariner myths.

There's a great sense of menace and mystery as this story unfolds, and the last third book is hard to put down as Sadie races to save her city—and the world.

Westlake’s unlucky, sad-sack adventure hero John Dortmunder is the greatest conman character in crime fiction. Years ago, at a bookstore coffee shop, I perused some book reviews for what to read next. One reviewer recommended Westlake’s comic caper series. I walked to the mystery section, pulled out Don’t Ask, opened to a random page, read it, and laughed out loud. That was not just good luck: There’s a hilarious passage on nearly every page of the book. It’s about two fictitious nations fighting over a religious artifact, but that does not begin to sum up the zany genius of Westlake’s plot. Donald Westlake was a sort of imposter himself -- he wrote under more than a dozen pen names throughout a spectacular career that spanned half a century.

The same transformation is vividly described, along with the enormities of archetypically immoral barons and revolting peasants, the murder of a scandalous bishop, and much else, in the memoirs of an abbot from northern France at a time of violent social upheaval and intense personal rivalries, often played out on the stage of religious piety. This is one of the liveliest and most revealing of the many sources translated from this period, excellently introduced by Jay Rubenstein.   

I was blown away by this debut novel and the skill of its writer. It covered multiple perspectives, times, and locations, giving layered and deep insights into the Chinese invasion and annexation of Tibet, and its effects on Tibetans forced to become refugees, first in Nepal then in Canada.

A small clay statue, or ku, plays a central role endowed with profound meaning about cultural belonging, ownership, and appropriation. Through the varied interpretations of its form and facial expressions, it is both a character itself and a symbol of what other characters experience.
I found this to be a beautifully written, well-constructed, powerful, and moving tale of displacement, emphasizing the essential nature of homeland, how place shapes and defines us all, with much resonance in American Indigeneity.

Charles Williams’s books have been described as “supernatural thrillers.” Many later authors have tried to use the theme of a recently-rediscovered ancient holy relic, which various people want to get hold of for good or evil purposes, in this case the Holy Grail or Graal, but few have done it as well as Charles Williams. I’ve read it at least five times, and I also think it has one of the most attention-grabbing opening lines in fiction: “The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”