As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.
I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.
As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)
I love knowing about things. Science is both a knowledge base and a way to discover new knowledge. I’ve been looking through microscopes and telescopes (that my dad built) from my earliest toddling. Though I have never been to university I have picked the brains of my scientific siblings (one of whom is a biology professor) and I read widely. Gathering crumbs from many sources gives a wider knowledge base than one university child afford. Scientists begin with speculation. I love inventing systems and worlds where we break one or a few of our known laws of nature or physics. Marrying science with fantasy births marvelous offspring!
Gripping character introductions, organic magic systems, extraordinary world-building, and superb writing. I felt the fire burn Selah and the yearning in William’s heart to do good despite loyalty to faulty leadership. Fighting galore!
I love weaving on a loom. I almost always write a weaver into my novels and Walker-Henderson’s series has a weaver too!
The Legendaries’ abilities - speed, strength, magnetic attraction, lung capacity, and resistance to fire are measurable and augmented in this story. Through the whole series geography is explored. Each Legendary comes from a different environment and climate. Selah comes from the desert. William comes from the mountains with mixed forest. They travel to the plains and the icy regions in their quest for the ancient relic that gives the possessor power over their destiny.
In a land of legends, three rival nations hunt the ancient relic that can control rare and powerful warriors.
With lightning speed and an affinity for knives, Desa is a legendary, one of the warriors the relic can enslave.
Disguised as a mercenary, she joins a band of enemy warriors who also hunt the relic. In the height of battle, a startling connection links her to their leader.
Will he help her find the relic or betray her for the glory of his northern kingdom? His aid could be worth the risk.
I’ve been hooked on fantasy since my early teens. I’ve devoured all the classics, from Tolkien to classical classics (think ancient Grecian myths). Elemental magic might not be new, but it has ancient roots and multiple ways of imagining the powers that I love. As for adventure…I’m a sucker for travel, especially in a whole new land. Combine elemental magic with adventure across a new world, and I’ll happily tag along! If the group includes some awesome new and snarky friends, well, you probably won’t be able to get me out of the book.
I love the main character, Arianna, and her depth. She struggles to contain the lightning spirit inside of her… and fails… and succeeds… and tries again. Plus, her mission is noble: to end a drought and save her people! Which she picked up after the death of her father as it was his quest.
Noble quests, a well-developed world with unique cultures, and rich writing connected to a spirited character hook me every time.
A storm is brewing in the kingdom. If she unleashes the power inside her, can she make justice rain?
Arianna struggles to control the tempest deep in her heart. Longing to rid herself of the quick-tempered Lightning Spirit trapped within her, she’s desperate to cool her emotions and save her people from the devastating drought that began the day she was born. But when her father is murdered during a quest to break the curse, Arianna vows to channel her powers to end the suffering and take revenge.
Teaming up with her skilled swordsman best friend, she embarks on a…
As an Irish-Italian-American, I’ve got a lifetime of cultural and family traditions to bring to the table, and I want that in the books I read. I love books that celebrate the beauty of life, love, family, and creation. A novel can open up the world, and uplift the reader, adding joy to life – that’s what I’m looking for when I read, and I imagine others, too, want uplifting stories. That doesn’t mean preachy or sanctimonious – stories should be about real imperfect people who sometimes fall short of the ideal – but I definitely want stories that take place in a universe where God, and right and wrong, exist.
This book is a masterful mix of mystery and the miraculous!
Set in Paris, in the early twentieth century, the author will take you on a wild ride, something like a cross between Indiana Jones and National Treasure – and it’s not a long book, so it’s a great way to introduce yourself to this prolific author.
If you’ve never heard of Davis Bunn, he’s more famous than you would guess, and a best-selling author. Do yourself a favor, and introduce yourself to his work.
Paris, 1923: a young American photographer, Muriel Ross, finds herself documenting antiques that US Senator Tom Bryan has travelled to France to acquire. At first revelling in the freedom Paris affords, events take a dangerous turn when Muriel intuits that Senator Bryan is on a mission far more momentous, and potentially deadly, than a mere shopping trip.
Asked to photograph an astonishing artefact - a piece of the True Cross on which, legend has it, Christ was crucified - Muriel is deeply moved. When rumours surface that a second fragment has been unearthed in Constantinople, she becomes enmeshed in a…
My love of realms and fantastic imagination comes from growing up in the backwoods of Alabama. The woods inspired me and beckoned me to dance and build and imagine among the trees. I created characters and worlds and could be a witch, a fairy, a troll, or a girl lost in time. I owe my love of creating characters to the woods that built me and one day I will go back and thank them for the beautiful life they gave me.
Most fantasy books take so long to tell the story. This series starts quickly and enchants the entire time! A hero who defends a blind priest against all manner of evil and danger. This is a story you will fall in love with and will not be able to put down! Without revealing too much... Not all heroes wear capes
A blind priest. A book that can't be seen. Can a young hero protect one long enough to save the other?
Tormjere has never left his home valley, peaceful in its isolation from both monsters and men. His first journey into the outside world meets with disaster, thrusting him into the realities of a kingdom on the brink of war.
To save the life of a friend, he pledges himself to a path for which he is ill-prepared: guiding a blind priest on a quest to retrieve a sacred relic that only he can find.
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
This fascinating doorstopper of a book contains more than 500 photographs of buildings that have long since disappeared from London’s streets. It provides a tantalising glimpse of the city that our ancestors knew and carries me off on a time travelling adventure every time I look through it.
A spectacular presentation of photographs of Tudor, Georgian and Victorian buildings captured just before their destruction - most seen here for the first time. "This endlessly absorbing book that is at once a record of destruction, a haunting collection of relics, and a door into the past." - John Carey, The Sunday Times.
"Each picture contains a novel in this deeply moving, unforgettable book." - Duncan Fallowell, Daily Express. "A magical book about the capital's past." - Sunday Times.
Never before has a murder mystery led me to consult the Bible. I'm
agnostic but nevertheless fascinated by the wide differences in
interpretation of the Christian faith.
This book ticked all the boxes for me—an intriguing whodunnit cleverly interwoven
with description of life behind the closed doors of the Vatican,
verifiable references to the differences between the four gospels in the
Bible, and the Turin shroud as a key feature.
I had expected something similar to Dan Brown's Angels and Demons,
but I found the plot in this book much more credible. I would expect
that the mounting of an exhibition of religious artifacts that could
challenge traditional beliefs would generate strong passions, which, in
this novel, proves fatal for the exhibition's organiser.
The instant New York Times bestseller from the author of the international sensation The Rule of Four combines a lost gospel, a contentious relic, and a dying pope’s final wish into a “deliciously labyrinthine” (Providence Journal) intellectual thriller that “kicks off at ninety mph and doesn’t slow down” (Associated Press).
A mysterious exhibit is under construction at the Vatican Museums. The curator is murdered at a clandestine meeting on the outskirts of Rome a week before it opens. That same night, a violent break-in rocks the home of Greek Catholic priest Father Alex Andreou. When the papal police fail to…
I developed a passion for history as a child in Warrington, Cheshire. I would lose myself in tales of Achilles, Alexander, King Arthur, and King Alfred the Great. My love of the Viking Age became nurtured through visits to Viking exhibitions like the Yorvik centre in York, and Dublinia in Dublin. The catalyst for my first book, Viking Blood and Blade, was a trip to the Viking Ship Museum in Roskilde, Denmark. That museum holds a full-size Viking warship, which is truly breathtaking. I have published seven historical fiction novels set in the Viking Age, and I hope you enjoy the books on this list as much as I have…
The descriptions of Vikings in this book are unique to others in the Viking Historical Fiction genre.
Robert captures the Viking Age with realistic grit and blood-spattered realism, and this is a difficult book to put down. Orm Bearslayer and his crew are classic anti-heroes, and Finn Horsehead is a magnificent character.
The Whale Road is the first in the Oathsworn series, and I would advise any fan of Viking novels to give this one a try.
The first in a brand new series charting the adventures of the Oathsworn, a band of Vikings on the chase for the secret hoard of Attila the Hun.
Life is savage aboard a Viking raider. When young Orm Rurikson is plucked from the snows of Norway to join his estranged father on the Fjord Elk, he becomes an unlikely member of a notorious crew. They are the Oathsworn - so named after the spoken bond that ties them in brotherhood - and they ply a casual trade on the ocean wave, selling their swords to the highest bidder.
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
The same transformation is vividly described, along with the enormities of archetypically immoral barons and revolting peasants, the murder of a scandalous bishop, and much else, in the memoirs of an abbot from northern France at a time of violent social upheaval and intense personal rivalries, often played out on the stage of religious piety. This is one of the liveliest and most revealing of the many sources translated from this period, excellently introduced by Jay Rubenstein.
The first Western autobiography since Augustine's "Confessions", "The Monodies" is set against the backdrop of the First Crusade and offers stunning insights into medieval society. As Guibert of Nogent intimately recounts his early years, monastic life, and the bloody uprising at Laon in 1112, we witness a world - and a mind - populated by royals, heretics, nuns, witches, and devils, and come to understand just how fervently he was preoccupied with sin, sexuality, the afterlife, and the dark arts. Exotic, disquieting, and illuminating, "The Monodies" is a work in which the dreams, fears, and superstitions of one man illuminate…
I have degrees in history and Christian theology, and enjoy science fiction and fantasy stories, whether set on earth, or in other worlds, whether real (other planets of our solar system), hypothetical (possible planets in other galaxies), or imaginary (Narnia, Wonderland). But I like those set in this world best, and value them especially for the insights they give into life, the universe, and everything. As C.S. Lewis once said to his friend J.R.R. Tolkien, if we want more of the kind of stories we like, we shall have to write them ourselves. The books I’ve recommended are the kind I like, and I’ve tried to write a few more.
Charles Williams’s books have been described as “supernatural thrillers.” Many later authors have tried to use the theme of a recently-rediscovered ancient holy relic, which various people want to get hold of for good or evil purposes, in this case the Holy Grail or Graal, but few have done it as well as Charles Williams. I’ve read it at least five times, and I also think it has one of the most attention-grabbing opening lines in fiction: “The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”
"War in Heaven" is a horrific romance, with many mythical creatures present. Instead of creating a unique secondary fantasy world or switching between two universes, Williams allows the supernatural to invade his modern world. This allows him to explore the influence of another reality on different characters. The object that guides the supernatural to the natural in this novel is the Holy Grail
