Fans pick 100 books like The Arthurian Relic

I love this book despite the incredible discomfort I experience every time I read it.

Diving in the cold waters of the North Atlantic on a good day is no picnic. But diving deep into the wreck of a mystery U-boat, not knowing if you are going to come out? Epic.

I just recently listened to the Audible book while driving back from an undersea research project in a van filled with young scientific divers. The climax had us all squirming in our seats!

While most people associate Dan Brown with his more famous work, The DaVinci Code, this first novel in his Robert Langdon series really founded the archaeological thriller genre.

I loved how this book transports readers to the milieu so thoroughly that it was a bit of a spoiler when I recognized one key location from my own time in Rome before the secret was revealed—but that's a testament to how well he conveys the scene! Brown invites us behind the scenes of secret societies, sharing insider information to raise the stakes.

I had the great good fortune to take a workshop with Dan just before DaVinci Code came out, and benefit from his enormous skill as a teacher. The man tells a ripping yarn, full of puzzles that blend fact and fancy. 

Dan Brown may have initiated the genre, but Steve Berry takes it a few steps further. He spends more time developing the historical reality, and less time on invention, and his streamlined prose really delivers on the promise of his plot.

In this book, Berry links a contemporary interest in fossil fuels with a striking source of historical data—a lamp taken from the tomb of the first Emperor of China, familiar to a Western audience mainly because of the army of terra cotta warriors defending the tomb to this day. Berry delves into the legends about that tomb, then brings it vividly to life.

If Brown gives his readers entry into a secret society, Berry hands over the key to a hidden realm, but one with implications for our own world. Berry manages multiple viewpoints with a skill I hope to emulate.

Silva's series follows a retired Mossad agent who is now an art restorer. As an art school drop-out, that instantly appealed to me!

Much as I enjoy adventure and history both, it's character that keeps me engaged. Silva's not creating just one person, he builds an entire network of ex-Mossad agents, family members, and more—while still driving a plot that keeps you guessing.

Silva's attention to historical detail is as rich as his protagonist's focus on art history. Every one of his scenes accomplishes so much to bring characters, settings, and conflicts to life. You can read the series out of order, but you'll miss some of the richness of the changing relationships Silva invests in.

Silva's work explores our own relationships with history as well, especially when his characters launch an "op" that requires using every tool in their espionage kit to bring off near-magic results. 

This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.

Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.

Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.

Green’s book is a great read, very scholarly, and inclusive of a great deal of comparatively early source material on Arthur. If you want a good discussion of how you could go from a figure of Celtic myth to one of history, again and again in multiple stories, this is the best guide to that journey and deserves a hearing, whether ultimately you agree with it or not. You’ll probably not be surprised to hear that I am not persuaded, despite my considerable respect for the arguments made herein, largely for the same reasons as I noted in looking at Padel’s work above. It is extraordinarily difficult to determine whether Arthur passed from ‘history’ to folk-lore or folk-lore to ‘history’, better in my view to not distinguish these as two separate genres with this much clarity.

As usual, it all comes down to the Historia Brittonum, which is called… show more.

Geoffrey’s History of the Kings is the work that picked Arthur up from the somewhat obscure backwater of Welsh story-telling and launched him onto the European stage, in the process creating a story that had an enormous influence on how the insular past was understood across the rest of the Middle Ages. Geoffrey was writing for the new Norman elite, who welcomed a view of the past which downplayed the Anglo-Saxons and centred instead on their rivals for control of ancient Britain, the Britons. He based his magnificent new work on the Historia Brittonum, a set of Welsh genealogies and various stories, all of which he embroidered from his own fertile imagination to construct a complex vision of insular history no closer to what had really happened than modern works such as Lord of the Rings or Star Wars. 

But by tapping into political and cultural needs in… show more.

For any serious Arthurian fan, an understanding of the Welsh origins of Arthur is essential, and yet unpicking these early threads of Arthurian material can be difficult.

This book provides the perfect guide, a series of accessible articles about the various stories and poems that circulated in Wales before the fourteenth century. As someone who has studied medieval Welsh literature in depth, I enjoy sharing knowledge of this fascinating culture with others, and this book opens a door into the world of early Wales where Arthur first took shape as a legendary battle warrior.

Arthur’s Welsh origins have perhaps attracted more extremist views than any other part of the legends, so this book, based on documentary evidence, is a welcome corrective to the more far-fetched speculations about the origins of Arthur.

This is a remarkable collection of essays by a scholar who, along with the likes of Rees Davies, Robert Bartlett, Ian Short, and Hugh Thomas, has brought about a revolution in the way we think about the English people and their identities during what we should call the long twelfth century. The consequences for the way in which we think about British history and the place of the British Isles within continental Europe have been profound. The debates continue!

Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.

Personally, I don’t agree with it for two reasons. First of all is the whole issue of… show more.