100 books like The Emperor's Tomb

I love this book despite the incredible discomfort I experience every time I read it.

Diving in the cold waters of the North Atlantic on a good day is no picnic. But diving deep into the wreck of a mystery U-boat, not knowing if you are going to come out? Epic.

I just recently listened to the Audible book while driving back from an undersea research project in a van filled with young scientific divers. The climax had us all squirming in our seats!

While most people associate Dan Brown with his more famous work, The DaVinci Code, this first novel in his Robert Langdon series really founded the archaeological thriller genre.

I loved how this book transports readers to the milieu so thoroughly that it was a bit of a spoiler when I recognized one key location from my own time in Rome before the secret was revealed—but that's a testament to how well he conveys the scene! Brown invites us behind the scenes of secret societies, sharing insider information to raise the stakes.

I had the great good fortune to take a workshop with Dan just before DaVinci Code came out, and benefit from his enormous skill as a teacher. The man tells a ripping yarn, full of puzzles that blend fact and fancy. 

Silva's series follows a retired Mossad agent who is now an art restorer. As an art school drop-out, that instantly appealed to me!

Much as I enjoy adventure and history both, it's character that keeps me engaged. Silva's not creating just one person, he builds an entire network of ex-Mossad agents, family members, and more—while still driving a plot that keeps you guessing.

Silva's attention to historical detail is as rich as his protagonist's focus on art history. Every one of his scenes accomplishes so much to bring characters, settings, and conflicts to life. You can read the series out of order, but you'll miss some of the richness of the changing relationships Silva invests in.

Silva's work explores our own relationships with history as well, especially when his characters launch an "op" that requires using every tool in their espionage kit to bring off near-magic results. 

Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.

I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.

As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)

Another intimate view of Mediterranean social history, The Captive Sea: brings to light the way networks of captivity and ransom operating between Hapsburg Spain, Ottoman Algiers, Morocco, and beyond helped shape the Mediterranean as an integrated region in the late sixteenth and early seventeenth centuries. Hershenzon tracks the interactions of various agents involved in the ransom economy— imperial bureaucrats, clergy, merchants, diplomats, renegades.

Combining a wide-angle frame of geopolitics with the particular cases registered in letters, petitions, Inquisition reports, and other archival sources, he reconstructs some remarkable stories that illustrate the complexity of networks of interaction and circulation: stories of individual captives like Fatima, daughter of an Algerian Janissary (slave soldier), or the connected histories of captives (in some cases of quite modest social station) from both sides of the religious divide, repatriated through the correspondence of wives or mothers back home. 

In this edited volume with contributions from scholars from China, Japan, Korea, and North America, we investigate the intellectual climate of Manchukuo and interrogate how writers found both opportunity and peril in this new state under Japanese control. This study approaches Manchukuo literature from a transnational perspective, and most importantly, not all of the scholars in our collection agree with each other! We contest the "collaboration-resistance" binary that had been so persistent in much scholarship related to China under Japanese occupation by illuminating the complex choices made by cultural producers during their careers. One of our chapters features an essay by one of Manchukuo's last living writers.

The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.

While it’s important to get a grip on what’s going on inside China, it\s also essential to appreciate how China presents itself and tries to influence the world and a second but rather different book that does this is this one. But instead of looking at China from an international relations point of view, these authors look at how the Communist Party uses agencies and institutions to not only influence politicians, think tanks, universities, and businesses in other countries - which is by no means unique - but also to interfere, which is more exceptional. 

This book makes a number of claims, and while some may be more soundly based than others, readers should look at the themes in the round and will learn a lot of what they might not have suspected r read about before.

This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.

Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.

In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.

The artwork is delicate and the text simple, but powerful.

I’ve known Liz since she was a graduate student and have been delighted to see her rise to become one of the leading authorities on the inside workings of the Chinese state. 

After years as the Council on Foreign Relations’ China expert, she left for the Hoover Institute for a quieter atmosphere for her research and writing, but she was drafted to serve as China adviser to Gina Raimondo, Biden’s secretary of commerce. There’s no better book on Xi’s China today.