Here are 100 books that The Emperor's Tomb fans have personally recommended if you like
The Emperor's Tomb.
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The two constants in my life to date have been ocean exploration by day and reading epic adventures by night. As a Ph.D. marine scientist, I’ve had the incredible good fortune to travel the world conducting marine science research, work which to date has resulted in forty-two research articles and a textbook. But as much as I’ve enjoyed conducting the research, communicating about the sea has been even more engaging, taking me to the White House, both houses of Congress, and many countries around the world. And perhaps best of all, I’ve been able to couple my love of stories with my own research experience to produce four adventure novels.
I love this book despite the incredible discomfort I experience every time I read it.
Diving in the cold waters of the North Atlantic on a good day is no picnic. But diving deep into the wreck of a mystery U-boat, not knowing if you are going to come out? Epic.
I just recently listened to the Audible book while driving back from an undersea research project in a van filled with young scientific divers. The climax had us all squirming in our seats!
In the tradition of Jon Krakauer’s Into Thin Air and Sebastian Junger’s The Perfect Storm comes a true tale of riveting adventure in which two weekend scuba divers risk everything to solve a great historical mystery–and make history themselves.
For John Chatterton and Richie Kohler, deep wreck diving was more than a sport. Testing themselves against treacherous currents, braving depths that induced hallucinatory effects, navigating through wreckage as perilous as a minefield, they pushed themselves to their limits and beyond, brushing against death more than once in the rusting hulks of sunken ships. But in the…
As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
While most people associate Dan Brown with his more famous work, The DaVinci Code, this first novel in his Robert Langdon series really founded the archaeological thriller genre.
I loved how this book transports readers to the milieu so thoroughly that it was a bit of a spoiler when I recognized one key location from my own time in Rome before the secret was revealed—but that's a testament to how well he conveys the scene! Brown invites us behind the scenes of secret societies, sharing insider information to raise the stakes.
I had the great good fortune to take a workshop with Dan just before DaVinci Code came out, and benefit from his enormous skill as a teacher. The man tells a ripping yarn, full of puzzles that blend fact and fancy.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
Silva's series follows a retired Mossad agent who is now an art restorer. As an art school drop-out, that instantly appealed to me!
Much as I enjoy adventure and history both, it's character that keeps me engaged. Silva's not creating just one person, he builds an entire network of ex-Mossad agents, family members, and more—while still driving a plot that keeps you guessing.
Silva's attention to historical detail is as rich as his protagonist's focus on art history. Every one of his scenes accomplishes so much to bring characters, settings, and conflicts to life. You can read the series out of order, but you'll miss some of the richness of the changing relationships Silva invests in.
Silva's work explores our own relationships with history as well, especially when his characters launch an "op" that requires using every tool in their espionage kit to bring off near-magic results.
Gabriel Allon, master art restorer and assassin, returns in a spellbinding #1 New York Times bestselling novel
'Allon is the 21st century Bond' Daily Mail
Bruised and war-weary following his secret war to bring down a terrorist mastermind, Gabriel Allon returns to his beloved Rome to restore a Caravaggio masterpiece.
But early one morning Gabriel is summoned by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to the Pope. The broken body of a beautiful woman lies beneath Michelangelo's magnificent dome. Donati fears a public inquiry will inflict more wounds on an already-damaged Church so he…
As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.
I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.
As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
Another intimate view of Mediterranean social history, The Captive Sea: brings to light the way networks of captivity and ransom operating between Hapsburg Spain, Ottoman Algiers, Morocco, and beyond helped shape the Mediterranean as an integrated region in the late sixteenth and early seventeenth centuries. Hershenzon tracks the interactions of various agents involved in the ransom economy— imperial bureaucrats, clergy, merchants, diplomats, renegades.
Combining a wide-angle frame of geopolitics with the particular cases registered in letters, petitions, Inquisition reports, and other archival sources, he reconstructs some remarkable stories that illustrate the complexity of networks of interaction and circulation: stories of individual captives like Fatima, daughter of an Algerian Janissary (slave soldier), or the connected histories of captives (in some cases of quite modest social station) from both sides of the religious divide, repatriated through the correspondence of wives or mothers back home.
In The Captive Sea, Daniel Hershenzon explores the entangled histories of Muslim and Christian captives-and, by extension, of the Spanish Empire, Ottoman Algiers, and Morocco-in the seventeenth century to argue that piracy, captivity, and redemption helped shape the Mediterranean as an integrated region at the social, political, and economic levels. Despite their confessional differences, the lives of captives and captors alike were connected in a political economy of ransom and communication networks shaped by Spanish, Ottoman, and Moroccan rulers; ecclesiastic institutions; Jewish, Muslim, and Christian intermediaries; and the captives themselves, as well as their kin.
Hershenzon offers both a comprehensive…
I began formally researching Japanese occupied northeast China in the late nineties in graduate school at Harvard University. Manchuria always fascinated me as a confluence of cultures: even prior to the 19th century, Chinese, Japanese, Koreans, Russians, Eastern Europeans, Mongols, and indigenous peoples circulated within the region in China's periphery. In the 1930s until 1945, Japanese propaganda portrayed the area as a "utopia" under Confucian principles, but in the mid-1990s, the horrors of the occupation for colonized peoples as well as imperial Japan's biological weapons experimentation during the Asia-Pacific War came to light in Japan and elsewhere as former Japanese settlers as well as researchers began to tell their stories.
This excellent book illuminates the culture of intoxicants in northeast China under Japanese occupation. Smith examines Chinese literature, advertisements, and popular culture to show how liquor and opium were depicted in contemporaneous mass media and impacted local urban communities. He also investigates how popular conceptions of "health" tied in with programs initiated by the Japanese authorities to control local populations, while advertisers of patent medicines, cordials, and tonics also picked up on these themes. Some of the highlights of Intoxicating Manchuria include masterfully vivid descriptions and illustrations of cartoons revealing the uneasy relationship between law enforcement, retailers, public health practitioners, and corporations.
Intoxicating Manchuria reveals how the powerful alcohol and opium industries in Northeast China were altered by warlord rule, Japanese occupation, political conflict, and a vigorous anti-intoxicant movement. Through the lens of the Chinese media's depictions of alcohol and opium, Norman Smith examines how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in the portrayal of intoxicants, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.
Hallgrimur Helgason is an Icelandic artist and writer born in Reykjavik in 1959. He started out as a painter but then also took up writing. Since 1990 he has published eleven novels, the most well-known being 101 Reykjavik, which was turned into a popular film, The Hitman’s Guide to Housecleaning, and The Woman at 1000°. Helgason has also published 4 books of poetry and is an active political columnist. His books have been translated into 14 languages and three of them have been nominated for the Nordic Prize of Literature. Helgason won the Icelandic Literature Prize three times. In 2020 he was awarded the French medal Officier de l’ordre des arts et des lettres.
The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.
Xiaolu Guo meets her parents for the first time when she is almost seven. They are strangers to her.
When she is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It's a strange beginning.
A Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity…
I used to be Chief Economist at the UK bank SG Warburg and then at UBS, starting out in 1987 and finally cutting the cord in 2016 as Senior Economic Advisor. I visited China twice or three times a year from about 1994 and then the pandemic intervened. After the financial crisis, I decided that China would be the world’s next big thing. So I've spent a lot of time trying to figure out what’s going on there and for the last few years, I've been an associate at the China Centre at Oxford University and SOAS in London. Red Flags was a book I simply had to write. Maybe there’ll be another. We shall see.
Liz Economy’s grasp of international relations is compelling and insightful as she sets out to explain how China sees itself in the world, especially in the light of the pandemic. Looking to recover its past glory and status, China under Xi Jinping has seized both on what he sees as the West’s economic and political failings, and China’s own accomplishments and size to advance new agendas. At home, a leftward lurch resembles a throwback to the Mao era. In the world, China wants to reshape global institutions to reflect better its interests and to get others, for example in The Belt and Road, to support China’s narratives.
How Xi intends to do this, whether he is likely to succeed and how the United States and the international community should respond and prepare for the challenge ahead will hold your attention to the last page.
An economic and military superpower with 20 percent of the world's population, China has the wherewithal to transform the international system. Xi Jinping's bold calls for China to "lead in the reform of the global governance system" suggest that he has just such an ambition. But how does he plan to realize it? And what does it mean for the rest of the world?
In this compelling book, Elizabeth Economy reveals China's ambitious new strategy to reclaim the country's past glory and reshape the geostrategic landscape in dramatic new ways. Xi's vision is one of Chinese centrality on the global…
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
I’ve always turned to historical fiction to deepen my understanding of an era and help spark my imagination for class prep.
This book, set in late nineteenth-century China, helped me better contextualize the challenges confronting Chinese women at that time—and how they overcame, or at least endured them. I recently had the privilege of hearing Lisa See speak on her research and writing—she was quite engaging and shared much about her process.
She’s a passionate, dedicated, and disciplined scholar. This shines through in all her work, especially this bittersweet tale of friendship, love, and heartbreak.
Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless. In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the power to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a…
I used to be Chief Economist at the UK bank SG Warburg and then at UBS, starting out in 1987 and finally cutting the cord in 2016 as Senior Economic Advisor. I visited China twice or three times a year from about 1994 and then the pandemic intervened. After the financial crisis, I decided that China would be the world’s next big thing. So I've spent a lot of time trying to figure out what’s going on there and for the last few years, I've been an associate at the China Centre at Oxford University and SOAS in London. Red Flags was a book I simply had to write. Maybe there’ll be another. We shall see.
While it’s important to get a grip on what’s going on inside China, it\s also essential to appreciate how China presents itself and tries to influence the world and a second but rather different book that does this is this one. But instead of looking at China from an international relations point of view, these authors look at how the Communist Party uses agencies and institutions to not only influence politicians, think tanks, universities, and businesses in other countries - which is by no means unique - but also to interfere, which is more exceptional.
This book makes a number of claims, and while some may be more soundly based than others, readers should look at the themes in the round and will learn a lot of what they might not have suspected r read about before.
'Heavily sourced, crisply written and deeply alarming.' The Times
'This is a remarkable book with a chilling message.' Guardian
The Chinese Communist Party is determined to reshape the world in its image.
Its decades-long infiltration of the West threatens democracy, human rights, privacy, security and free speech. Throughout North America and Europe, political and business elites, Wall Street, Hollywood, think tanks, universities and the Chinese diaspora are being manipulated with money, pressure and privilege. Hidden Hand reveals the myriad ways the CCP is fulfilling its dream of undermining liberal values and controlling the world.
