100 books like Snow Flower and the Secret Fan

This book was published after the demonstration at Tiananmen Square, Beijing which ended in bloodshed. With this book, I felt finally somebody was giving an honest account of life in China in the 20th Century and  under the Chinese Communist Party.

But this is no regular history book; it is Jung Chang’s personal account following the lives of three generations of women in her own family: Jung Chang herself, her mother, and her grandmother. They endured so much, but I was struck by how united and loving they remained. They managed in the face of adversity to keep their humanity, inner strength, and incredible courage.

I felt empowered by these women, from the grandmother who had endured the torture of having her feet bound as a young girl to the author who showed admirable courage to tell us exactly what China was like right up and through the dark years… show more.

This 1934 work tells the moving story of a young country girl called Cuicui and her ferryman grandfather. As the girl comes of age, she catches the eye of two brothers. It’s a simple plot but beautifully told, with sympathetic depictions of the common folk and rich nostalgic evocations of rural life. The “border” in the title refers to the West Hunan setting near the provincial border with Sichuan. The area is also a cultural border between the Han and various minorities. Shen Congwen grew up there and was himself of mixed heritage. Chosen to receive the 1988 Nobel Prize in Literature, he died before the announcement, and the prize – following the rule against awarding posthumously – went to another writer. 

Though these collected stories were popular in Chang’s native China when first published in the 1940s, decades passed before they were translated into English. The title story brings war-torn Hong Kong to life, but even against the most dramatic political backdrop, Chang’s focus is firmly on women and relationships. Though the time and place may seem remote, readers will find universal emotions in these carefully constructed tales. 

Carroll’s debut novel has earned considerable praise for its quiet, elegant prose and the affecting realism of its characters: a young introverted American wholly at home in the small backwater college in Hunan Province where he teaches English and builds an aeolian harp, the awkward female student who tries to befriend him, and the choleric old misanthrope of an American with a crippled leg, who joins the school and inadvertently proceeds to disrupt their lives. What makes the novel work is its dramatic irony – the chemical reactions that ensue when three peculiar and hapless personalities combine and threaten to blow up into almost Greek-tragedy proportions, and only the reader understands why. A handful of memorable subplots and minor characters flesh out the tale.

This strange novel consists of vignettes presented as encyclopedia-style entries written by the narrator. He’s an “educated youth” relocated to the fictional rural Hunan village of Maqiao as part of the Cultural Revolution “learn from the peasants” movement, reminiscent of Han Shaogong’s own experience of being sent to the countryside. First published in 1996 and in English in 2003 (expertly translated by Julia Lovell), the novel is better than the premise suggests, and it often features in “best of” Chinese literature lists.

An old army buddy of mine used to say that when he had trouble at work and was worried about being able to support his family and when life was beginning to be a little too much, he would pick up a copy of The Sand Pebbles by Richard McKenna. Soon, he’d be transported to the deck of the USS San Pablo, during the 1920s, steaming up the Yangtze River in the heart of China and suddenly everything was right.

McKenna was a sailor in the US Navy for 22 years (1931 to 1953). He enlisted at the age of 18 and was assigned to the “China fleet,” patrolling largely between Guam, Okinawa, and Japan. He served through World War II and the Korean War. After finally retiring, he went to school on the GI Bill and started to write. His first and only novel was The Sand Pebbles,… show more.

The dark place Dai depicts in this book during the Chines Cultural Revolution is very similar to the 1980s when I grew up in Iran after the revolution. Through banned novels, the characters in the book, just like me, found a way to escape the grim realities of their lives and found the strength they needed to dream and grow. Their identities, like mine, were shaped by the oppressive environments they lived in and their efforts to reinvent themselves under those conditions.

A nobody-concubine rises to become Empress of China, making her way through the rituals and backstabbing of the imperial court. This is the closest to my own books and I loved the detail and the insights into the latter part of the Qing era, as well as the feeling of time running out for the imperial way of life. 

I could have chosen any of Pearl S Buck’s books, as they are all beautifully written. But this one was the first one I read and what I remember most vividly is the tiny details of daily life, in a rags-to-riches story of a peasant man in China. One of the journey’s most emotional changes comes when he gets a concubine, and I liked reading about a concubine in a fairly ordinary household (rather than the usual imperial/upper-class settings) and the ripples it makes in family life. 

An extraordinary tale of a chokingly claustrophobic household in historical China, in which four women (wives and concubines) jealously vie for attention and privilege. As the stakes grow higher, so do the dangers inherent in their choices. Made into the film Raise the Red Lantern by Zhang Yimou, for me, this is the gold standard on this theme.