Growing up near Oak Ridge, Tennessee, I was aware that the city had historical significance but also that it wasn’t particularly famous, at least to people from outside the region. I’ve always been drawn to these sorts of overlooked stories from history, which are, not coincidentally, often women’s stories. Women made up the majority of workers in Oak Ridge during World War II, and for decades afterward, their stories were generally viewed as less important than male-dominated narratives of the war. But I’ve always believed that women’s stories are no less interesting than men’s. These books look at history’s worst conflict from unique perspectives that foreground the female experience.
In 1944, eighteen-year-old June boards an unmarked bus, destined for a city that doesn’t officially exist. Oak Ridge has sprung up in a matter of months, and June joins hundreds of other young girls there operating mysterious machines to help win the war. While June wants to know more and begins an affair with Sam, a young physicist who understands the end goal only too well, her beautiful roommate Cici simply wants to find a wealthy husband. Across town, African-American construction worker Joe knows nothing of the government’s plans, only that his new job pays enough to make it worth leaving his family. But a breach in security intertwines his fate with June’s, and the bombing of Hiroshima brings the truth into devastating focus.
This sharply observed novel illustrates in devastating detail how their imprisonments in internment camps scar a Japanese-American family. The point of view shifts from mother to sister to brother and finally to father, who has been declared a traitor by the government and removed from his family. Otsuka’s descriptions bring their stories to life and force the reader to confront one of the United States’ great historical sins.
From the bestselling, award-winning author of The Buddha in the Attic and The Swimmers, this commanding debut novel paints a portrait of the Japanese American incarceration camps that is both a haunting evocation of a family in wartime and a resonant lesson for our times.
On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her home, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans they have been reclassified, virtually overnight, as enemy aliens and are about to be uprooted from their home…
Though these collected stories were popular in Chang’s native China when first published in the 1940s, decades passed before they were translated into English. The title story brings war-torn Hong Kong to life, but even against the most dramatic political backdrop, Chang’s focus is firmly on women and relationships. Though the time and place may seem remote, readers will find universal emotions in these carefully constructed tales.
Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China.
A New York Review Books Original
“[A] giant of modern Chinese literature” –The New York Times
"With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can…
An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.
The human voices of Penelope Fitzgerald's novel are those of the BBC in the first years of the Second World War, the time when the Concert Hall was turned into a dormitory for both sexes and the whole building became a target for the enemy bombers.
Nemirovsky never had a chance to finish what was to be a five-part series of novellas about life in France during the German occupation, because she was arrested for being Jewish and sent to Auschwitz, where she was killed. You might imagine that it would be hard for fiction to live up to such a dramatic backstory, but the two surviving novellas are beautifully written illustrations of a society facing catastrophe.
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" falls…
Though it is set just after the war, the characters in this novel cannot escape from their memories of the Holocaust or guilt at having survived. Yet they are also stuck in a comic scenario—through a complex series of events, the Jewish protagonist Herman has wound up with three “wives,” his first wife from before the war who he mistakenly assumed dead, the Polish Catholic peasant who hid him from the Nazis and he married out of gratitude, and his mistress and fellow survivor he met upon relocating to New York. The novel is both hilarious and heart-breaking—a potent reminder of the impossibility of ever leaving behind the worst horrors of this war.
Almost before he knows it, Herman Broder, refugee and survivor of World War II, has three wives: Yadwiga, the Polish peasant who hid him from the Nazis; Masha , his beautiful and neurotic true love; and Tamara, his first wife, miraculously returned from the dead. Astonished by each new complication, and yet resigned to a life of evasion, Herman navigates a crowded, Yiddish New York with a sense of perpetually impending doom.
I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
Jefferson Ball, the mightiest female dog in a universe of the same, is, despite her anti-heroic behavior, intent on keeping her legacy as an athlete and adventurer intact. So, when female teenage robot Jody Ryder inadvertently angers her by smashing her high school records, Jefferson is intent on proving her superiority by outmuscling the robot in a not-so-fair fight. Not wanting to seem like a coward, and eager to end her enemy's trash talking, Jody agrees.
However, they have been lured to fight each other by circumstances beyond their control. Which are intent on destroying them if they don't destroy each other in combat first...
