The most recommended books about concentration camps

As a child, Leon Leyson (originally Lieb Lejzon) and his family of observant Jews moved from rural Poland to Krakow, where they became part of the Jewish ghetto and were eventually sent to Nazi concentration camps. Cruelty and near starvation would have led to death had not Oskar Schindler added them to his employees, first at an enamelware plant and later at an armaments factory.

Lieb had to stand on a box because he was so small. As Leon Leyson, he wrote the book as an older man, long a U.S. citizen, and educator. Through a child’s eyes, the horrors of the camps seem even more surreal. Lieb lost family members, but Schindler’s pragmatism and timely bribery of Nazi officials saved Lieb and many more from the Final Solution. 

Hitler had ambivalent feelings about gay men, but Heinrich Himmler did not. The SS leader spearheaded the Nazi persecution of homosexuality in an effort to root out a perceived corruption that he believed was incompatible with the hyper-masculine doctrine of Nazism. A direct response to a flourishing gay culture in the 1920s and the medical study of “sexology,” gay men were rounded up and forced to wear the pink triangle as a sign of what the Nazis called their “degeneracy.”

The most engaging, genuine, soul-crushing, holocaust/concentration camp book I’ve ever read and I’ve read them all. And read his bio, too. Crisp, clear writing allows all the horror of the concentration camp to roll over your soul. You have nowhere to hide when you read this book—the honesty is pure and brutal. Yet, the soulful fallout never really leaves you fully crushed—otherwise, you would never feel the agony of humanity over and over again.

I have read many moving memoirs by survivors and members of the second generation like myself. This one by the Swedish journalist son of a Polish survivor is like no other. I could hardly breathe while reading it, or after I finished it. Gripping, poetic, and calmly devastating, the author recreates his father’s Holocaust journey through family documents and historical research, trying to imagine what exactly his father experienced. And then the devastating aftermath, as his father attempts to rebuild his shattered life. “Luck, chance, and freak are the stones with which every road from Auschwitz are paved,” the author tells us.

I had heard of Dr. Mengele’s experiments in genetics in WWII, but nothing specific. I didn’t know, for example, that he looked at twins and that he tortured children.

In this book, we follow twin girls, where chapters go back and forth between their points of view. The author does a stunning job of helping us see how a given situation can be interpreted differently by different characters and how the bravura of a character might be camouflage for tremendous fear.

Here, the children are resilient and extraordinarily decent in the face of hideous choices. It is far too easy to underestimate children’s understanding of morality. I was grateful for every page of this book.

The masterpiece memoir by Elie Wiesel is an astonishingly short autobiographical of his survival as a teenager in the Nazi death camps. His account of surviving a concentration camp is important as any other, a narrative that is chilling, yet with compassion put into each word. Night is a book that has to be read. Elie would become an important human rights activist and this continued beyond the subject matter of the Holocaust. During the refugee crisis on the Thai-Cambodia border in 1980, he and several other notables (such as Joan Baez, Liv Ullman, and Bayard Rustin), mobilized to bring relief assistance for Cambodians fleeing the dangerous borders of their country. When asked by a journalist why help Cambodia, he replied, “When I needed people to come, they didn't. That's why I am here.” It demonstrated Elie’s resolve and will to prevent the next genocide from happening somewhere else.

This middle grade book takes place during WWII. The story takes the reader from Berlin to Poland, told through the eyes of a young German boy who encounters a Jewish boy on the other side of a tall fence. I loved this book because we who know about the depravity and horror of Auschwitz can see the bleak reality from a perspective of an innocent child: a boy who thinks his thin Jewish friend is dressed in pajamas.

Contrary to popular belief, the Nazis did not rely on an omnipresent secret police force to win Germans’ cooperation. A skilled combination of fear, propaganda, and self-promotion alternatively cowed Germans and manufactured their consent for this regime. In the 1930s, ordinary Germans regarded the Nazis as restoring order to a chaotic society, and a flood of denunciations helped the Gestapo with its work. At the same time, the existence of the concentration camps was no secret to ordinary Germans.

My grandson loved this book because of the messages it portrayed.

The pages emphasized virtues such as love and do not take life for granted. Victory over great suffering is key to the book's story, and the fact that it was written by a centenarian extremely impressive to a teenager.   

Perhaps the greatest message, portrayed by the title, was be grateful.

When you open a door, you might find something unexpected on the other side. And that’s what happens to Hannah Stern when she opens the door to welcome Elijah the prophet to her family’s Passover seder, and finds herself back in time to Nazi-occupied Poland. Hannah has heard the stories of her relatives’ lives during the Holocaust, so now, as she and the other Jews of the town are being rounded up and sent away, she knows where they’re going and what awaits them.

In the camp, Hannah experiences the horrors her relatives lived through. And the next door that opens to her brings her back to the present time, with a greater appreciation and understanding of her Jewish heritage, her family, and the importance of remembering.

A magisterial account of the brutal system of labour camps to which hundreds of thousands of people were consigned as criminals by the Soviet state. Alexander Solzhenitsyn and Varlam Shalamov offer us vivid first-hand accounts of the experience of being a prisoner in the gulag, but what Applebaum has achieved is to tell the history of an entire system without ever losing sight of the individuals who were its victims.

Was it just Japanese Americans who were detained during the war? I found myself asking this question before I started researching this topic. Sadly for me, Russell’s book was not yet published. While there are many books that detail the experiences of Germans and Italians (citizen and nationals) with internment, this book focuses on two young, American-born women—one German American, the other Japanese American—and the trials and tragedy they faced when they were detained and deported to Germany and Japan because their parents were foreign-born and eventually returned to the United States. I normally am skeptical of books described as telling “little-known” or “unknown” stories, but this book truly is an examination of an understudied event in the larger story of wartime panic, prejudice, and discrimination.

If I were asked to recommend one book on Nazi crimes, this would be it. Gitta Sereny was an Austro-British journalist who wrote history with a flair most historians can only dream of. Into that Darkness epitomizes her method of story-telling: to locate the principal actors in a historical episode and allow them to speak in their own voice. At the center is Franz Stangl, former commandant of the Treblinka and Sobibor death camps. Sereny conducted interviews with him in his jail cell, as well as with other perpetrators, death camp survivors, and witnesses.  

Sereny is too sophisticated to take the perpetrators’ words at their face. She notes Stangl’s tendencies to evade his own responsibility by insisting he didn’t act with criminal intent and hence should not have been convicted. This and similar dodges are typical of her subjects, demonstrating the very human penchant for self-justification.  

Sereny is a subtle… show more.

The author, a keen observer of behaviour under appalling conditions, has an astonishingly wise and humane attitude that bears him through both internment and concentration camps. I have a personal interest in this book, and the writer, because I am the speaking partner of his daughter Noemie Lopian, and we talk at synagogues, schools, universities, and public events to ask for kindness, toleration, and understanding.

Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. Along with wealthy heir William Hanover, Sera unravels the story behind the painting’s subject, an Austrian violinist Adele Von Bron who smuggles Jews out of Vienna and finds herself in Auschwitz.

Evocative, haunting, soul searching, this debut by Cambron is time-slip historical fiction at its best: heartbreaking truth of the horrors of Auschwitz, romance with a musical refrain, art and faith. Just the kind of story I try to write. A delight.

I love stories that are inspired by real people, and this is one of them; based on a true story about the author's mother who was sent to a concentration camp with her family. Anneke, the young girl of the story, must grapple with the trauma of having left behind the life she once knew. She also faces a terrible choice; standing by her father who is forced to create propaganda that conditions in the camp are good, and her own desperate need to get the truth out. The voice of the young girl is so authentic.

The Eagles were a collection of Japanese American youth interned, with their families, at a relocation camp at the base of Heart Mountain, outside of Cody, Wyoming. In the fall of 1943, they embarked upon an undefeated high school football season, although their triumphs were tempered by the injustice of their families’ incarceration and, ironically, the looming threat of the graduating seniors being drafted into the same military that guarded the perimeter of their camp.  Pearson’s is a disturbing, but ultimately uplifting, look at a dark chapter in America’s history.

This picture book was inspired by a true story about Henryk, a Jewish boy in WWII Poland. Henryk’s family loved music and enjoyed singing together. They couldn’t afford a piano, so Henryk learned to play Schubert on the harmonica his father had given him. When his parents were arrested by the Nazis, Henryk was deported to Dyhernfurth concentration camp. A Nazi guard heard him playing the harmonica and ordered the boy to play for him. Henryk didn’t want to play for the guard, but he had no choice. Then he found out that he also had another, more important audience: his fellow inmates could hear him play. His music was a gift for them, providing tremendous comfort during a time of despair. 

The text is poetic and powerful, and the illustrations, done in a dark palette, are haunting and exquisite.

When I first read this book, I didn’t know much about Treblinka, and in order to write my book I needed to read as much as I could about the extermination camps. I read Raichman’s memoir in one sitting because his account of surviving Treblinka is so immediate and visual. Whenever I’m asked about books on the Holocaust, I always recommend this one. He describes thousands of innocent people getting off trains, being separated, and then being forced to run naked up the “The Road to Heaven” and into the gas chambers. No other book captures Treblinka as well as this one does. Some 900,000 people died in Treblinka, and nearly all of them were Jewish. Raichman’s account is deeply moving, poignant, and heart-rending.

Among fictional versions of the World War II camp experience, this one has been cited as, thus far, “the great camp novel.”

I consider it the “Apocalypse Now” of camp novels──a hallucinatory, abstract but visceral take on one family’s Berkeley to Topaz camp journey. Early in the story, as the Japanese American mother prepares to leave her home, and with families not allowed to take their pets with them, she kills their dog with a shovel and buries it in the backyard.

Written in short, clipped sentences, the novel continues with its highly original approach to this period in history.