Fans pick 100 books like The English in the Twelfth Century

Marc Bloch was one of the greatest historians of the 20th century. He was also hero of the French Resistance, tortured and executed by the notorious Nazi Klaus Barbie. Feudal Society (2 volumes) is perhaps his best book. 

It is often said that the past is a foreign country, and it is true that the world of the Middle Ages is alien to us in many respects. What Bloch does is to provide a systematic examination of all aspects of that world, that is he examines it it from a legal, a sociological, an anthropological, an economic, and a political perspective. 

In so doing, he paints a remarkable portrait of a coherent, self-contained society. The economy was basic, laws and politics were personalized, but it was a social and political order that made sense in its own terms. More recent historians have criticized specific aspects of Bloch's vision of feudalism… show more.

Like Marc Bloch’s book, this helped me to grasp how to take an international perspective on the history of the central Middle Ages. In this case, its central theme was that we must think about Normandy and England as politically, socially, and economically joined together after 1066. It has inspired a lot that I have written and my teaching to students. See my The Normans and Empire for personal reflections.

Nelson’s masterly biography of Charlemagne is a dense, scholarly but still gripping account of one of the most interesting and influential monarchs in European history. I struggle to think of any figure who has has a greater impact that the King of the Franks and, later, Emperor of the Romans, who drew the boundaries of the continent as we know them today. This was my most reliable go-to source on Charlemagne and his long wars with the pagan Saxons, which is the subject of my own series.

A marvellous book that explores the experience for men and women of being married during the Christian Middle Ages. It presents us with an analysis of individual lives and is a social history, a gender history, an emotional history, a sexual history, and much else besides. Among the many subjects treated are female agency within marriage, the extent to which it was possible to choose a married partner, and the history and personal experience of married clergy when such marriages were forbidden. 

Few historians have brought eighteenth-century British culture and politics alive like Linda Colley in this study of how British identity was created between the 1707 union of England and Scotland and the early nineteenth century.

This book is filled with a sense of continuing relevance as Britain continues to struggle with its identity and place in the world. In the eighteenth century this identity was built around Protestantism, commerce, empire, and the nation’s lonely struggle against Napoleon on the European continent.

But can the peripheries of in Scotland, Wales, and Ireland really be persuaded to adhere to this vision of a unified Britain? In pondering this question, Collier’s book strikes me as essential reading.

When I got wind of this book, I had just finished writing a book about gold and money in Britain from the 1750s to the 1850s. Although I knew about the long history of British money prior to the 1750s and also about its complicated history down to the present, I jumped at the chance to read the whole story laid out between two covers. Blaazer deftly accomplishes this task, with a special focus on the strikingly different paths that money took in Britain’s three corners of Ireland, Scotland, and England (not so much on Wales, as is so often the case in such histories!).

How a country manages its money, it turns out, says much about how it governs its people—ranging from willful indifference in Ireland to consistent policies in England and Scotland that favored the wealthy (and especially the bankers) over the middling classes. A final advantage of… show more.

Geoffrey’s History of the Kings is the work that picked Arthur up from the somewhat obscure backwater of Welsh story-telling and launched him onto the European stage, in the process creating a story that had an enormous influence on how the insular past was understood across the rest of the Middle Ages. Geoffrey was writing for the new Norman elite, who welcomed a view of the past which downplayed the Anglo-Saxons and centred instead on their rivals for control of ancient Britain, the Britons. He based his magnificent new work on the Historia Brittonum, a set of Welsh genealogies and various stories, all of which he embroidered from his own fertile imagination to construct a complex vision of insular history no closer to what had really happened than modern works such as Lord of the Rings or Star Wars. 

But by tapping into political and cultural needs in… show more.

This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!

The 1960s saw Britain destroy more of its own built environment than all the bombing of the second world war. The car was king, the high rise and the shopping precinct transformed city centres. In many cases this is now seen as a disaster. Otto Saumarez Smith, one of the brightest of the rising generation of architectural writers, tells us how and why it happened, why it stopped and why he has come to love some of it. 

Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.