I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This satiric, beautifully drawn update of Gustave Flaubert’s novel Madame Bovary brings the story to the 1990s. Simmonds’ writing is witty and well-observed, with blocks of prose interspersed among the flowing panel sequences. It’s a rich, layered reading experience, deeper than those graphic novels which only emphasize the visuals. Simmonds writes as elegantly as she draws, with subtlety and style.
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the…
I’m a Canadian-Filipino science fiction and fantasy author who’s grown up on a steady diet of genre novels, movies, television, anime, and video games. I’m just as happy writing about the intricacies of hacking a system as I am about the ways magic can enrich or complicate lives. I’ve always loved explosive action in other media but since I’ll never be a director with resources to trash real cars or demolish buildings, I became a novelist. You can have all the actions and explosions you want without needing a 100 million dollar budget, and I’ve found some amazing examples of other writers who do just that.
While a lot of people look to Robert Heinlein’s Starship Troopers as the first book to tackle powered battle armor, and soldiers using them to fight aliens, Armor made a far greater impression on me and had me coming back to it again and again.
Felix is a volunteer in a war against the aliens nicknamed “ants,” and while he can’t stand the carnage and senseless loss of life, he’s also very, very good at combat. The first quarter of the book is like the Normandy invasion set on another planet, with amazing battles and acts of, if not courage, survival. A gripping tale of the toll of war.
Felix is an Earth soldier, encased in special body armour designed to withstand Earth's most implacable enemy - a bio-engineered, insectoid alien horde. But Felix is also equipped with internal mechanisms that enable him and his fellow soldiers to survive battle situations that would normally destroy a man's mind. This is a remarkable novel of the horror, the courage and the aftermath of combat - and how the strength of the human spirit can be the greatest armour of all.
I instantly fell in love with this enchanting book.
Carlos Ruiz Zafón is a writer I have long admired, but this was the first time I had read any of his books aimed at younger readers. As with all of his adult books, I knew that I had embarked upon a very special journey before finishing the first page.
I found the plot so intriguing and delightfully impossible to second-guess. It took all of my willpower to keep my urge to read the story through the night in check in order to fully savour it.
I am far from a young reader myself, but thankfully young enough at heart to be captivated by this magical read which is by turns thrilling, scary, and heartbreaking.
From the internationally bestselling author of The Shadow of the Wind comes a chilling mystery about one magical summer that turns into a nightmare . . .
When fourteen-year-old Irene Sauvelle moves with her family to Cape House on the coast of Normandy, she's immediately taken by the beauty of the place--its expansive cliffs, coasts, and harbors. There, she meets a local boy named Ishmael, and the two soon fall in love. But a dark plot is about to unfold involving a reclusive toymaker who lives in a gigantic mansion filled with mechanical beings and shadows of the past.
I’ve been an artist all my life. In childhood, I was always drawing and after graduating from university I became an illustrator doing hundreds of drawings for major newspapers and publishers in the United States for over 25 years. It was my mission, no matter what was going on in the world, to find some humor and lightness to share through my drawings. About 15 years ago, I also began to teach drawing to adults and was amazed to discover that everyone can draw. When I saw how people seemed to become happier and bolder making art I became passionate about sharing how we can grow our creativity by developing an art practice. It makes for a beautiful life and quite possibly a more beautiful world.
I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.
'We have lost touch with nature, rather foolishly as we are a part of it, not outside it. This will in time be over and then what? What have we learned?... The only real things in life are food and love, in that order, just like [for] our little dog Ruby... and the source of art is love. I love life.'
DAVID HOCKNEY
Praise for Spring Cannot be Cancelled:
'This book is not so much a celebration of spring as a springboard for ideas about art, space, time and light. It is scholarly, thoughtful and provoking'…
Flint Whitlock spent five years on active duty as an officer in the U.S. Army (1965-1970, including tours in West Germany and Vietnam), and is a qualified parachutist (Fort Benning, 1965). He has been an award-winning, full-time military historian since 2003, and has 14 books (mostly about WWII) to his credit. He has also been the editor of WWII Quarterly magazine since 2010 and gives battlefield tours for the Smithsonian, National Geographic, and other organizations.
One of my all-time favorite books; it inspired me to become a military historian. Through extensive interviews with the actual participants, Ambrose detailed how gilder-borne British commandos pulled off a nearly textbook example of how to take an enemy-held bridge. Whenever I lead tours to Normandy, I always make sure we stop at Pegasus Bridge and recount the valor of the British troops who performed what many said was impossible.
This is the middle book of a series of novels by French archaeologist and historian Fred Vargas. Jean-Baptiste Adamsberg is a Parisien Chief of Police, although he comes from the Pyrenees. It is a crime novel, but so much more than that.
I would recommend reading this book first and then going back to the first in the series. I found Adamsberg instantly engaging, as is the whole weirdly original story. It might not be for everyone.
The crimes are bizarre (but never disturbingly explicit), and Vargas, who is female, creates a cast of eccentric and loveable characters who are never clichéd. This is a novel that feels foreign and yet wonderfully familiar. I literally couldn’t put it down.
`People will die,' says the panic-stricken woman outside police headquarters. She has been standing in blazing sunshine for more than an hour, and refuses to speak to anyone besides Commissaire Adamsberg. Her daughter has seen a vision: ghostly horsemen who target the most nefarious characters in Normandy. Since the middle ages there have been stories of murderers, rapists, those with serious crimes on their conscience, meeting a grizzly end following a visitation by the riders.
Soon after the young woman's vision a notoriously cruel man disappears, and the local police dismiss the matter as…
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic…
In the weeks after D-Day, the level of artillery action in Normandy was unprecedented. In what was a relatively small area, both sides bombarded each other relentlessly for three months, each trying to overwhelm the other by sheer fire power.
The Guns of Normandy puts the reader in the front lines of this horrific battle. In the most graphic and authentic detail, it brings to life every aspect of a soldier’s existence, from the mortal terror of impending destruction, to the unending fatigue, to the giddy exhilaration at finding oneself still, inexplicably, alive.
I became fascinated by the history of the period from 900 to 1250 as an undergraduate at the University of Exeter where I was supervised for a doctorate by Professor Frank Barlow. The subject of my thesis was Odo, bishop of Bayeux (1049/50-1097), a biography that introduced me to a multitude of subjects. That time stimulated a fascination with France and with the place of English history, British history, and the history of the Normans in a European context, as well as an interest in biography and individual lives.
Like Marc Bloch’s book, this helped me to grasp how to take an international perspective on the history of the central Middle Ages. In this case, its central theme was that we must think about Normandy and England as politically, socially, and economically joined together after 1066. It has inspired a lot that I have written and my teaching to students. See my The Normans and Empire for personal reflections.
When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.
Imagine being 20 years old, and a freshly minted lieutenant with just two weeks in the line. You are a forward observer for a 105mm artillery battalion. Your first duty position is atop a 314-meter-high hill at Mortain France. It is early August 1944 and Adolf Hitler sends four panzer divisions to Mortain to stop the Allied breakout from Normandy. First they must take that hill.
Weiss’s stunning book details how he and 700 other men held Hill 314 for five long days. Chronicled more recently by an Aurora Award-winning documentary on PBS it is one of those World War II personal memoirs one never forgets.
When the Germans launched their biggest counter-attack in France during WWII, the elite troops of the 2nd SS Panzer Division surrounded a battalion of less than 700 US infantry on top of a key hill near Mortain in Normandy. The American "Lost Battalion", equipped with very little food, medical supplies, ammunition, or anti-tank weapons, held out for sixty days. At the end of the battle, 277 of the riflemen were dead, wounded, or missing. Author Robert Weiss experienced those harrowing days of the war, directing much of the fire as a field artillery forward observer on the hill. As the…
Juggling roles as a professor, nurse practitioner, author, mother, and grandmother would seem to limit my reading time but instead, I always have a book in my car, on my phone, or in my hands. I read broadly and enjoy all genres, from fiction to nonfiction, poetry to medical comics, as well as the creative essay columns nursing journals are beginning to embrace. In particular, I gravitate toward resources that help nurses create a positive relational workplace where their best efforts can be even more effective. Whether it’s ending the RN-RA (relational aggression) Rut, using poetry to express feelings about caregiving, or writing creatively about the many aspects of nursing, I am ready to read! And of course, the best part of reading is having a discussion with colleagues or friends about what exactly that book was about…
I confess to a passion for WW2 fiction and non-fiction, so this book was a no-brainer for me. Frances Slanger, a Polish Jew who immigrated and grew up in Boston, was the first nurse to due during the D-day invasion at Normandy. She left a legacy in writing that helps the author piece together her story and offer insight into what military nurses faced.
The heart-wrenching and inspirational WWII story of the first American nurse to die at the Normandy landings, the true account of a woman whose courage and compassion led to what a national radio show host in 1945 called "one of the most moving stories to come out of the war—a story of an army nurse that surpassed anything Hollywood has ever dreamed of."
She was a Jewish girl growing up in World War I-torn Poland. At age seven, she and her family immigrated to America with dreams of a brighter future. But Frances Slanger could not lay her past to…
