This is the middle book of a series of novels by French archaeologist and historian Fred Vargas. Jean-Baptiste Adamsberg is a Parisien Chief of Police, although he comes from the Pyrenees. It is a crime novel, but so much more than that.
I would recommend reading this book first and then going back to the first in the series. I found Adamsberg instantly engaging, as is the whole weirdly original story. It might not be for everyone.
The crimes are bizarre (but never disturbingly explicit), and Vargas, who is female, creates a cast of eccentric and loveable characters who are never clichéd. This is a novel that feels foreign and yet wonderfully familiar. I literally couldn’t put it down.
`People will die,' says the panic-stricken woman outside police headquarters. She has been standing in blazing sunshine for more than an hour, and refuses to speak to anyone besides Commissaire Adamsberg. Her daughter has seen a vision: ghostly horsemen who target the most nefarious characters in Normandy. Since the middle ages there have been stories of murderers, rapists, those with serious crimes on their conscience, meeting a grizzly end following a visitation by the riders.
Soon after the young woman's vision a notoriously cruel man disappears, and the local police dismiss the matter as…
I’ve been researching and writing histories of witchcraft for over twenty years because I wanted to know why people would confess to a crime that they couldn’t have committed. I especially wanted to know about women’s stories of witchcraft, and I found that fiction really helped me to imagine their worlds. I’m a Professor at Exeter University and I’m working on two new books about witchcraft trials: The Witches of St Osyth and Witchcraft: A History in Thirteen Trials. I’m trying to feel every word and give the “witches” the empathy they deserve.
A brilliant anthropological account of witchcraft in the Normandy countryside in the 1960s. If it sounds dull, believe me, it isn’t! Jeanne Favret-Saada started her study of magical beliefs among French farmers thinking that she might find some superstitious vestiges of the sort that were laughed at by Parisian intellectuals. Instead, she found a complex, shifting world of theories and suspicions, as gripping as any detective novel. As she was drawn into the world of witchcraft, Jeanne found herself believed to be able to lift curses and began to fear that she herself might have been bewitched.
Her book is about how we tell stories of witchcraft – and indeed tell stories of anything. It made me question whether we could ever write a really solid, factual history of witchcraft: the story of a crime that didn’t exist, told by people who weren’t sure what had happened anyway. I think…
This 1980 book examines witchcraft beliefs and experiences in the Bocage, a rural area of western France. It also introduced a powerful theoretical attitude towards the progress of the ethnographer's enquiries, suggesting that a full knowledge of witchcraft involves being 'caught up' in it oneself. In the Bocage, being bewitched is to be 'caught' in a sequence of misfortunes. According to those who are bewitched, the culprit is someone in the neighbourhood: the witch, who can cast a spell with a word, a touch or a look, and whose 'power' comes from a book of spells inherited from an ancestor.…
I became fascinated by the history of the period from 900 to 1250 as an undergraduate at the University of Exeter where I was supervised for a doctorate by Professor Frank Barlow. The subject of my thesis was Odo, bishop of Bayeux (1049/50-1097), a biography that introduced me to a multitude of subjects. That time stimulated a fascination with France and with the place of English history, British history, and the history of the Normans in a European context, as well as an interest in biography and individual lives.
Like Marc Bloch’s book, this helped me to grasp how to take an international perspective on the history of the central Middle Ages. In this case, its central theme was that we must think about Normandy and England as politically, socially, and economically joined together after 1066. It has inspired a lot that I have written and my teaching to students. See my The Normans and Empire for personal reflections.
I am an unextraordinary individual with an ordinary skill set including strengths and weaknesses. Yet, my life experiences have caused me to reach deep inside and find my own greatness to face seemingly impossible obstacles in my path. My writing reflects this hopeful overcoming and undaunted spirit. I have learned that heroes only exist because they must face daunting villains. Such villains can arise from other individuals, outside forces, life circumstances, and even from within ourselves. Yet, I have learned that villains are not a threat to destroy us, they are in fact the vehicles by which we become heroes in our own story. There are no heroes without villains.
This is my ultimate favorite true story about a group of completely unrelated, unprepared, and completely unextraordinary individuals molded into a group that would fight and die for each other.
I am captivated by the selflessness of these individuals and have worked to achieve the same in groups that I have had the honor of associating with. This individual and unit level catharsis rivals any story I have read in its power amidst incredible sorrow and trial.
Currahee! A Screaming Eagle at Normandy. Donald R. Burgett is a real Screaming Eagle, who jumped with that famed division at Normandy and survived to tell the tale. His memoir vividly portrays the tragic chaos of war: the blood and sweat, the glory and tears of one of the greatest battles of all time. Currahee! (this was the battle cry and motto of his regiment) begins with jump training and explodes in drama as they are parachuted into Normandy with orders to take and hold the high ground behind the beaches. It contains unforgettable incidents. The author's almost dispassionate tone…
I’ve been reading romance since my grandmother would sneak me “approved” books when I was twelve. I’ve always felt like I was born in the wrong century, so it makes sense that historicals would be my favorites. After experiencing some autoimmune issues, I relate to characters dealing with physical or mental challenges, and those are the books that tend to draw me in. I believe many people read to escape “real life” and its accompanying stress (I know I do!). As a writer, my goal is to bring a bit of laughter and light into someone’s life for the few hours they spend with my characters.
I debated over whether or not to include this book. But ultimately, books I consider “favorites” or “bests” are the ones that stick with me through the years. Even decades after I read them, they are the ones that still nudge my memory and my heart. Bliss is one such book.
The hero struggles, mightily, through much of the book with his addiction. But the eloquent writing of Cuevas cannot be denied, nor can the sophisticated layers she weaves between her characters.
Initially, Nardi de Saint Vallier, a disillusioned young Frenchman who has abandoned his passion for sculpting, thinks Hannah Van Evan is merely a naive young American, but during a summer in Normandy, he is won over by her spirit. Original.
I am the author of six books on World War II, including my book that's listed below and Escape from Java: The Extraordinary World War II Story of the USS Marblehead. My fascination with history began at a young age when I built model ships and read books about World War II. My interest eventually grew into research and writing. I have interviewed scores of veterans from the Pacific War. My articles have appeared in World War II History, Naval History, and World War II Quarterly Magazines.
A gripping story of a group of soldiers from Bedford, VA, who participated in the D-Day invasion of France on June 6, 1944. Like all his books, Kershaw seamlessly weaves together the personal side of the war—people stories—with the actual battle—a must-read for anyone interested in World War II.
June 6, 1944: Nineteen boys from Bedford, Virginia- population just 3,000 in 1944- died in the first bloody minutes of D-Day. They were part of Company A of the 116th Regiment of the 29th Division, and the first wave of American soldiers to hit the beaches in Normandy. Later in the campaign, three more boys from this small Virginia town died of gunshot wounds. Twenty-two sons of Bedford lost- it is a story one cannot easily forget and one that the families of Bedford will never forget. The Bedford Boys is the true and intimate story of these men and…
Listening to my father’s stories about flying for the U.S. 15th Air Force in the Second World War kindled my love for military history at a young age. He brought to life the individual experiences and strategic context of bombing targets like Ploesti and Brenner Pass. Later, I pursued my doctorate in history and focused on U.S. Marine Corps history. More recently, my interests shifted to writing about broader topics like American military history, grand strategy, and race and gender in warfare. Even so, my father left me with an enduring desire to understand human interests and emotions, whether among common soldiers or senior generals. This desire affected my work as a teacher and author.
First published in 1959, some 15 years after the Allied invasion of Normandy on D-Day, Cornelius Ryan’s book stands as a classic narrative of that amphibious assault. Writing in the vivid prose of an experienced journalist, Ryan also conducted research like a seasoned historian. He interviewed combatants of every nation and rank and sent questionnaires to many others. I feel like I am in the thick of the fight alongside Allied soldiers in the landing craft approaching the beach and with Germans hunkered down in the fortifications trying to stop their amphibious assault. Throughout his narrative, Ryan blends analyses of the good and bad decisions made by both sides.
Cornelius Ryan tells the story of the hours that preceded and followed H-Hour of D-Day ? June 6, 1944, when as dawn approached, as paratroopers fought in the hedgerows of Normandy, the greatest armada the world had ever known assembled off the beach -- almost 5000 ships carrying more than 200,000 soldiers. a military This is the story of people: the men of the Allied forces, the enemy and the civilians caught up in the confusion of battle. 700 D-Day survivors were interviewed for the book.
When I was in my early 40’s I walked into the hospital room of a 99-year-old near-death relative who mistook me for my father’s brother who had been killed on the beachhead in Normandy during World War II. I was always a history buff, but this moment changed my life. I directed my energies to military history, starting with memoirs and writing a column for Armchair General magazine when it was in circulation. Published official histories (American Iliad, Aachen, Old Hickory) followed that were reliant on well-expressed memoirs written by participants, so full circle I’ve come back to my passion for writing, and reading war memoirs.
Imagine being 20 years old, and a freshly minted lieutenant with just two weeks in the line. You are a forward observer for a 105mm artillery battalion. Your first duty position is atop a 314-meter-high hill at Mortain France. It is early August 1944 and Adolf Hitler sends four panzer divisions to Mortain to stop the Allied breakout from Normandy. First they must take that hill.
Weiss’s stunning book details how he and 700 other men held Hill 314 for five long days. Chronicled more recently by an Aurora Award-winning documentary on PBS it is one of those World War II personal memoirs one never forgets.
When the Germans launched their biggest counter-attack in France during WWII, the elite troops of the 2nd SS Panzer Division surrounded a battalion of less than 700 US infantry on top of a key hill near Mortain in Normandy. The American "Lost Battalion", equipped with very little food, medical supplies, ammunition, or anti-tank weapons, held out for sixty days. At the end of the battle, 277 of the riflemen were dead, wounded, or missing. Author Robert Weiss experienced those harrowing days of the war, directing much of the fire as a field artillery forward observer on the hill. As the…
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
John C. McManus acknowledged the contribution of the film Saving Private Ryan in bringing the Normandy beaches into everyone’s consciousness. I read much of the book and especially the chapter on H-Hour as if I were on the beach crouching beside Joe Zukowski, Frank DeBellis, Howard Pearre, and so many others, crawling, walking laden with far too much equipment, bleeding from machine-gun fire that pierced knees and arms and chests, and ultimately falling.
I found, as McManus wrote: “The soldiers ... were willing to sacrifice themselves and risk death, not just for their cause, not just for the pride of their unit, but in the end, for one another.”
A white-knuckle account of the 1st Infantry Division’s harrowing D-Day assault on the eastern sector of Omaha Beach—acclaimed historian John C. McManus has written a gripping history that will stand as the last word on this titanic battle.
Nicknamed the Big Red One, 1st Division had fought from North Africa to Sicily, earning a reputation as stalwart warriors on the front lines and rabble-rousers in the rear. Yet on D-Day, these jaded combat veterans melded with fresh-faced replacements to accomplish one of the most challenging and deadly missions ever. As the men hit the beach, their equipment destroyed or washed…
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This satiric, beautifully drawn update of Gustave Flaubert’s novel Madame Bovary brings the story to the 1990s. Simmonds’ writing is witty and well-observed, with blocks of prose interspersed among the flowing panel sequences. It’s a rich, layered reading experience, deeper than those graphic novels which only emphasize the visuals. Simmonds writes as elegantly as she draws, with subtlety and style.
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the…
