I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.
I had to go back to a classic from childhood, the first book I remember crying while reading. I didn't know reading could do that! Set against the backdrop of 1066 and the Norman Invasion of England, this takes an ordinary young man who stumbles into a war and chooses to fight for his country and his king. His realization that there are bigger things than himself and causes worth dying for moved me utterly.
This book shaped me as a writer. The idea of sacrifice and redemption is just so well done.
I love history as did my mother and her family. I am English by birth and, so, it is English history I am most interested in. To know who you are and where you are from is, to me, very important. At school history was the subject I excelled at. In my mature years I worked as a Business Unit Manager at a University and took history papers for amusement, but I never continued with a degree as BA papers were too basic and an MA and PhD too expensive. I did, however, write academic peer-reviewed papers that were published.
Harold is one of my heroes. I have many books about him, texts and novels, but this novel I feel captures him best. King Harold was a very complex man and a very competent man. Most remember him for losing at the Battle of Hastings and do not know just what a good organiser and general he actually was and how his previous actions prove this. Harold was a political man who knew when to push and when to stand back, when to compromise and when not to.
I can point you to textbooks and academic papers on Harold, as a man, an Earl, and as King, but Helen Hollick’s book is very well researched, and I am someone who has also done his homework on this period, and indeed produced an educational DD-ROM on the period. But why not let Hollick take all that research and information and weave…
An epic retelling of the tide of events that led to the Norman conquest of England. This saga weaves together the history of a powerful family of noblemen with that of the aggressive bastard of Normandy, culminating in the fierce and tragic battle which changed the course of England's history.
I’m an actor as well as a writer. I’ve spent more hours than can be counted dissecting stories and characters in order to better understand and transmit them to an audience. While standing on a stage, an actor is never unaware that they are performing for others. We may lose ourselves in a moment, in a character, in emotion, but the applause and the gasps, and the laughter always bring us back. As a writer, I spend a lot of time tapping into that feeling of ignoring-while-being-totally-aware of the fourth wall. I love books that wink at readers the way actors can at audiences.
A gentler, kinder version of Inkheart and The Untold Tale, this novel is still thrilling. I love the idea of consuming a book as literally as we do figuratively. In this one, our protagonist absentmindedly eats a page out of his favourite bedtime story and wakes up inside it. He has to hop from story to story to get home, crossing through his sister’s horse books and many an adventure before making it safe to his own bed. I think it’s totally charming.
Norman Jespers-Vilnius is just an average eleven-year-old kid–until he absentmindedly nibbles on the edge of a page and wakes up inside his favourite book, the Undergrowth Series. Norman finds himself smack in the middle of an epic battle of animal kingdoms, where he forms a close friendship with young Malcolm, a future king. After joining Malcolm’s fight he winds up back in his own bed, dirty and in torn pyjamas. But his adventures have only just started. It soon becomes clear that Norman has been caught by a mystifying force called “Bookweird”– Norman finds himself inside books his family is…
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
I first picked up this book at a house where I was babysitting–and I couldn’t put it down. The next day I went to Waldenbooks (yes, I am that old), and bought a copy. This was the novel that sparked my love for medieval fiction and romance as well. I read it at least three times. You could say it stole my heart when I was sixteen.
The story takes place during the Norman conquest of England in 1066. As a teenager in the 70s who didn’t know anything about history before Vietnam, I was enthralled. It was also the first romance novel I’d ever read—but definitely not the last. Yes, the love story is a bit cliché, though Woodiwiss, who practically invented the romance novel, avoided explicit sexual content in her books, unlike romance novels of today. The historical descriptions of the time period are well-drawn, and the male…
When the Normans invade and sweep across Saxon England in 1066, lovely Aislinn of Darkenwald watches her father murdered outside her home. Wulfgar, the Iron Wolf of Normandy, arrives to rule Darkenwald, and one look at Aislinn leads him to claim her as his own. She hates the Norman conquering forces, but Wulfgar awakens a consuming passion in her that she can't deny. As she struggles with her growing love for Wulfgar, she does what she can to aid her conquered people and her bereaved mother. But a jealous lord conspires with Wulfgar's spoiled half-sister and Aislinn's very life is…
Like many travelers and writers, I was drawn to the Mediterranean Sea because of its vibrant cultures, sun-drenched landscapes, and delicious foods. As a medieval historian, I am attracted to stories of people and cultures in communication with each other across religious and cultural divides. I found the perfect combination in the history of Sicily, which in the Middle Ages had populations of Greek Christians, Latin Christians, Muslims, and Jews living together in both peace and conflict. I study the histories of travel, trade, and exchange in and around Sicily, which allows me to think about big questions of how medieval people related to each other even when they came from different religions or cultures.
Being in Sicily is an incredible feast for the eyes but, if you cannot make it there in person, seeing full-color photographs of its medieval remains is the next best thing.
This book excites me every time I open it, with its gorgeous images of buildings, mosaics, and material objects made of silk, ivory, rock crystal, and more. If you want to visualize the multi-religious and multi-cultural society of Sicily in the Norman era, a book like this is the way to do it.
Sicily has been at the crossroads of the Mediterranean for thousands of years. As close to Africa as it is to many parts of Europe, and directly astride major sea routes, it has been a convenient landfall for both merchants and warriors. Its invasion in the year 827 A.D. by Muslim armies from North Africa set the stage for a fascinating interplay of cultures. As these Arab and Berber soldiers slowly conquered Sicily and extended their reach to parts of the Italian mainland, they came in contact with, and for some two hundred years ruled over, Greek-speaking Orthodox Christians loyal…
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
Most books covering the early Middle Ages in Britain start with the fifth century and end around the tenth or eleventh. Edward James’s Britainis different, in that it embraces the Roman period too. Breadth on this level is stimulating, especially when (as here) it is accompanied by elegant and insightful prose that takes care to pay attention to diverse constituencies in society.
Ideal for undergraduates, this survey of medieval Britain is a coherent narrative of events between the two great invasions from continental Europe. It is unique both for its broad historical perspective and for its wide geographic coverage: it spans the 'long' millennium from the first century BC through the Norman conquest and covers events across the whole of Britain, from Cornwall to the Shetlands. Edward James provides the European context for events in England while also examining the many ways Britain differed from the rest of Europe. Students of medieval Europe will find his book an invaluable synthesis.
I became fascinated by the history of the period from 900 to 1250 as an undergraduate at the University of Exeter where I was supervised for a doctorate by Professor Frank Barlow. The subject of my thesis was Odo, bishop of Bayeux (1049/50-1097), a biography that introduced me to a multitude of subjects. That time stimulated a fascination with France and with the place of English history, British history, and the history of the Normans in a European context, as well as an interest in biography and individual lives.
Like Marc Bloch’s book, this helped me to grasp how to take an international perspective on the history of the central Middle Ages. In this case, its central theme was that we must think about Normandy and England as politically, socially, and economically joined together after 1066. It has inspired a lot that I have written and my teaching to students. See my The Normans and Empire for personal reflections.
I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through.
Aelflet meet Cyr. Cyr, meet your match. I loved this spunky heroine immediately, her courage to stand up to a pushy knight had me cheering her on. And who doesn’t love a handsome, silver-haired knight who might have a reputation of being merciless but who proves to be the opposite. This D’Argent family has become part of mine and I hope you will invite them into yours as well.
THE WULFRITHS. IT ALL BEGAN WITH A WOMAN. A battle. A crown. The conqueror. The conquered. Medieval England—forever changed by the Battle of Hastings. And the rise of the formidable Wulfriths.
AN HONORABLE NORMAN Chevalier Cyr D’Argent convinced himself he joined Duke William’s invasion of England to reform its church and place its rightful king on the throne. But after a decisive Norman victory, the truth of his quest is revealed when his search for fallen kin leads to a Saxon grieving a boy slain by one of his own. Certain the defiant young woman will become the pick of…
I am a historical fiction writer, specializing in ancient history through a female perspective. My first series, The Queens of the Conquest, follows the wives of the men fighting to be King of England in 1066 for a vitally neglected take on a key year. My second, Shakespeare’s Queens, revisits three of the bard’s greatest female characters via the real historical figures who inspired them. I love the way fiction can lift facts, settings, and cultures into something hopefully more vibrant than a straightforward history lesson and aim to offer the best possible time travel for readers. I believe the books on this list do that beautifully.
As a writer fascinated by the period around 1066, I’ve long been intrigued by Emma of Normandy – a woman whose marriage to King Aethelred ‘the Unready’ and, after him, to King Cnut could be said to have started England on the path to the Norman conquest. It was a joy, therefore, to find this gutsy, involving, and utterly convincing novel about her life. Queen Emma is a woman who truly demonstrates that there has always – even in the seemingly most misogynistic of times – been space in history for determined women with the self-belief to step up and claim the power they deserve and Patricia Bracewell’s novel vividly brings to life both the woman and the times.
Set in England when Vikings are on the brink of invasion, this is an epic tale of seduction, war, and unrequited love from an outstanding new voice in historical fiction
In 1002 AD Emma, a young Norman girl, must take her place as bride to England's King AEthelred, a ruler who is looking for nothing more than a political pawn to protect his shores and bear his next child. But Emma soon realises that her new role comes with danger: the seductive Elgiva, mistress to the King, will stop at nothing in her battle for the circlet of gold.
My first introduction to Ireland was in 1953 when my parents took the entire family over for two months. We stayed mostly in Dublin as "paying guests" with a threadbare, though incredibly proud, Anglo-Irish mother and her adult daughter in their decrepit apartment. What a learning experience for a seven-year-old boy! My fascination with the country's culture and history has never dampened, climaxed by my purchase of a 16th-century ruin, Moyode Castle, in County Galway, now finally restored. Over the years I have written seven books, six of them on Irish themes, plus innumerable articles in scholarly journals. The Elizabethan Conquest of Ireland is my magnum opus as an Irish historian.
It may seem strange to include a selection here that does not mention Ireland once, but the Norman incursion that began in 1167 is fundamental to understanding the country's ensuing history. The first Normans in Ireland were vagabonds, for the most part, a restless, grasping underclass of the French-speaking wave of freebooters that subdued England beginning in 1066 with William the Conqueror. Denied an outlet for their limitless ambition, these often renegade adventurers, many of whom were younger sons or rebellious underlings of the ruling Norman caste, unleashed chaos in Celtic kingdoms they invaded, both militarily and socially, often in escapades of unimaginable daring.
Douglas does an excellent job introducing and explaining the unique character of these intrepid soldiers and administrators, as they tramped through much of the known European world, and then on to Jerusalem for the Crusades.
