In a previous life, I was a City trader and as such have always been fascinated by the ridiculous and the absurd. Now a full-time writer and poet, I live on the west coast of Ireland and have written a number of books including A Curious Guide to London, A Splendidly Smutty Dictionary of Sex, and The Men Who Stare At Hens. I also have a blog on all matters arcane.
An interesting but idiosyncratic overview of the history and the resultant growth of London. The result is a book full of interesting insights, amusing anecdotes, and historical highlights.A vivid celebration of the city, but also an elegy for its decline, bubbling with statistics and anecdotes, from Boadicea to Betjeman.
This dazzling and yet intimate book is the first modern one-volume history of London from Roman times to the present. An extraordinary city, London grew from a backwater in the Classical age into an important medieval city, a significant Renaissance urban center, and a modern colossus. Roy Porter paints a detailed landscape--from the grid streets and fortresses of Julius Caesar and William the Conqueror to the medieval, walled "most noble city" of churches, friars, and crown and town relationships. Within the crenelated battlements, manufactures and markets developed and street-life buzzed.
I always wanted to be an archaeologist and literally dig up the past, touching objects telling me about people I could never know. Why did Shetland Celts make spherical stone balls? Whose hand held that bone needle? Was that a natural or a sacrificial death? In a different way, using the great gifts of words and imagination, reading historical fiction satisfies the same desire. Yes, that was what it felt like to work for William I, known in his time as William the Bastard; yes, that was how it felt to fear for your partner’s life every time he went to sea or into battle. Please, let these books open your eyes, your mind, too.
Edward Marston is a really prolific writer – he’s written seven or eight series of historical novels.
My personal favourite is the Domesday series, which follows the adventures of a group of men ordered to put right any mistakes in the Domesday Book, which William the Conqueror used to tax his English subjects. En route, Ralph Delchard and his colleagues also find time to solve a brand new crime – proto-private detectives, I suppose. The book roisters along with some strong female characters to lighten the masculine darkness.
The main reason I chose this is because when I read it I contacted the author to say how impressed I was. And then – Reader, I married him!
Hugh Lupus, Earl of Chester, is enraged when his hawk is killed by an arrow in the Forest of Delamere. When two poachers are caught, he orders their execution yet neither of them fired the arrow. As Ralph Delchard and Gervase Bret come to Cheshire to settle a series of disputes between Church and State, they are guests of the Earl. But when they explore the castle and discover that the Prince of Gwynedd is being held there as a hostage, a number of questions arise. Who is trying to rescue him? Why is Idwal, the over-zealous Welsh priest, lurking…
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
I didn’t know Georgette Heyer wrote outside of Regency romances until I read The Conqueror. The period covering William the Conqueror’s life, from his accession as Duke of Normandy to his invasion and conquest of England, captivated me.
Heyer’s portrayal not only of the romances of William and Matilda of Flanders and a Norman vassal and English lady but also of the bond of friendship and loyalty between William and Raoul, the aforementioned vassal, were so plausibly written I almost believed both bond and fictional characters existed. Even better, she depicted 11th-century Normandy, England, and France in such riveting detail without sounding like an encyclopedia, often using her characters to help recreate that era. This book remains one of my favorites, and frequently re-read historical romances.
The true story of the bastard son who made himself a king and the woman who melted his heart.
The stirring history of William the Conqueror, Duke of Normandy, who invaded England and became the King. His victory, concluded at the Battle of Hastings in 1066, is known as the Norman Conquest.
Known for her exhaustive research and ability to bring past eras to life, bestselling author Georgette Heyer tells the story of William the Conqueror, who became King of England in 1066, and his queen Matilda, the high–born noblewoman who at first scornfully spurned him. William was an illegitimate…
My first introduction to Ireland was in 1953 when my parents took the entire family over for two months. We stayed mostly in Dublin as "paying guests" with a threadbare, though incredibly proud, Anglo-Irish mother and her adult daughter in their decrepit apartment. What a learning experience for a seven-year-old boy! My fascination with the country's culture and history has never dampened, climaxed by my purchase of a 16th-century ruin, Moyode Castle, in County Galway, now finally restored. Over the years I have written seven books, six of them on Irish themes, plus innumerable articles in scholarly journals. The Elizabethan Conquest of Ireland is my magnum opus as an Irish historian.
It may seem strange to include a selection here that does not mention Ireland once, but the Norman incursion that began in 1167 is fundamental to understanding the country's ensuing history. The first Normans in Ireland were vagabonds, for the most part, a restless, grasping underclass of the French-speaking wave of freebooters that subdued England beginning in 1066 with William the Conqueror. Denied an outlet for their limitless ambition, these often renegade adventurers, many of whom were younger sons or rebellious underlings of the ruling Norman caste, unleashed chaos in Celtic kingdoms they invaded, both militarily and socially, often in escapades of unimaginable daring.
Douglas does an excellent job introducing and explaining the unique character of these intrepid soldiers and administrators, as they tramped through much of the known European world, and then on to Jerusalem for the Crusades.
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
Peter is on his way home from school and discovers a crooked laneway. Soon he looks through the bay window of a junk shop and is ‘drawn’ towards one item inside: a little ship. There is a strange conversation between Peter and the owner of the shop who says, "All the money in the world wouldn’t have bought this ship once [...]. It would cost all the money you have in the world and a bit over!" The man in the shop sells it to Peter.
Along the beach on the way home the ship turns into a real ship with sails. The book is not only about the many adventures with his brothers and sisters involving time travel to many lands but has an overarching plot that one day Peter will have to return the ship where he bought it. Only then will he discover about the ship and…
When Peter sees the model ship in the shop window, he wants it more than anything else on Earth. But this is no ordinary model. The ship takes Peter and the other children on magical flights, wherever they ask to go. Time after time the magic ship takes them on different exciting adventures, to different countries, and to different times. And why should magic ever end?
As a history buff—one can never be expert enough—by looking to the past I hope to glimpse the future, but mostly to make sense of the present. Power, greed and sex have driven people since before history was written, but there have always been those willing to die for something more. What causes are worth such dedication? Who were these people who were willing to give all? I was never in the military (my contact lenses are thick as bottle caps) but I try never to write battle porn, only to tell their stories as accurately and entertainingly as I can.
This is the book that inspired my writing career. Howarth, a British officer, and spymaster during World War II, afterward wrote some of the most accessible and engaging books on British history that I’ve ever read. 1066 offers a human view of events leading up to the Norman Conquest, particularly its effect on the common people, and with a sympathetic view toward King Harold II Godwinson, whom Norman chroniclers reviled. Reading it, I just had to write my first published article, about the Battle of Hastings. Howarth wrote two more of my favorites, Trafalgar: The Nelson Touch and Waterloo: Day of Battle. When I’m writing and realize I’m getting a little dry with people, places and dates, I back off and ask myself, “How would David Howarth have written this?”
The year 1066 is one of the most important dates in the history of the Western world: the year William the Conqueror defeated the English at the Battle of Hastings and changed England and the English forever.
The events leading to-and following-this turning point in history are shrouded in mystery. Distorted by the biased accounts written by a subjugated people, many believe it was the English who ultimately won the battle, since the Normans became assimilated into the English way of life.
Drawing on a wealth of contemporary sources, David Howarth gives us memorable portraits of the kings: Edward the…
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
The prose of this classic novel can be a little sticky to our 21st-century sensibilities, but in all other ways, Scott is a modern writer, addressing the issues of anti-Semitism and the corruption of the Church at a time when those things weren’t cool. Plus, we have another awesome warrior-hero in Sir Wilfred of Ivanhoe and jousting to boot. Who doesn’t love a good tourney? My daughter and I hit the Renaissance Faires every year just to see men pretend to stab each other from horseback with long sticks. The plotting of this book is simply perfection—they just don’t write them like this anymore. It’s a hero’s tale with a big dollop of romance—my favorite.
Ivanhoe is set in England in the 1190s, over a century after the Norman Conquest which saw William the Conqueror seize the English throne. A wealthy nobleman named Cedric, who is intent on restoring a Saxon to the throne, plans to wed Rowena, a beautiful young woman who is his ward, to the Saxon Athelstane of Coningsburgh. There’s just one small problem: Rowena has fallen in love with Cedric’s son, Wilfred of Ivanhoe. To get him out of the way so Rowena will marry Athelstane, Cedric banishes his own son from the kingdom. Ivanhoe (as Wilfred is known, by his…
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
The reign of King Stephen (1135–1154) was characterized by chaos and disorder, as he and his cousin Matilda fought over the succession to the English throne. This makes it a challenge to offer a coherent account, but Carl Watkins succeeds where others have failed in his short history of Stephen’s reign. The whole book, minus its academic endnotes, runs to under 90 pages, but it packs a considerable punch, thanks to Watkins’ elegant and enviable prose style.
'Stephen risked being seen as a man who never quite transcended the essential flawed-ness of his claim to be king. His actions betrayed uneasiness in his new skin'
Remembered as a time in which 'Christ and his saints slept', Stephen's troubled reign plunged England into anarchy. Without clear rules of succession in the Norman monarchy, conflict within William the Conqueror's family was inevitable. But, as this resonant portrait shows, there was another problem too: Stephen himself, unable to make good the transition from nobleman to king.
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
I will read anything by Parke Godwin. His command of language and his talent for bringing history to life won me over from the first book. In Sherwood, he takes on Robin Hood, whose legend is compiled of stories collected over a 200-year period. Godwin sets the story a hundred years prior to the legend, in the time of William the Conqueror. Sherwood gives us the life of a brash young Saxon landholder, displaced by the conquerors, who leads a guerrilla resistance from Sherwood Forest. It also paints a sympathetic young sheriff of Nottingham, who starts as Robin’s foe but grows to admire the outlaw—and falls in love with his wife Marian.
Forced from his home by Norman invaders, young Edward Aelredson, Thane of Denby, takes refuge in the forest Sherwood, where, with sword and bow, he bedevils the usurping king and comes to be called "Robin Hood." Reprint.
I love history as did my mother and her family. I am English by birth and, so, it is English history I am most interested in. To know who you are and where you are from is, to me, very important. At school history was the subject I excelled at. In my mature years I worked as a Business Unit Manager at a University and took history papers for amusement, but I never continued with a degree as BA papers were too basic and an MA and PhD too expensive. I did, however, write academic peer-reviewed papers that were published.
Elizabeth Chadwick is one of those authors who is capable of taking the reader behind the obvious of the characters she writes about. The Winter Mantel is about the tragic English hero, and some say saint, Earl Waltheof, who was the only English Earl to continue to rule during the Norman takeover of England, and his complicated, and tragic, relationship with his new Norman masters and, indeed, his Norman wife, Judith.
Waltheof chaffed under the Norman yoke and revolted many times to help English claimants to the throne, but did it just once too often. Chadwick excellently exposes the political and family dynamics driving and even holding back this gifted but flawed hero.
This, again, is from a period I am very familiar with.
Fresh from his defeat of King Harold at the Battle of Hastings, William of Normandy has returned home in triumph, accompanied by the English nobles he cannot trust to leave behind. For Waltheof of Huntingdon, however, rebellion is not at the forefront of his thoughts. From the moment he catches sight of Judith, daughter of the King's formidable sister, he knows he has found his future wife. When Waltheof saves Judith's life, it is clear that the attraction is mutual. But marriage has little to do with love in mediaeval Europe. William refuses to let the couple wed and Waltheof…
