Here are 100 books that 1066 fans have personally recommended if you like
1066.
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As a history buff—one can never be expert enough—by looking to the past I hope to glimpse the future, but mostly to make sense of the present. Power, greed and sex have driven people since before history was written, but there have always been those willing to die for something more. What causes are worth such dedication? Who were these people who were willing to give all? I was never in the military (my contact lenses are thick as bottle caps) but I try never to write battle porn, only to tell their stories as accurately and entertainingly as I can.
Another series. When I was a kid, Time-Life Magazines ran a kind of book club. My family had several complete sets—The Seafarers, The Old West, the Science Library. We used to joke that Time-Life Books were the source of all knowledge. 21 titles in the Great Ages of Man series cover the entire span of civilization from ancient Mesopotamia to the 20th Century, each an overview of its period. For The Last Viking I used Barbarian Europe and Byzantium, but Age of Kings is my favorite; I’ve always been fascinated by the violent, glorious 17th Century. Though long out of print, you can still buy them by the set on Amazon. Easier, though, to pick your era and purchase by the title.
As a history buff—one can never be expert enough—by looking to the past I hope to glimpse the future, but mostly to make sense of the present. Power, greed and sex have driven people since before history was written, but there have always been those willing to die for something more. What causes are worth such dedication? Who were these people who were willing to give all? I was never in the military (my contact lenses are thick as bottle caps) but I try never to write battle porn, only to tell their stories as accurately and entertainingly as I can.
I know, I know, another series. Think of it as getting thousands of recommendations for your money instead of just five.
Squadron/Signal books are aimed primarily at modelers, and ancient warfare isn’t their thing, but when it comes to 20th Century military hardware they can’t be beat. Short, easy reads, almost all photos, and captions, rightly famous for their profiles of various types. Need to know when the F-4 jet fighter finally got a built-in 20mm cannon? F-4 Phantom II in Action, pages 34–35. What’s the difference between an M1E1 and M1A1 main battle tank? M1 Abrams in Action, page 23. What’s the difference between a prototype Fokker Triplane and the production model? Fokker Dr.1 in Action, pages 7–8.
The P-51 Mustang was one of the most outstanding aircraft developed by the Allies during World War II. Indeed it combined the finest powerplant developed in Great Britain with the best airframe developed by American engineers. The Mustang could climb much faster than the Japanese Zero and out dive any Axis planes. It had no equal in terms of range. P-51s accounted for the destruction of more than 9,000 Luftwaffe aircraft with a loss of slightly more than 2,500 Mustangs, a ratio of almost 4 to 1. And that was just against the Germans! Dozens of period photographs from around…
I’m a misplaced law professor, you might say: I never wanted to be a lawyer; I went to law school almost by accident; and for four decades I’ve used law as a window into my deeper interests– religion, history, and philosophy. I couldn’t make myself write books unless the subjects were personally engaging; and in defiance of editors, I insist on writing readable prose. If this adds up to “dilettante,” so be it. My books, published by the university presses of Harvard, Oxford, Notre Dame, Duke, and NYU, as well as Eerdmans, have dealt with constitutional law; Roman, medieval, and modern history; legal philosophy; and religious freedom.
Barzun, who lived to be 104, was in his lifetime possibly the most erudite human being on the planet.
And this book, published when he was much younger (as a spry 93-year-old) is an almost perfect history of the modern age: a superb, readable sort-of survey that is not surveyish but rather earnestly engaged with themes that were important in the 16th-century beginnings of our modern civilization and are important still.
Barzun doesn’t seem to be a gloomy naysayer, and he admires and appreciates the achievements of Western civilization; but as his title suggests, he came to believe that the culture is exhausted and unraveling. An informative and provocative read!
"A stunning five-century study of civilization's cultural retreat." — William Safire, New York Times
Highly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500.
Barzun describes what Western Man wrought from the Renaissance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have…
As a history buff—one can never be expert enough—by looking to the past I hope to glimpse the future, but mostly to make sense of the present. Power, greed and sex have driven people since before history was written, but there have always been those willing to die for something more. What causes are worth such dedication? Who were these people who were willing to give all? I was never in the military (my contact lenses are thick as bottle caps) but I try never to write battle porn, only to tell their stories as accurately and entertainingly as I can.
I’m actually recommending the entire run of history books from Osprey Publishing. You’re not a history buff until you have a shelf full of Ospreys. With over 2,300 titles (and counting!) in dozens of series, there’s almost no period they don’t cover, from ancient times until recent events. Each book is profusely illustrated and incredibly detailed, yet a slim read—a quick but worthwhile introduction into their respective topic. They focus on military history, but include plenty of background info, enough to make you an instant authority on your chosen era. For The Last Viking I got an overview with The Vikings, The Varangian Guard 988–1453, and Saxon, Viking and Norman, before my deep dive into the primary Greek, Byzantine, and Scandinavian sources.
In this worthy addition to the Elite series, Ian Heath transports us to the time of the Vikings examining their epic journeys and the ships they made them in, their methods of warfare - the organisation of their armies and tactics employed, their appearance and equipment and the general history of these fascinating warrior-explorers. His authoritative text is backed by many fine illustrations and photographs including 12 stunning full colour plates by Angus McBride, one of the world's most respected military artists.
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
This book covers the entirety of the history of the Anglo-Saxons in their own words. Like Bede’s History, it suffers from bias, depending on the scribe writing each section and what kingdom they inhabited, but it is a fascinating year-by-year account of the rise and fall of kings and clergy, and of the battles and natural phenomena faced by the people of early medieval Britain.
My passion for the Middle Ages began with castles. I lived in Germany for a time, where there are a lot of castles, and I got sucked into the whole romantic notion of living a castle life, though I’d probably have been more of a scullery maid than a princess. When I decided to try writing a novel, I figured castles had to be involved somehow. I started doing research on medieval subjects that would make a good book. Unfortunately, the time period I ended up choosing for my novel was the early 8th century—no castles. I spent over twenty years researching and writing my novel, so I hope I learned something.
I first picked up this book at a house where I was babysitting–and I couldn’t put it down. The next day I went to Waldenbooks (yes, I am that old), and bought a copy. This was the novel that sparked my love for medieval fiction and romance as well. I read it at least three times. You could say it stole my heart when I was sixteen.
The story takes place during the Norman conquest of England in 1066. As a teenager in the 70s who didn’t know anything about history before Vietnam, I was enthralled. It was also the first romance novel I’d ever read—but definitely not the last. Yes, the love story is a bit cliché, though Woodiwiss, who practically invented the romance novel, avoided explicit sexual content in her books, unlike romance novels of today. The historical descriptions of the time period are well-drawn, and the male…
When the Normans invade and sweep across Saxon England in 1066, lovely Aislinn of Darkenwald watches her father murdered outside her home. Wulfgar, the Iron Wolf of Normandy, arrives to rule Darkenwald, and one look at Aislinn leads him to claim her as his own. She hates the Norman conquering forces, but Wulfgar awakens a consuming passion in her that she can't deny. As she struggles with her growing love for Wulfgar, she does what she can to aid her conquered people and her bereaved mother. But a jealous lord conspires with Wulfgar's spoiled half-sister and Aislinn's very life is…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This is a book written in its own language: one that is derived from Old English. It is written from the viewpoint of a Saxon native, a freeman, whose liberty is threatened by the outside world, invaders who respect no moral laws. Through this method, we enter the minds of the protagonist – Buccmaster of Holland – and a worldview is constructed in which the local is in a shifting balance with external sources of power. The book demonstrates how our thoughts and worldviews are realised by, and dependent upon, the language through which they are articulated. Without explicitly intending to do so, it also provides insight into much of the psychology behind Brexit.
Winner of the Gordon Burn Prize 2014 and The Bookseller Industry Book of the Year Award 2015. Longlisted for the Man Booker Prize, the Desmond Elliott Prize and the Folio Prize and shortlisted for the Goldsmiths Prize.
A post-apocalyptic novel set a thousand years ago, The Wake tells the story of Buccmaster of Holland, a free farmer of Lincolnshire, owner of three oxgangs, a man clinging to the Old Gods as the world changes drastically around him. After losing his sons at the Battle of Hastings and his wife and home to the invading Normans, Buccmaster begins to gather together…
I’ve been a lover of fantasy stories, mythology, and folklore for a long time, mostly because fully realized fictional settings beyond our world enthralled me. My first forays into writing dwelt on fantasy with a strong historical slant, even when I dabbled in romance. It was also then that I realized my male characters had more chemistry with each other than with the females I’d paired them with. This is how I wound up in fan fiction, where virtually anything goes. During those years, I honed my writing, deepened my fascination with world-building, and crafted stories that would feed the wellspring of my first historical fantasy novel.
I didn’t know Georgette Heyer wrote outside of Regency romances until I read The Conqueror. The period covering William the Conqueror’s life, from his accession as Duke of Normandy to his invasion and conquest of England, captivated me.
Heyer’s portrayal not only of the romances of William and Matilda of Flanders and a Norman vassal and English lady but also of the bond of friendship and loyalty between William and Raoul, the aforementioned vassal, were so plausibly written I almost believed both bond and fictional characters existed. Even better, she depicted 11th-century Normandy, England, and France in such riveting detail without sounding like an encyclopedia, often using her characters to help recreate that era. This book remains one of my favorites, and frequently re-read historical romances.
The true story of the bastard son who made himself a king and the woman who melted his heart.
The stirring history of William the Conqueror, Duke of Normandy, who invaded England and became the King. His victory, concluded at the Battle of Hastings in 1066, is known as the Norman Conquest.
Known for her exhaustive research and ability to bring past eras to life, bestselling author Georgette Heyer tells the story of William the Conqueror, who became King of England in 1066, and his queen Matilda, the high–born noblewoman who at first scornfully spurned him. William was an illegitimate…
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
This is a fantastic introduction to what was going on in the British Isles during the medieval period. The scholarship is up-to-the-minute, the writing is witty and engaging, and it is teeming with original ideas. It’s not a political history, plodding predictably from one reign to the next, but a sweeping overview, covering diverse topics such as the decline of slavery, the rise of parliament, kingship and queenship, religion, education, leisure, crime, and chivalry.
Beginning with the Norman Conquest of England, these tumultuous centuries and their invasions shaped the languages and political geography of present-day Britain and Ireland.
The Irish, Scots and Welsh fought their battles against the English with varying success - struggles which, like the events of 1066 in England, produced spectacular upheavals and left enduring national memories. But there was still a common enemy: the Black Death - still the greatest catastrophe in their history.
There were significant advances, too. Hundreds of new towns were founded; slavery, still prevalent until the twelfth century, died out; magnificent cathedrals built, schools and universities…
I have lived almost all my adult life in France, and have spent that whole time wondering what makes the French so French. One of the answers is their attitude to their own history. The French have got a lot of upheaval to process: at least five revolutions since 1789, and two World Wars fought on their soil, including a Nazi occupation that they still haven’t digested. I didn’t start writing about the French until I’d been living in France for about 10 years – I didn’t want to write like a tourist, and it took me that long to unweave the first strands of their DNA. I’ve never stopped writing about them since, half a dozen Merde novels and as many non-fiction books later.
For me, the Bayeux Tapestry is one of the most glorious works in the whole of Western art. Seventy metres of embroidery (not actual tapestry) describing the conquest of Britain by William and co. Every time I go to see it, it takes my breath away. But as I began to read around the subject for the opening chapter of my book 1000 Years of Annoying the French, I started to doubt the “official” version of the story told by the museum’s audio guide, which is basically a justification of the Norman duke’s claim to the throne of England. Andrew Bridgeford’s book examines both the story being told in the main narrative of the tapestry, as well as the hidden undercurrent of anti-William propaganda there. It turns out that, contrary to French legend, this was not just a visual record of the Conquest commissioned by William and executed by his…
A brilliant new reading of the Bayeux Tapestry that radically alters our understanding of the events of 1066 and reveals the astonishing story of the survival of early medieval Europe's greatest treasure.
The Bayeux Tapestry was embroidered (it's not really a tapestry) in the late eleventh century. As an artefact, it is priceless, incomparable - nothing of it's delicacy and texture, let alone wit, survives from the period. As a pictorial story it is delightful: the first feature-length cartoon. As history it is essential: it represents the moment of Britain's last conquest by a foreign army and celebrates the Norman…
