Here are 58 books that The Wake fans have personally recommended if you like
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If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This book provides the clearest and most accessible overview of the background of Brexit. I found it a highly reliable source of information on the historical context and it helped me understand the complexity of the various economic and political aspects of Britain’s membership in the EU from an unbiased and objective standpoint.
'Crisp, clear and quietly devastating' Guardian 'Excellent, authoritative, highly readable' Irish Times
A succinct, expert guide to how we got to Brexit
After all the debates, manoeuvrings, recriminations and exaltations, Brexit is upon us. But, as Kevin O'Rourke writes, Brexit did not emerge out of nowhere: it is the culmination of events that have been under way for decades and have historical roots stretching back well beyond that. Brexit has a history.
O'Rourke, one of the leading economic historians of his generation, explains not only how British attitudes to Europe have evolved, but also how the EU's history explains why…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
I enjoyed reading this comprehensive and convincing account of how people voted in the Brexit referendum. It has an approach rooted in political science and makes effective use of surveys and election results to provide an understanding of the identity of people living in what later became referred to as the ‘Red Wall’ seats – former Labour areas that switched to Conservative often over Brexit. It gave insights into the attitudes and beliefs of those who really had felt left behind.
In June 2016, the United Kingdom shocked the world by voting to leave the European Union. As this book reveals, the historic vote for Brexit marked the culmination of trends in domestic politics and in the UK's relationship with the EU that have been building over many years. Drawing on a wealth of survey evidence collected over more than ten years, this book explains why most people decided to ignore much of the national and international community and vote for Brexit. Drawing on past research on voting in major referendums in Europe and elsewhere, a team of leading academic experts…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
Written from a standpoint outside of Britain yet offering such great insight, this book offers a highly convincing account of the stupidity of Brexit. The author pours his wrath onto Brexit and Brexiteers and is a brilliant polemicist. It’s well-written and entertaining.
What I like about this book is that, unlike a lot of academic writing, it doesn't pull any punches and the author is rhetorically committed to a single perspective that he adheres to with great consistency.
'There will not be much political writing in this or any other year that is carried off with such style' The Times.
A TIMES BOOK OF THE YEAR.
'A quite brilliant dissection of the cultural roots of the Brexit narrative' David Miliband. 'Hugely entertaining and engrossing' Roddy Doyle. 'Best book about the English that I've read for ages' Billy Bragg. 'A wildly entertaining but uncomfortable read... Pitilessly brilliant' Jonathan Coe.
In exploring the answers to the question: 'why did Britain vote leave?', Fintan O'Toole finds himself discovering how trivial journalistic lies became far from trivial national obsessions; how the pose…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
I am attracted to books that take a broad theme and examine this across space and time –without being confined to a single academic discipline. Another requirement is that they are written in an elegant and accessible style that commands the reader’s attention. This book originally published in Germany in 1960 satisfies both criteria. It defies ready classification but includes social psychology, social anthropology, and ideas related to myth, ritual, and religion. His concept of ‘the pack’ builds on the abstract notion of ‘the crowd’ and leads to ideas such as ‘transformation.’ As the Brexit vote was a form of crowd behaviour, reading this book helped me understand more about it.
Crowds and Power is a revolutionary work in which Elias Canetti finds a new way of looking at human history and psychology.
Breathtaking in its range and erudition, it explores Shiite festivals and the English Civil war, the finger exercises of monkeys and the effects of inflation in Weimar Germany. In this study of the interplay of crowds, Canetti offers one of the most profound and startling portraits of the human condition.
So much of our culture and our fiction comes from taking older stories and ideas and reworking, blending, and adapting them into new forms. This cultural mixture has gifted us with some of the greatest works of English literature, and I’ve always been surprised and delighted to discover what people can pull out of older works and make. It’s why my first novels have followed the theme, and why I will always have time to check out a new story that builds on older ideas to create something new.
China Mievelle’s first work, a retelling of the story of the Pied Piper from the point of view of those that he commands, is a dark and gruesome story that gripped me from the first page. Difficult family relations, grim mysteries, and an ancient fable brought into the modern world—this book has it all!
Something is stirring in London's dark, stamping out its territory in brickdust and blood. Something has murdered Saul Garamond's father, and left Saul to pay for the crime.
But a shadow from the urban waste breaks into Saul's prison cell and leads him to freedom. A shadow called King Rat, who reveals Saul's royal heritage, a heritage that opens a new world to Saul, the world below London's streets--a heritage that also drags Saul into King Rat's plan for revenge against his ancient enemy,. With drum 'n' bass pounding the backstreets, Saul must confront the forces that would use him,…
I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.
For one thing, this Greek mythology fantasy begins with our main character, Lore, beating up someone during an underground boxing match. How much more badass can you get? Throughout the standalone YA novel, Lore tries to navigate a deadly game of the Gods and the constant deceit of those closest to her. But she keeps going, no matter the sacrifices she must make. This is a great story about strength and putting others before yourself for the greater good.
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From the #1 New York Times best-selling author of The Darkest Minds comes a sweepingly ambitious, high-octane tale of power, destiny, love, and redemption.
Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals. They are hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality.
Long ago, Lore Perseous fled that brutal world, turning her back on the hunt’s promises of eternal glory after her family was murdered by a rival line. For years she's pushed…
I am an author, American Sign Language interpreter, librarian, and signing storyteller. I write picture books, children’s nonfiction, middle grade, and young adult fantasy, and resource books for educators, librarians, and parents. In my books, I highlight strong female characters, both fictional and from real-life. Here I am sharing 5 of my favorite fantasy and sci-fi books with female characters who – by the end of their journeys - absolutely do not care what you think of them.
Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistresstrades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.
A sweeping, action-packed, and romantic fantasy full of dangerous magic and dark choices, perfect for fans of Tamora Pierce and Kristin Cashore—set in the same world as Of Fire and Stars.
Asra is a demigod with a dangerous gift: the ability to dictate the future by writing with her blood. To keep her power secret, she leads a quiet life as a healer on a remote mountain, content to help the people in her care and spend time with Ina, the mortal girl she loves.
But Asra’s peaceful life is upended when bandits threaten Ina’s village and the king does…
Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
None of Guthrie’s characters are anyone you want to get on the wrong side of. Pearce, an ex-con and Edinburgh hard man, may be his most dangerous creation. Guthrie’s black humor is fully displayed in this novel of a man out for blood and bound to get it in ever more inventive ways.
The Scottish writer Guthrie is in danger of falling into obscurity, but several of his other evangelists and I are intent on not letting that happen. This book is a good place to start with his work; if you like it, you will have a world of dark pleasures waiting in his other books.
Has Pearce finally found his match? A time-served Edinburgh hard man, Pearce is still recovering from the recent loss of his mother in a stabbing incident in a post office robbery. He's invited by the dysfunctional Baxter family to protect their pregnant 16-year-old daughter from Wallace, her 26-year-old husband, a man with a penchant for killing family pets. Having found out that the baby's not his, Wallace has sworn vengeance. Pearce declines the job: he's no babysitter. But when Wallace kills Pearce's dog, he goes too far. Now it's personal. It's time to find out who the real hard man…
I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.
An amazing and surprising read. When a madman is buried alive by five teenagers who take the law into their own hands, it is hardly a new idea for him to come back for revenge upon them. But Jim Brown takes it several stages further with more dark twists than you could possibly think of.
On the night of a raging electrical storm, a group of teenage boys gather on a secluded hill in Oregon to bury one of their own...alive. It isn't murder, because the "victim" is a willing participant. For sneering, knife-wielding punk Whitey Dobbs it's just a gang-initiation stunt. For the others, however, it's a carefully planned act of revenge – designed to give Whitey Dobbs the fright of his life. But even the best-laid plans can go wrong. And when this joke is over, nobody will be laughing...except maybe Whitey Dobbs.
Twenty-two years later, the events of that stormy night are…
Like many people, The Lord of the Ringscaptivated me as a child. I read those books as well as The Hobbit half a dozen times before I was twelve, and a couple of times more since. What’s more, I was lucky enough to be nine when the first movie came out, which only furthered my childhood obsession. Though I’m less enthralled by the series now, the classic quest it represents still has a place in my heart. I’ve tried to reproduce the grandeur and adventure of that story in my writing, and I’ve found a good portion of it in the books I recommend below. May they take you on captivating new journeys!
Quest is in the name, and does it ever live up to it! As the culmination of The Farseer Trilogy, it does the previous books justice. The journey is arduous, full of twists and turns, and the reader feels every wound Fitz suffers. Yet as in every good quest, in the end, he achieves what he aims to do – though not in the way he expects, and at an unimaginable cost. This is Hobb at her finest, and I cannot recommend it highly enough.
'Fantasy as it ought to be written' George R.R. Martin
The gripping finale to Robin Hobb's classic Farseer Trilogy.
With the king no longer living and the heir, Verity, missing and declared dead, Prince Regal has treacherously seized the throne.
Regal's torture has left Fitz more dead than alive, and more closely than ever bonded with his wolf. All who once loved him believe him dead: even Molly, now pregnant with his child. But he cannot go to her without placing her in terrible danger.
With nothing to lose, Fitz sets out for Tradeford, where Regal has withdrawn, having heartlessly…
