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I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.
I first read Swallows and Amazons lying on my belly beside a swimming pool while my little brother splashed through his lessons. I was caught by the inventive adventuring, the sailing and camping and the sheer—parentless!—freedom of the Walker and Blackett children. And most of all, I loved Nancy Blackett, whose real name was Ruth but changed it because everyone knows the Amazon pirates are ruthless. I’ve since read it with my own children, and the magic continues, though these days, I have more sympathy with the mother who, looking for some quiet, thought to pack her kids off to camp by themselves on an island.
I should point out the second assumed name in this story. Ransom really did know children who sailed small boats in the Lake District, and one of the boats really was called Swallow—and the other one was Mavis. Hardly a good name for pirates!
The ultimate children's classic - long summer days filled with adventure.
John, Susan, Titty and Roger sail their boat, Swallow, to a deserted island for a summer camping trip. Exploring and playing sailors is an adventure in itself but the island holds more excitement in store. Two fierce Amazon pirates, Nancy and Peggy, challenge them to war and a summer of battles and alliances ensues.
'My childhood simply would not have been the same without this book. It created a whole world to explore, one that lasted long in the imagination after the final page had been read' - Marcus…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
The reason I chose this book is simple. It was the first one to show me the first-person way.
I read this book in high school around 1973 and it stayed with me all these years. This dark side of adolescence skillfully narrated by the introverted Gene is as real today for me as it was when I was a prep school kid reading it.
Gene remembers some fifteen years earlier as he comes back to visit, and tells this story under the guise of a quintessential American story, though as he says “a very untypical one, I guess, and unfamiliar transitional blur in the memories of most people, which is the real America for me.” Every first-person story I’ve tried to write since has had a little bit of Gene in it.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
Most of this novel is narrated by Grace Marks, a servant girl who is supposed to have committed a murder but says she doesn’t remember doing it.
She is being interviewed by a psychiatrist who is trying to jog her memory. But is she telling him the truth? I love this use of a possibly unreliable narrator, based on a true story that remains unresolved to this day. It’s a disturbing and compelling read.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I’m a professor myself who writes novels, so am especially drawn to novels about campus life! I really do value the life of the mind, but am also aware of just how strange a life that is within contemporary culture. At the same time, campuses are hotbeds of ideas, ranging from the deep and the true to the shallow and the crazy, and young passionate impressionable students simmer in those ideas for several years and then go on to shape our future. What could be more important than novels which bring all that to light?
Start with the classic, this legendary British satire about cloistered college life and the darker side of the academic way of life. The story of a hapless lecturer in medieval history trying to secure his job (and get his dream girl), the book works for me on every level: it’s funny, it’s insightful, it can be scathing, and it manages to simultaneously value this strange way of life (what can be stranger than dedicating your life to study within the bubble of the academy?) while also skewering its foibles and flaws. Come for the comedy; stay for the insight and skewering. As an academic myself, this book hits very close to home.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
A lifelong horror fan, I have always been fascinated by haunted landscapes and creepy buildings. My childhood in the Midlands of England prepared me for my career as a horror writer and filmmaker with its abundance of spooky ruins and foggy canal paths. I have since explored ancient sites all across the U.K. and Europe and my novels are inspired by these field trips into the uncanny, where the contemporary every day rubs shoulders with the ancient and occult. Places become characters in their own right in my work and I think this list of books celebrates that. I hope you find them as disturbing and thought-provoking as I have.
I read this book during my school days, which we are often told are the best of our lives. I enjoyed school, overall, but did encounter more than my fair share of bullies and vindictive teachers. Reading in the school library became my favourite escape, and I devoured this book in one lengthy sitting. I was fascinated and appalled in equal measure by secret society The Vandals, who made the kids at my school look like rank amateurs! After reading this book, the reader is left shell-shocked and wondering if it’s better to comply or to ‘disturb the universe’ as Cormier provocatively puts it.
The bestselling controversial novel about corruption and misuse of power in an American boys' school. The headmaster of Trinity College asks Archie Costello, the leader of the Vigils, a secret society that rules the school, to help with the selling of 20,000 boxes of chocolates in the annual fund-raising effort. Archie sees the chance of adding to his power - he is the Assigner, handing out to the boys tasks to be performed if they are to survive in the school. Freshman, Jerry Renault, a newcomer to the corrupt regime, refuses to sell chocolates. Enormous mental and physical pressure is…
I’m a Chicago-based writer whose novels explore the triumph of the underdog, and nobody is more underdoggy than a teenage self-loathing loner. I am proud that my novel, Permanent Record, was selected by Library Services for Youth in Custody for their 2014 “In the Margins” Book Award, a list that highlights literature with appeal for youths who are in restrictive custody and youths from street culture. I love the academic setting of the books on my list because it reminds me of when my own possibilities were limitless, when I was free to imagine who I would be outside the confines of my school.
Complicated relationships often exist between teachers and students, but many novels paint one or the other as the enemy. In Wonder Boys, we have a joyous but still complicated friendship between Grady Tripp, a pot-smoking English professor who has lost his way, and his student James Leer, a budding writer who is emotionally troubled. I can relate to both the “going nowhere” middle-aged Grady and the troubled teen, James. The plot devices of the tuba, dead dog, and snake (most of it) that end up in Grady’s trunk somehow provide both gravitas and humor.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
Like my main character, Annie Hawkins Green, I’m passionate about photojournalism, and we both love to travel the world capturing images that tell our stories. My training as a photographer has led me to write novels that are visual and cinematic, affording readers authentic and immersive experiences in the places Annie takes us—Afghanistan, Milwaukee, wherever. We’re both seriously committed to empowering girls through education and go to great lengths, and some risk, to make that happen. Readers tend to think Annie and I are brave and gutsy and, well, badass. Annie is, for sure—she goes to dangerous places. Okay, I admit that many of her adventures have an autobiographical twist.
In his most atmospheric and suspenseful novel, Anil’s Ghost, Michael Ondaatje transports readers into the middle of the civil war that splintered Sri Lanka. A brilliant forensic anthropologist who was educated abroad, Anil Tissera bravely returns to her homeland determined to unearth evidence to explain the brutal campaign of murders ravaging the country. With each new discovery Anil makes, at great risk to her own safety, I find myself holding my breath. Although the powerful elite are lined up against her, she stands firm, refusing to let the guns and bombs scare her away. Steeped in centuries of culture and tradition, this is truly one of my favorite books ever.
With his first novel since the internationally acclaimed The English Patient, Booker Prize—winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing.
Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent…
I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.
Like Alias Grace, Falling Creatures is a reimagining of a famous Victorian murder, this time set in Cornwall on Bodmin Moor. In 1844, Charlotte Dymond was a pretty, domestic servant, working on a farm on the edge of the moor, and her murder was the news sensation of the day. Stansfield’s central character, the fictional Shilly, shares Charlotte’s name and work and, after her death, plays a significant role in revealing what happened, working alongside the enigmatic detective, Mr. Williams. Stansfield plays skillfully with names and shifts in identity throughout this novel, and I was compelled by the strange balance she creates between early scientific reasoning and the lasting folk traditions of supernatural awareness. Falling Creatures is the first in Stansfield’s Cornish Mysteries series.
Cornwall, 1844. On a lonely moorland farm not far from Jamaica Inn, farmhand Shilly finds love in the arms of Charlotte Dymond. But Charlotte has many secrets, possessing powers that cause both good and ill. When she's found on the moor with her throat cut, Shilly is determined to find out who is responsible, and so is the stranger calling himself Mr Williams who asks for Shilly's help. Mr Williams has secrets too, and Shilly is thrown into the bewildering new world of modern detection.
Oh, Dragons. They have invaded my life. They’re in every room in my house – it gets crowded in the bathroom but there are a couple in there. They feature in my meditations and once I started reading fantasy, they feature in many of my books. I’m always happy to look at a book with dragons in it. If I could turn into a dragon – I would.
She’s a witch! Let’s stake her out for the dragon to eat. This happens to Alys. But she’s not a witch. Her village just didn’t like her. She wants revenge and when the dragon arrives, he becomes her ally. Here’s another twisted plot where the female is undervalued but the story helps Alys find what she thinks she wants. Part of what she finds along the way is a strength and loyalty she didn’t know she had. But she also discovers what she thought she wanted, isn’t really worth it in the end.
Fifteen-year-old Alys is not a witch. But that doesn't matter—the villagers think she is and have staked her out on a hillside as a sacrifice to the local dragon. It's late, it's cold, and it's raining, and Alys can think of only one thing—revenge. But first she's got to escape, and even if she does, how can one girl possibly take on an entire town alone? Then the dragon arrives—a dragon that could quite possibly be the perfect ally. . . .
I’m primarily a science fiction writer and reader, but mystery is my first literary love, and I was the editor-in-chief of the mystery magazine, Plan B. So, I doubly love it when a mystery story takes place in a science fictional world. In my own work, certain themes keep showing up even when I don’t intend them to because I love them as much as I love a juicy mystery: using technology to change our bodies and environments, the struggle that wealth and corporate greed create, how we can learn to understand someone who is radically different from ourselves. These five books hit all those marks for me.
This book treads ground common to books I love to read and write—vivid characters living in a world that is bisected by wealth—in a lushly atmospheric, but emotionally brutal, short read. Jewel is not a detective by trade—she is a courtesan working in one of the high-end houses. When her friend Winfield is murdered by a rich and powerful client, but mysteriously comes back to life—only different—Jewel needs answers. I loved the complex relationships between the characters and their society, and especially loved how the feeling of the world is prioritized, making the setting and its inhabitants richer.
In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel's world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.
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