Here are 100 books that Alias Grace fans have personally recommended if you like
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When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
I’ve read In Cold Blood at least twice, but I think three times is the actual count. The first time, I was in my early twenties, not yet a writer, and I remember being gobsmacked—love that word—by a single sentence.
I remember reading the sentence again. And again. It was a marvel to me how alive it was, and how it told me all I needed to know about a place to understand that place. Nothing happens here; move on, it said—“Like waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings had never stopped there.”
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
I chose this list for two reasons—one, true crime has always held great fascination for me. I have a real hunger to understand the motivations behind the darkest sides of human nature, which I believe exists in us all. My own book, The Man from Milwaukee, dives deep into this obsession by sympathetically portraying a closeted young gay man in 1991 Chicago, who sees the cannibal killer as a victim himself of his own irresistible murderous impulses, likening them to our main character’s own self-loathing toward his same-sex desires.
Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.
In the summer of 1976 Gary Gilmore robbed two men. Then he shot them in cold blood. For those murders Gilmore was sent to languish on Death Row - and could confidently expect his sentence to be commuted to life imprisonment. In America, no one had been executed for ten years.
But Gary Gilmore wanted to die, and his ensuing battle with the authorities for the right to do so made him into a world-wide celebrity - and ensured that his execution turned into the most gruesome media event of the decade.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
Edge of the Known World is a near-future love and adventure story about a brilliant young refugee caught in era when genetic screening tests like 23AndMe make it impossible to hide a secret identity. The novel is distributed by Simon & Schuster. It is a USA Today Bestseller and 2024 American Fiction Awards Winner in multiple categories, including Best New Fiction, Political Thriller, and Science Fiction: General.
Alexandra is a gifted student, adoring daughter, and exuberant prankster. She is also hiding in the open. After a blissful childhood, Alex learned she’s an illegal refugee from a brutal regime, smuggled into…
Fans of Margaret Atwood’s Oryx and Crake will be swept away by this riveting speculative fiction adventure and love story about family, genetic privacy, and the onrushing future of surveillance technology.
2024 American Fiction Awards Winner in multiple categories, including Best New Fiction, Political Thriller, and Science Fiction
Alexandra Tashen is a brilliant student, adoring daughter, merry wit, and exuberant prankster. After a blissful childhood on a Texas ranch, she learns the truth: She is a refusé, an illegal refugee smuggled into the Allied Nations as an infant. Everyone from her birth region carries a harmless but detectable bit of…
I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.
I first read Swallows and Amazons lying on my belly beside a swimming pool while my little brother splashed through his lessons. I was caught by the inventive adventuring, the sailing and camping and the sheer—parentless!—freedom of the Walker and Blackett children. And most of all, I loved Nancy Blackett, whose real name was Ruth but changed it because everyone knows the Amazon pirates are ruthless. I’ve since read it with my own children, and the magic continues, though these days, I have more sympathy with the mother who, looking for some quiet, thought to pack her kids off to camp by themselves on an island.
I should point out the second assumed name in this story. Ransom really did know children who sailed small boats in the Lake District, and one of the boats really was called Swallow—and the other one was Mavis. Hardly a good name for pirates!
The ultimate children's classic - long summer days filled with adventure.
John, Susan, Titty and Roger sail their boat, Swallow, to a deserted island for a summer camping trip. Exploring and playing sailors is an adventure in itself but the island holds more excitement in store. Two fierce Amazon pirates, Nancy and Peggy, challenge them to war and a summer of battles and alliances ensues.
'My childhood simply would not have been the same without this book. It created a whole world to explore, one that lasted long in the imagination after the final page had been read' - Marcus…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.
Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.
This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.
It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this book first and foremost because it is essentially the OG of madwomen narratives. Written in 1892, it is a super-creepy, sensory, trippy exploration of one woman’s sanity slowly being shredded by male medical “expertise”—in this case, a doctor’s prescription for postpartum depression: utter isolation in a bedroom with no intellectual stimulation... in order to alleviate postpartum depression (?!). Unsurprisingly, rather than “recovering,” the heroine drags readers down a terrifying rabbit hole of hallucination, self-destruction, and—ultimately—murder.
It’s a masterful, Hitchcockian deep dive into psychosis written over a half-century before Psycho. But it’s also an extremely satisfying example of feminist revenge-writing; Perkins not only drew on her own experience after suffering this “treatment” but sent a copy directly to her practitioner after its publication. Pow!
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?
If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it).
Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
