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How Much of These Hills Is Gold.
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As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.
While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
As a book lover and as a nonfiction writer and researcher, I’ve always been fascinated by the idea that a book is truly a portal that can connect people across time and space. I’m a Catholic (stray) by education and tradition, and for me this interconnectivity resonates with the familiar theology of the communion of saints. Whether you are religious or not, if you love words, there is something rather miraculous about how language, past and present, from authors living and dead, can connect and surprise us and spark new conversations even with those yet to be born. You never know who may need to hear what you are putting on the page.
This book made me reflect deeply on whom we praise as trailblazing “rebels” and who we ignore, erase, or brand with criminal status in the stories we inherit and then repeat thoughtlessly.
Hartman reimagines “transgression” through the lenses of race, gender, sexuality, and class in early 20th-century New York and Philadelphia. She immerses us in up-close and poignant stories of women’s nonconformity, showing how their choices were flexes not only for survival but for thriving, a refusal to be defined by the ugliest social denigrations of their time (as well as our own).
Wayward Lives is richly sourced, including recovered photographs with the evocative literary portraits. It is a moving, haunting, unforgettable book.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
My second novel, Snakes of St. Augustine, describes an unconventional love story served up with a large side of Florida weirdness. My first novel, City in a Forest, received a Gold Royal Palm Literary Award from the Florida Writers Association in 2020. My short fiction and essays have appeared in Pangyrus, Eckerd Review, Northern Virginia Review, Atticus Review, and elsewhere. I earned my bachelor’s degree in English from Eckerd College and the M.F.A. in Fiction from Queens University of Charlotte. Currently, I’m a writer for a university in Daytona Beach, Florida. A resident of Ponce Inlet, I began volunteering with the Volusia-Flagler Sea Turtle Patrol in 2018.
The devastating story of two boys unjustly sentenced to serve time in a nightmarish juvenile reform school, The Nickel Boys won a Pulitzer Prize and became a New York Times bestseller.
It is a must-read for anyone sampling literary works featuring Florida. The boys in the story, Elwood and Turner, endure and witness hellish abuse at the Nickel Academy. The boys’ haunting story, exquisitely told by Colson Whitehead, is based on Florida’s real-life Dozier school where thousands of children were tortured, raped, and murdered for more than a century.
Whitehead’s unflinching descriptions of terror and abuse can be tough to take, but they serve an important purpose, by forcing the reader to confront the hellish reality that was America under Jim Crow laws. Long after the last page is turned, if ever, this novel won’t leave you.
NATIONAL BESTSELLER • In this Pulitzer Prize-winning follow-up to The Underground Railroad, Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys unjustly sentenced to a hellish reform school in Jim Crow-era Florida.
When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way…
I came to America from Iran when I was five years old. There's something about immigration that's taught me to be a "first-class noticer," which was Saul Bellow's requirement for a writer. Because I always feel a little (or more) outside of things, people, places, and languages hold a wonderful strangeness for me. Writing is where I try to make sense of all that. As an immigrant, I’ve been especially drawn to stories about people whose lives haven’t always been included in literature. For a novelist, history can be an invitation or a provocation. For me, it’s both. Reading about the past pulls me into its mysteries; the mysteries inspire me to invent.
The Buddha in the Attic is a novel about early 20th century Japanese “picture brides,” women who came to the United States to be united with husbands they’d never met. Otsuka writes their story in the first-person plural, which you couldn’t imagine would work, but it does—and beautifully. There’s a choral quality here, a sense of a shared history that transcends any one life. Like her (also extraordinary) first novel, When the Emperor Was Divine, it’s written with an almost pointillist perfection. Every word feels chosen, radiant, radical.
Julie Otsuka's The Buddha in the Attic, the follow-up to When the Emperor Was Divine was shortlisted for the 2011 National Book Award for Fiction and the 2011 Los Angeles Times Book Prize, and winner of the Pen Faulkner Award for Fiction 2012.
Between the first and second world wars a group of young, non-English-speaking Japanese women travelled by boat to America. They were picture brides, clutching photos of husbands-to-be whom they had yet to meet. Julie Otsuka tells their extraordinary, heartbreaking story in this spellbinding and poetic account of strangers lost and alone in a new and deeply foreign…
I came to America from Iran when I was five years old. There's something about immigration that's taught me to be a "first-class noticer," which was Saul Bellow's requirement for a writer. Because I always feel a little (or more) outside of things, people, places, and languages hold a wonderful strangeness for me. Writing is where I try to make sense of all that. As an immigrant, I’ve been especially drawn to stories about people whose lives haven’t always been included in literature. For a novelist, history can be an invitation or a provocation. For me, it’s both. Reading about the past pulls me into its mysteries; the mysteries inspire me to invent.
I love novels that pluck figures from the sidelines of history and place them up-front-and-center. In this case, the figure is the real-life Vietnamese-born man who served as Gertrude Stein and Alice B. Toklas’ cook in Paris. Full of atmospheric detail, the writing in this novel is absolutely exquisite. I felt immersed in 1930s Paris, a world that’s long entranced me, but I was seeing it from an entirely new perspective. Truong offers tantalizing glimpses of Bihn’s life in the Stein-Toklas household, but the most memorable scenes happen when he’s alone, walking through the streets of Paris, on his way to meeting a lover, or regaling us with stories of his childhood in Vietnam and his fraught but tender love for his father. It’s a beautiful tale of exile and homecoming.
A novel of Paris in the 1930s from the eyes of the Vietnamese cook employed by Gertrude Stein and Alice B. Toklas, by the author of The Sweetest Fruits.
Viewing his famous mesdames and their entourage from the kitchen of their rue de Fleurus home, Binh observes their domestic entanglements while seeking his own place in the world. In a mesmerizing tale of yearning and betrayal, Monique Truong explores Paris from the salons of its artists to the dark nightlife of its outsiders and exiles. She takes us back to Binh's youthful servitude in Saigon under colonial rule, to his…
I am an award-winning author of The Hat Diaries fantasy adventure series and the Freeda the Frog children’s book series. The Hat Diaries The Secret Life of Ryan Rigbee is the first book in The Hat Diaries trilogy. The Hat Diaries collection is written for teens and adults, expanding readers’ imaginations as they enter Ryan’s secret world. The Freeda the Frog™ books focus on acceptance for every type of family and comfort children as they experience real-life situations. I frequently do author events, radio & TV interviews, and podcasts. I am also a practicing attorney, certified yoga instructor, and the proud mother of a blended family of five children.
Interview with the Vampire is rather dark yet mesmerizing at the same time.
I love stories that take your mind to another world, and this one is at the top of the list. To be perfectly honest, I never really had any interest in learning about the mysterious world of immortal vampires until I read this book. Just remember that this book is intended for mature audiences due to its dark and mature themes.
I recommend this book because it touches upon many exciting subjects, including the desire for immortality and it takes an interesting perspective about humanity through a supernatural lens. This book is an absolute must-read that will leave you chilled to the bone and spellbound.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
An Unkindness of Ghosts opens with the dedication, “To my mother and her mother all the way back to Eve.” While the other four books on this list emphasize the queer and genderqueer people we might choose to recognize as ancestors, this book focuses on Aster’s relationship with her mother, revealing the way that biological family can, in certain instances, support and affirm genderqueer identity.
"Harrowing and beautiful, this is SF at its best: showing the possible future but warning of the danger of bringing old prejudices and cruelties to that new world. While a story about enslaved people in space could be a one-note polemic, the fully rounded characters bring nuance and genuine pathos to this amazing debut." --Library Journal, Starred Review
"Solomon debuts with a raw distillation of slavery, feudalism, prison, and religion that kicks like rotgut moonshine...Stunning." --Publishers Weekly, Starred Review
"Infused with the spirit of Octavia Butler and loaded with meaning for the present day, An Unkindness of Ghosts will appeal…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I’m just a girl who fell in love with French literature: Les Miserables, The Count of Monte Cristo, The Phantom of the Opera. And then the associated Gothics: Dracula, A Christmas Carol, A Picture of Dorian Gray. Then I ran out. Apparently, there are only so many gothic novels one can find in 18th- and 19th-century writings—and I even read several of the more obscure ones. But I wasn’t done with the genre yet. I wanted one more gothic novel, with all the mystery of Edmond Dantès and with all the philosophical complexity of Jean-Valjean—but with a strong female protagonist and a lush Americana setting. So I wrote it myself.
Nothing scary happens exactly, but that doesn’t stop this novel from holding a strange and creepy tension throughout the whole of it. With a heavy surrealist bent, the book centers on a girl and her father who were born from the ground, and so have the powers to heal people by moving around the things that are inside them. It’s exactly as haunting as it sounds.
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under
'Beautiful and terrifying' SUNDAY TIMES
'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN
In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn't get her quite right. They spend their days healing the local human folk - named Cures - who…
I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.
I read this book early in my exploration of genderqueer identity, and I found Professor Voth’s defiant joy in uncovering and sharing the historical story of Jack Sheppard, and in his own trans identity, permission-giving. This playful book dramatizes the search for trans histories and ancestries, ultimately transforming this search into a celebration of chosen family.
Finalist for the Lambda Literary Award, 2019 Finalist for the Publishing Triangle Award, 2019
A New Yorker Book of the Year, 2018 A Huffington Post Book of the Year, 2018 A Buzzfeed Book of the Year, 2018
'Quite simply extraordinary... Imagine if Maggie Nelson, Daphne du Maurier and Daniel Defoe collaborated.' Sarah Perry, author of The Essex Serpent
Jack Sheppard - a transgender carpenter's apprentice - has fled his master's house to become a notorious prison break artist, and Bess Khan has escaped the draining of the fenlands to become a revolutionary mastermind. Together, they find themselves at the center…
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