Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
ForThe Oxford Times, I wrote the lives of 120 inspirational people from five continents.My 3 novels are inspired by real lives including the charity founder Nancy Mudenyo Hunt and the artist Qu Leilei,the hero of Andy Cohen’s film Beijing Spring. Stories of 30 not-famous choir members inI Love you Allshow that we are each unique. My memoir has a particular purpose. I dug deep into my life and my husband Atam’s to reveal the intersection of gender class and race—the barriers that shaped my life and how Atam and I tried to transcend them.
I was born in my parent’s house which, like all in our area, had no central heating. That was the reality of giving birth in the forties and fifties in England. Jennifer’s memoir of midwifery in working-class Poplar, in the docklands of London, gave rise to one of the most popular TV series. The BBC has taken the story beyond Jennifer’s memoir but the tone is the same. The TV series, like the book, tackles difficult social, cultural, and economic issues, with insight, compassion, and humour. I aimed to tackle issues of class, gender, and race in my memoir in a similar tone.
The highest-rated drama in BBC history, Call the Midwife will delight fans of Downton Abbey
Viewers everywhere have fallen in love with this candid look at post-war London. In the 1950s, twenty-two-year-old Jenny Lee leaves her comfortable home to move into a convent and become a midwife in London's East End slums. While delivering babies all over the city, Jenny encounters a colorful cast of women—from the plucky, warm-hearted nuns with whom she lives, to the woman with twenty-four children who can't speak English, to the prostitutes of the city's seedier side.
An unfortgettable story of motherhood, the bravery of…
I began gathering stories about pregnancy and its avoidance in Mexican archives twenty-five years ago when I was working on my dissertation on religious history. This topic fascinated me because it was central to the preoccupations of so many women I knew, and it seemed to present a link to past generations. But as I researched, I also realized that radical differences existed between the experiences and attitudes of eighteenth- and nineteenth-century Mexican women and the concerns, practices, and understandings of my own period that I had assumed were timeless and unchanging. For me, this was a liberating discovery.
This book is one of the reasons why I became a historian.
Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?
And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.
Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it.
PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review).
Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Part of the pleasure of reading historical fiction is the opportunity to learn something new, and this novel offered insight into medical practices of the Civil War period. Oliveira spares no details, no matter how gruesome. Yet the novel never feels like a lecture; the details are expertly woven into the story.
I loved following Mary Sutter’s journey from a well-respected Albany midwife to an aspiring Washington surgeon. I was inspired by her determination to learn all she could about the human body and how to treat it despite the many obstacles in her path.
A moving, New York Times bestselling novel about a young Civil War midwife who dreams of becoming a surgeon
Chosen by Good Housekeeping as a Top 10 Good Read
Mary Sutter's story continues in Winter Sisters, coming February 2018 from Viking
Fans of Caleb's Crossing by Geraldine Brooks, Cold Mountain by Charles Frazier, and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will love this New York Times bestselling Civil War tale.
Mary Sutter is a brilliant young midwife who dreams of becoming a surgeon. Eager to run away from recent heartbreak, Mary travels to Washington, D.C., to help tend the legions…
I am a history professor at Purdue University and the author of several articles and three books that focus on controversies surrounding women’s reproductive health. I have also appeared on national television and radio, most recently on the PBS documentary, American Experience (the Eugenics Crusade), as well as the Vox/Netflix documentary “sex, explained.”
I could not put this book down. Vincent is a licensed home birth midwife in California, and Baby Catcher represents her accounts of many of her clients’ births. Her stories capture the diversity of experiences, the fears and joys of each mother who has opted for an out-of-hospital birth, and the beauty of bringing new life into the world. I have assigned this book in college courses and students love it; they come out angry at how broken our system is when it comes to maternity care.
A former nurse chronicles her journey into midwifery, from her dissatisfaction with formulaic delivery room procedures in the 1960s to her eventual career as a "baby catcher," and chronicles her diverse birth experiences, the women she has encountered along the way, and role of midwifery in the Unit
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I read this novel when I was hungry for books with strong female characters.
The main character, the unnamed midwife, didn’t disappoint. Her journey emphasizes the importance of choice and agency when it comes to reproductive decisions. She works to empower women to make choices about their own bodies and reproductive futures, even in a world where such choices are limited.
A Publishers Weekly Best Book of 2016 and Philip K. Dick Award Winner
When she fell asleep, the world was doomed. When she awoke, it was dead.
In the wake of a fever that decimated the earth's population-killing women and children and making childbirth deadly for the mother and infant-the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power-and the strong who possess it.
A few women like her survived, though they are scarce. Even…
I’m a fiction writer interested in exploring big historical moments through the lives of ordinary people. The extensive fight for reproductive rights and bodily autonomy for women, specifically black women, has long been a concern, admittedly for selfish reasons. This ever-shifting terrain—from eugenics and sterilization to coerced birth control and the rise in maternal mortality rates—was initially perplexing to me and it took a great deal of reading to make sense of it. Such research not only informed my historical novel, Night Wherever We Go, but much of how I understand the world. I’d argue one can’t fully comprehend the current abortion rights moment without understanding how race and reproduction are so deeply intertwined.
This account of Smith’s lauded 35-year career as a midwife in rural Alabama is fascinating.
What I appreciate about this book most is how it maps out the growing tensions that developed between African-American lay midwives and the medical establishment, once the Department of Labor began to regulate midwifery practices in the early twentieth century.
From increased scrutinization and criminalization of folk traditions, like medicinal teas and oil massages, licensed midwives with clinical training found themselves hamstrung by increasing regulation, until they were pushed out of the field altogether in the late 1970s.
The vacuum of maternal healthcare left in their wake has been devastating. Such that, we’re still seeing repercussions to this day.
Margaret Charles Smith, a ninety-one-year-old Alabama midwife, has thousands of birthing stories to tell. Sifting through nearly five decades of providing care for women in rural Greene County, she relates the tales that capture the life-and-death struggle of the birthing experience and the traditions, pharmacopeia, and spiritual attitudes that influenced her practice. She debunks images of the complacent southern “granny” midwife and honors the determination, talent, and complexity of midwifery.
Fascinating to read, this book is part of the new genre of writing that recognizes the credibility of midwives who have emerged from their own communities and were educated through…
If I could, I would have popped into The Peacock
Emporium for a spot of tea and to be a fly on the wall as the neighborhood
gathers in the newest shop on the block and soon become intertwined in one
another’s lives.
This dual timeline novel lured me in with its luxurious
descriptions of historical homes, parties, and secrets while its present-day
storyline showcased how the perception of a difference in class and societal standing
can put a wedge between even the wealthiest of families.
Love, loss,
forgiveness, family, and coming to terms with who you are and what you want in
life are the cornerstones this novel was built on. An especially good read for
a rainy afternoon.
In the Sixties, Athene Forster is the most glamorous girl of her generation. Nicknamed the Last Deb, she is also beautiful, spoilt and out of control. When she agrees to marry dashing young heir Douglas Fairley-Hulme her parents breathe a sigh of relief. But within two years rumours have begun to circulate about Athene's affair with a young salesman. Thirty five years on, Suzanna Peacock is struggling with her glamorous mother's legacy. At odds with her father and his second wife, struggling in a stalled marriage, she returns to the place of her birth to find that the ghost of…
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
In 1991 I was a young lawyer, just learning about the death-with-dignity movement. I had practiced nursing and medicine for 20 years and tended many dying patients. But I’d thought little about patient choice and empowerment at the end of life. In my ignorance, I turned to Dr. Timothy Quill and was struck by his clarity and courage. Tim was the first mainstream physician to be candid and compassionate about patients’ legitimate wish to advance the time of death if cancer or other illness traps them in “their worst nightmare.” This book, and his earlier Death with Dignity, are the definitive primers into the hows and whys of medical aid in dying, a practice that is authorized in many states now, but was a felony everywhere when Dr. Quill brought it to light.
Approximately two-thirds of deaths in the United States involve a doctor's partnership with an individual, whether it be for the administration of pain relief or sedation or for the act of discontinuing or not beginning life-sustaining treatment. In A Midwife through the Dying Process, Timothy Quill, M.D., explores that partnership and the complex end-of-life issues that surround physician-assisted death. Here are the stories of nine individuals and their very different endings, common only in each person's struggle to confront issues of law and ethics and to realize a "good"death.
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
Many Peace Corps memoirs have been penned, but this account of the author’s experience living and working with a midwife in a remote village in Mali is my favorite because it captures in moving, page-turning prose the depth of the bond that develops between the author and her local counterpart, Monique.
I loved how the story immersed me in the local culture, gender relations, and medical reality as Monique fought, with determination and good humor, to save lives and provide hope to vulnerable women. It is also a story, as it is for many Peace Corps volunteers and was for me, of growing up and broadening horizons during a formative time.
Monique Dembele saves lives and dispenses hope in a place where childbirth is a life-and-death matter. Her unquenchable passion to improve the lot of the women and children in her West African village is matched by her buoyant humour in the face of unhappy marriage and backbreaking work. This is the deeply compelling story of the rare friendship between a young development volunteer and this midwife who defies tradition and becomes - too early in her own life - a legend.
