Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
My professional background is in working with children, my career began as an NNEB nursery nurse and I did many jobs (nanny, childminder, preschool, reception class, after school club, primary school, special school, and in learning support). I then trained as a teacher of adults and went on to be a college lecturer. I am now a senior university lecturer, but my heart has always been in the early years. I am passionate about highlighting the incredible work that is going on in the early years and in schools and have a strength-based, empowering, and optimistic view, which I try to instill in my students. Working with young children is a privilege and a joy.
Reading this book, and others in the series, is like a warm hug! It details a view of a small village school in the 1960s and it is just such a joy to read.
The stories about the school and the children are touching, funny and emotional. This book is a great example of social history and it just makes you want to work in a tiny village school and to be around children like these. It’s such a fulfilling read. Village Christmas is wonderful too, I read it in December every year.
The very first Miss Read novel - set in 1950s England, perfect nostalgia for fans of CALL THE MIDWIFE or Gervase Phinn.
'An affectionate, humorous and gently charming chronicle ... sometimes funny, sometimes touching, always appealing' New York Times
Fairacre is a village of cottages, a church and the school - and at the heart of the school, its headmistress, Miss Read.
Through her discerning eye, we meet the villagers of Fairacre and see their trials and tribulations, from the irascible school cleaner Mrs Pringle, to the young schoolchildren with their scraped knees, hopeful faces and inevitable mischief.
I am a history professor at Purdue University and the author of several articles and three books that focus on controversies surrounding women’s reproductive health. I have also appeared on national television and radio, most recently on the PBS documentary, American Experience (the Eugenics Crusade), as well as the Vox/Netflix documentary “sex, explained.”
I could not put this book down. Vincent is a licensed home birth midwife in California, and Baby Catcher represents her accounts of many of her clients’ births. Her stories capture the diversity of experiences, the fears and joys of each mother who has opted for an out-of-hospital birth, and the beauty of bringing new life into the world. I have assigned this book in college courses and students love it; they come out angry at how broken our system is when it comes to maternity care.
A former nurse chronicles her journey into midwifery, from her dissatisfaction with formulaic delivery room procedures in the 1960s to her eventual career as a "baby catcher," and chronicles her diverse birth experiences, the women she has encountered along the way, and role of midwifery in the Unit
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
This is what fairy tales would look like if they were gothic, so I love this book.
I read it a few years ago and fell in love with it. I purchased the print copy because I wanted the illustrations in front of me to look at too. Almost any story you read comes from a myth or a fairy tale if you deconstruct it, so reading this book keeps your brain tuned into this idea, but you don't need to be a writer to find delight in this book.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.
This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter.…
Romance and chick-lit books hooked me as a young adult. It was this genre that inspired me to write. Since publishing my first book Gut Feeling in 2012 I’ve since written three chick-lit novels and a holiday rom-com screenplay. The fiction world of perfectly unperfect romance never fails.
If you’re looking for a fresh and funny take on romance then, The Midwife Crisis is the book for you. Written in my family’s hometown of Galway, in Island, not only could I relate to this author's story, but it was a new take on a normal love genre.
★★★★★ A love story that pulls on your heart strings
★★★★★ A beautiful read
★★★★★ A stunning read worthy of five thousand stars
As a midwife, nothing shocks Orla Broder. She's seen it all; from fainting to forceps, epidurals to epiphanies, tears to triumphs.
Miles from her Galway home, immersed in the magic and madness of an Edinburgh labour ward, not to mention the wild hospital nights out, Orla had never given much thought to her own happy ever after....
That is until an unexpected financial contractor arrives at the hospital ruffling feathers, including her own. To complicate things further,…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
Many Peace Corps memoirs have been penned, but this account of the author’s experience living and working with a midwife in a remote village in Mali is my favorite because it captures in moving, page-turning prose the depth of the bond that develops between the author and her local counterpart, Monique.
I loved how the story immersed me in the local culture, gender relations, and medical reality as Monique fought, with determination and good humor, to save lives and provide hope to vulnerable women. It is also a story, as it is for many Peace Corps volunteers and was for me, of growing up and broadening horizons during a formative time.
Monique Dembele saves lives and dispenses hope in a place where childbirth is a life-and-death matter. Her unquenchable passion to improve the lot of the women and children in her West African village is matched by her buoyant humour in the face of unhappy marriage and backbreaking work. This is the deeply compelling story of the rare friendship between a young development volunteer and this midwife who defies tradition and becomes - too early in her own life - a legend.
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Part of the pleasure of reading historical fiction is the opportunity to learn something new, and this novel offered insight into medical practices of the Civil War period. Oliveira spares no details, no matter how gruesome. Yet the novel never feels like a lecture; the details are expertly woven into the story.
I loved following Mary Sutter’s journey from a well-respected Albany midwife to an aspiring Washington surgeon. I was inspired by her determination to learn all she could about the human body and how to treat it despite the many obstacles in her path.
A moving, New York Times bestselling novel about a young Civil War midwife who dreams of becoming a surgeon
Chosen by Good Housekeeping as a Top 10 Good Read
Mary Sutter's story continues in Winter Sisters, coming February 2018 from Viking
Fans of Caleb's Crossing by Geraldine Brooks, Cold Mountain by Charles Frazier, and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will love this New York Times bestselling Civil War tale.
Mary Sutter is a brilliant young midwife who dreams of becoming a surgeon. Eager to run away from recent heartbreak, Mary travels to Washington, D.C., to help tend the legions…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
Too many babies were dying at birth (or shortly thereafter) and French authorities had become obsessed with increasing the country’s population. Who would have thought, though, that King Louis XV of France would decide to sponsor and finance (for over 20 years) a remarkable Paris-trained midwife to tour France on behalf of the re-education of peasant midwives? As the King’s envoy, Angélique Marguerite Le Boursier du Coudray (born c. 1715) toured France from 1760 to 1783 carrying out her mission in some 40 cities and large towns.
Her important textbook on obstetrics, first published in 1759 (5 editions by 1785) and her invention of an obstetrical cloth female mannequin (she called it her “machine”) facilitated her revolutionary hands-on method of teaching the craft of delivering babies. Du Coudray was an imposing presence and a remarkable exception amidst the ongoing illiteracy and superstition that plagued peasant women. Nina Gelbart’s biography, the…
This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angelique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.…
I began gathering stories about pregnancy and its avoidance in Mexican archives twenty-five years ago when I was working on my dissertation on religious history. This topic fascinated me because it was central to the preoccupations of so many women I knew, and it seemed to present a link to past generations. But as I researched, I also realized that radical differences existed between the experiences and attitudes of eighteenth- and nineteenth-century Mexican women and the concerns, practices, and understandings of my own period that I had assumed were timeless and unchanging. For me, this was a liberating discovery.
This book is one of the reasons why I became a historian.
Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?
And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.
Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it.
PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review).
Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and…
Aged eighteen and living in London, my mother fell in love with an older man and was soon pregnant. Fearful of repercussions, she kept the pregnancy secret from her Catholic parents and continued to keep this secret for many years. This was something I’d always known, but it was only recently that I decided to investigate what happened to so many girls who went to the wrong people for help. What I found was devastating, and it gave me a greater understanding of the choices my mother made. I'm a writer who often draws on autobiographic material for my novels, plays, and stories. I like to feel a subject is truly mine.
I came across this memoir while researching Irish mother and baby homes for my own novel. June Goulding was a young midwife in the 1950s when she was hired by the Sacred Heart Convent in Cork. Here she found girls, some as young as 13, punished for the sin of being pregnant, forced to work, tarring roads, scrubbing floors, and rearing their children until they were handed over for adoption – in exchange for a donation to the church – often without their consent. Thirty years later, haunted by what she was party to, Goulding tells the story of how she tried to relieve the suffering of these unfortunate women.
'I promised that I would one day write a book and tell the world about the home for unmarried mothers. I have at last kept my promise.'
In Ireland, 1951, the young June Goulding took up a position as midwife in a home for unmarried mothers run by the Sacred Heart nuns. What she witnessed there was to haunt her for the next fifty years. It was a place of secrets, lies and cruelty. A place where women picked grass by hand and tarred roads whilst heavily pregnant. Where they were denied any contact with the outside world; denied basic…
