27 books like A Midwife through the Dying Process

I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.

As Sallirae ministered to the elderly in an upscale continuing care community, she wondered how some residents aged into a graceful presence that attracted people to them, while others drove people away with their grumpy discontentedness. Some remained curious and engaged in life, but others shrank in interest and spirit. She studied her subjects and their histories closely and rewarded readers with practical tips to adopt in middle age to prevent us from poisoning our later years with grief and regret. What exactly can we do now to live our old age in joy and contentment? Sallirae died in 2007 at age 66, too young to reap the wise and graceful old age she bequeathed to the rest of us. I hold her memory in gratitude as I myself grow old. 

Diane is the curious and savvy public radio journalist who educated even as she entertained so many Americans, presenting conversations on every aspect of life in arts, science, and politics. I came to know Diane when I appeared on her show and was transfixed by watching her expertly navigate advanced broadcast technology even as she sized up her guests, crafted questions from her own astute observations, and coaxed her guests to reveal things they perhaps did not intend. In this book, she shares her most personal side as she considers options at the end of a life well-lived. Her wisdom is gleaned from personal history plus thousands of interviews, and she generously shares it with us. 

Betty Rollin is best known as the award-winning national correspondent for NBC. Writing about her personal life, she sure knows how to tell a story. Long before any state recognized a legal option for assisted dying, a few brave people navigated the risks of helping a loved one exit life on their own terms. Betty and her husband, Ed, were two such people, and they were especially courageous in publicizing what they did. Last Wish was a bestseller when it came out in 1985 and again in 1999. It became an ABC TV movie in 1992 starring Patty Duke and Maureen Stapleton. Both the story and the storytelling, are captivating. Betty’s mom got the peaceful death she desired, and we got a wonderful, even humorous story of love, loyalty, and international daring. 

The book brings together two contradictory viewpoints.

While Jackson argues that we should legalise assisted suicide in order to enable ‘good death’ and honour patients’ wishes, Keown opposes such a legislation, thinking that voluntary euthanasia and physician-assisted suicide are gravely unethical and what we need to do is to improve care, not to offer death.

This is an excellent exchange of ideas that I have used in my classes on end-of-life concerns.

John Keown and I meet in Washington every once and a while. Although we disagree on whether physician-assisted suicide should be offered, we agree on the need to preserve the dignity of the person as well as on many other fundamental issues.

I greatly appreciate John’s scholarship.

This book tackles big topics. Indigo Phillips is grappling with the fallout of her twin sister’s (Violet) terminal illness and Violet’s decision to die on her own terms by medically assisted death. When Indigo hears a voice in her head, urging her to go to the Arizona desert to find a rock formation that will save Violet, Indigo takes the proposition to her sister. And Violet agrees—but only if the entire family comes along. The Voice in My Head gives readers emotional space to explore the complexities of grief, the bigger questions of whether there is something beyond our existence, the chains and wings of family, and the love and hurts that can pull us apart but also have the power to bind us together.

I can not praise Edward St Aubyn highly enough. He is one of my favourite authors; I love his writing because it is heart-stoppingly true and affecting.

He portrays dysfunctional family dynamics with blistering accuracy, and I felt less alone reading this because I have been haunted by my own ancestral patterns repeating themselves through generations. I not only find St Aubyn laugh-out-loud funny, but he is also a brilliant observer of social mores.

Somehow, this book manages to be anti-spiritual while being one of the most spiritually aware books I have read. I love that St Aubyn does not try to make himself likable as a writer. There’s a ruthless fearlessness to his truth that I admire, which adds to his humanity.  

This is similar in subject to A Man Called Ove. The main protagonist is a grumpy elderly person who can’t see the point in being alive anymore, but this time she’s an older, frailer British woman, which adds a different tone to the narrative.

Eudora is looking into a trip to Switzerland as an answer to that ephemeral problem of how to shuffle off one’s mortal coil with minimal fuss. Again, it is the new friendships she makes that steer her away from her original course, and again it is a story of community and learning to live in the moment. Annie Lyons writes with warmth and humour about Eudora’s early life and addresses the topic of assisted suicide with a deft touch. It’s a brave and very enjoyable book.

Louisa Clark is a lively heroine in the most somber, complicated circumstances, which elevates this book from a normal rom-com to something tender and profound. JoJo Moyes has done a fantastic job combining humor and sadness in this tale of love and hope.

The book deals with the perplexing debate around assisted suicide through the characters, and as a reader accustomed to upbeat endings, I couldn’t see how this would end well. And I’m glad it didn’t. Sometimes, we need a bittersweet blow to the stomach and a good old cry.

South African writer Nozizwe Cynthia Jele’s exceptional novel The Ones with Purpose features a family grappling with the death from breast cancer of their oldest sister, eldest daughter, wife, and mother Fikile. The novel depicts caring health professionals who plead with the family to take Fikile home where she can die peacefully, without further intervention. Fikile too begs her loved ones to let her go. But her mother cannot accept that her eldest daughter is dying. Jele’s novel depicts a caring family torn apart by cancer and highlights the importance of making certain that a family’s desperation does not augment the suffering of their dying loved one.