Here are 27 books that A Midwife through the Dying Process fans have personally recommended if you like
A Midwife through the Dying Process.
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I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.
I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.
The first book that explains how to open to the immensity of living with death—and how participating fully in life is the perfect preparation for whatever may come next.
In Who Dies?, the Levines provide calm compassion rather than the frightening melodrama of death.
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
As Sallirae ministered to the elderly in an upscale continuing care community, she wondered how some residents aged into a graceful presence that attracted people to them, while others drove people away with their grumpy discontentedness. Some remained curious and engaged in life, but others shrank in interest and spirit. She studied her subjects and their histories closely and rewarded readers with practical tips to adopt in middle age to prevent us from poisoning our later years with grief and regret. What exactly can we do now to live our old age in joy and contentment? Sallirae died in 2007 at age 66, too young to reap the wise and graceful old age she bequeathed to the rest of us. I hold her memory in gratitude as I myself grow old.
A minister and counselor takes on middle age and aging in this insightful book, guiding readers through this bittersweet but necessary life passage while exploring the choices that we face. Reprint. 10,000 first printing.
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
Diane is the curious and savvy public radio journalist who educated even as she entertained so many Americans, presenting conversations on every aspect of life in arts, science, and politics. I came to know Diane when I appeared on her show and was transfixed by watching her expertly navigate advanced broadcast technology even as she sized up her guests, crafted questions from her own astute observations, and coaxed her guests to reveal things they perhaps did not intend. In this book, she shares her most personal side as she considers options at the end of a life well-lived. Her wisdom is gleaned from personal history plus thousands of interviews, and she generously shares it with us.
The renowned radio host and one of the most trusted voices in the nation candidly and compassionately addresses the hotly contested right-to-die movement, of which she is one of our most inspiring champions. The basis for the acclaimed PBS series.
Through interviews with terminally ill patients and their relatives, as well as physicians, ethicists, religious leaders, and representatives of both those who support and vigorously oppose this urgent movement, Rehm gives voice to a broad range of people personally linked to the realities of medical aid in dying. With characteristic evenhandedness, she provides the full context for this highly divisive…
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
Betty Rollin is best known as the award-winning national correspondent for NBC. Writing about her personal life, she sure knows how to tell a story. Long before any state recognized a legal option for assisted dying, a few brave people navigated the risks of helping a loved one exit life on their own terms. Betty and her husband, Ed, were two such people, and they were especially courageous in publicizing what they did. Last Wish was a bestseller when it came out in 1985 and again in 1999. It became an ABC TV movie in 1992 starring Patty Duke and Maureen Stapleton. Both the story and the storytelling, are captivating. Betty’s mom got the peaceful death she desired, and we got a wonderful, even humorous story of love, loyalty, and international daring.
At a time when tempers flare over the Oregon assisted suicide law and Jack Kevorkian's physician-aid-in-dying, Last Wish, Betty Rollin's ground-breaking New York Times bestseller, is due for a rereading. Last Wish is an intimate, fiercely honest memoir of a daughter's struggle to come to terms with her terminally ill mother's decision to die. More than a examination of the ethical, spiritual, and technical aspects of assisted suicide, Last Wish is also a celebration of Rollin's imperfect family, a passionate testament to her mother's character and courage, and a compelling argument for the right of the terminally ill to a…
Raphael Cohen-Almagor, DPhil, St. Catherine’s College, University of Oxford, is Professor of Politics, Olof Palme Visiting Professor, Lund University, Founding Director of the Middle East Study Centre, University of Hull, and Global Fellow, Woodrow Wilson International Center for Scholars. Raphael taught,inter alia, at Oxford (UK), Jerusalem, Haifa (Israel), UCLA, Johns Hopkins (USA), and Nirma University (India). With more than 300 publications, Raphael has published extensively in the field of political philosophy, including Liberal Democracy and the Limits of Tolerance; Challenges to Democracy; The Right to Die with Dignity; The Scope of Tolerance; Confronting the Internet's Dark Side; Just, Reasonable Multiculturalism,and The Republic, Secularism and Security: France versus the Burqa and the Niqab.
The book brings together two contradictory viewpoints.
While Jackson argues that we should legalise assisted suicide in order to enable ‘good death’ and honour patients’ wishes, Keown opposes such a legislation, thinking that voluntary euthanasia and physician-assisted suicide are gravely unethical and what we need to do is to improve care, not to offer death.
This is an excellent exchange of ideas that I have used in my classes on end-of-life concerns.
John Keown and I meet in Washington every once and a while. Although we disagree on whether physician-assisted suicide should be offered, we agree on the need to preserve the dignity of the person as well as on many other fundamental issues.
In this new addition to the 'Debating Law' series, Emily Jackson and John Keown re-examine the legal and ethical aspects of the euthanasia debate.
Emily Jackson argues that we owe it to everyone in society to do all that we can to ensure that they experience a 'good death'. For a small minority of patients who experience intolerable and unrelievable suffering, this may mean helping them to have an assisted death. In a liberal society, where people's moral views differ, we should not force individuals to experience deaths they find intolerable. This is not an argument in favour of dying.…
I grew up in the 1980s when there wasn’t consideration for representation or diversity in literature or media. If I wanted to read about a Girl of Color, inevitably, she was a slave. If I wanted to watch a TV show featuring women (of any color), they were inevitably rescued in the climactic moment by a man. As such, I grew into a reader who loves kickbutt girls of all stripes. Give me a chance to cheer on a female who’s looking for her happy ending and not about to let the world dictate how she finds that happiness (and with whom), and boy, you got me!
This book tackles big topics. Indigo Phillips is grappling with the fallout of her twin sister’s (Violet) terminal illness and Violet’s decision to die on her own terms by medically assisted death. When Indigo hears a voice in her head, urging her to go to the Arizona desert to find a rock formation that will save Violet, Indigo takes the proposition to her sister. And Violet agrees—but only if the entire family comes along. The Voice in My Head gives readers emotional space to explore the complexities of grief, the bigger questions of whether there is something beyond our existence, the chains and wings of family, and the love and hurts that can pull us apart but also have the power to bind us together.
Indigo Phillips has always lived in the shadow of her identical twin, Violet—the perfectly dressed, gentle, popular sister. But when Violet becomes terminally ill and plans to die on her own terms via medically assisted death, Indigo spirals into desperation in her efforts to cope. That’s when she begins to hear a mysterious voice—a voice claiming to be God. The Voice insists that if she takes Violet to a remote rock formation in the Arizona desert, her sister will live.
I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.
I can not praise Edward St Aubyn highly enough. He is one of my favourite authors; I love his writing because it is heart-stoppingly true and affecting.
He portrays dysfunctional family dynamics with blistering accuracy, and I felt less alone reading this because I have been haunted by my own ancestral patterns repeating themselves through generations. I not only find St Aubyn laugh-out-loud funny, but he is also a brilliant observer of social mores.
Somehow, this book manages to be anti-spiritual while being one of the most spiritually aware books I have read. I love that St Aubyn does not try to make himself likable as a writer. There’s a ruthless fearlessness to his truth that I admire, which adds to his humanity.
Shortlisted for the Man Booker Prize, Mother's Milk is the fourth of Edward St Aubyn's semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as aristocratic addict, Patrick.
The once illustrious, once wealthy Melroses are in peril. Caught up in the wreckage of broken promises, child-rearing, adultery and assisted suicide, Patrick finds his wife Mary consumed by motherhood, his mother in thrall to a New Age foundation, and his young son Robert understanding far more than he should. But even as the family struggles against the pull of its ever-present past, a new generation brings…
I’m a doctor working in the NHS and for a national cancer charity. I’m particularly interested in the care of the terminally ill. I‘ve worked closely with hospice teams, feeling enormously privileged to be with patients considering their options at the end of life. I’ve noticed how often people die without having even mentioned their wishes to loved ones, they are reluctant to speak of their fears, and as a result, these discussions never occur. I believe we need to open up the conversation about dying by bringing it into the public domain, dragging it into popular culture, and making it a feature of our films, television, and books.
This is similar in subject to A Man Called Ove. The main protagonist is a grumpy elderly person who can’t see the point in being alive anymore, but this time she’s an older, frailer British woman, which adds a different tone to the narrative.
Eudora is looking into a trip to Switzerland as an answer to that ephemeral problem of how to shuffle off one’s mortal coil with minimal fuss. Again, it is the new friendships she makes that steer her away from her original course, and again it is a story of community and learning to live in the moment. Annie Lyons writes with warmth and humour about Eudora’s early life and addresses the topic of assisted suicide with a deft touch. It’s a brave and very enjoyable book.
'An exquisitely poignant tale of life, friendship and facing death... Everyone should read this book' Ruth Hogan, Sunday Times bestselling author of The Keeper of Lost Things
USA TODAY BESTSELLER
*Shortlisted for the RNA Contemporary Romantic Novel of the Year Award*
'Eudora's beautifully-told story shows us how we can live and support others at all stages of life, value what matters most and suck the juice out of every day' Kathryn Mannix, Sunday Times bestselling author of With the End in Mind
'Wow - definitely my book of the year... in my all time top ten!' Reader review
I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
Louisa Clark is a lively heroine in the most somber, complicated circumstances, which elevates this book from a normal rom-com to something tender and profound. JoJo Moyes has done a fantastic job combining humor and sadness in this tale of love and hope.
The book deals with the perplexing debate around assisted suicide through the characters, and as a reader accustomed to upbeat endings, I couldn’t see how this would end well. And I’m glad it didn’t. Sometimes, we need a bittersweet blow to the stomach and a good old cry.
THE MAJOR FILM AND THE NEW YORK TIMES NO.1 BESTSELLING NOVEL THAT IS LOVED AROUND THE WORLD, ME BEFORE YOU . . .
Will needed Lou as much as she needed him, but will her love be enough to save his life?
Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun teashop and she knows she might not love her boyfriend Patrick.
What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps…
Karen Thornber is Harry Tuchman Levin Professor in Literature and Professor of East Asian Languages and Civilizations at Harvard. Her work brings humanistic insights to global challenges. Thornber is the author of the award-winning scholarly books Empire of Texts in Motion and Ecoambiguity as well as most recently Global Healing: Literature, Advocacy, Care. Current projects include books on gender justice in Asia, mental health, inequality/injustice, sustainability/climate change, and indigeneity.
South African writer Nozizwe Cynthia Jele’s exceptional novel The Ones with Purpose features a family grappling with the death from breast cancer of their oldest sister, eldest daughter, wife, and mother Fikile. The novel depicts caring health professionals who plead with the family to take Fikile home where she can die peacefully, without further intervention. Fikile too begs her loved ones to let her go. But her mother cannot accept that her eldest daughter is dying. Jele’s novel depicts a caring family torn apart by cancer and highlights the importance of making certain that a family’s desperation does not augment the suffering of their dying loved one.
With her sister, Fikile, dead from breast cancer, her father long gone, her mother emerging from years of slumber, and her younger brother, Mbuso, consumed with rage that refuses to settle, Anele Mbuza has no choice but to collect herself and grow up. Or does she? Because, if truth be told, she has not signed up to be her family's caretaker. Surely her dreams are valid? The Ones with Purpose is a remarkable story of family, disappointment, sacrifice, forgiveness, and love.
