The best books about South Africa

Gail Nattrass was born in Northern Rhodesia. She was educated at Mufulira High School and the universities of Natal, Rhodesia, and Nyasaland, and UNISA. She relocated to South Africa with her husband in 1967, and subsequently lectured in the history department at the School of Education, University of the Witwatersrand, Johannesburg for 20 years. She has written materials for students and presented papers on various aspects of South African and international history at four universities in South Africa. She is also the author of The Rooiberg Story, published by the mining house, the co-editor with S B Spies of Jan Smuts: Memoirs of the Boer War, and a contributor to They Shaped Our Century and Leaders of the Anglo-Boer War 1899-1902.

I’ve been described as ‘the Energizer bunny,’ so it’s no surprise that I’m drawn to colorful and passionate fictional characters—especially historical ones who have not only life’s circumstances to deal with but societal limitations too. My personality is such that if I’m told I can’t achieve something, I grit my teeth and say, ‘Watch me!’ So, it’s only natural that I draw on this sheer bloody-mindedness to breathe life into my own historical fiction ensembles. Creating characters who are as limp as wet lettuces is one of my biggest challenges. I want everyone to have gumption, but I also understand that good balance in a story is important.

I was a bookseller specializing in SFF for around 13 years, during which I wrote two novels and many short stories, and I ran a review blog for many years. My love of SFF and Horror began when I was around nine years old, at which time I read Pet Sematary, which opened up the world of ‘grown-up’ books for me. I’m proud to say that I read more speculative fiction than anything else, and I love discovering new voices and visions in Science Fiction, Fantasy, and Horror.  

I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of which Present Tense is the first. I hope you enjoy it, and also the other books I’ve recommended here.

I’m a penguin expert, TED speaker, and life-long animal lover. I was a Senior Penguin Aquarist at Boston’s New England Aquarium, where I worked for 9 years. In 2000, I helped manage the rescue of 40,000 penguins from the Treasure oil spill in South Africa. I founded my educational company The Penguin Lady in 2005, and give presentations at schools, universities, libraries, conferences (including the International Penguin Conference), and on National Geographic’s ships in Antarctica. I’ve given 4 TEDx talks, wrote and narrated a TED-Ed video about penguin conservation, and am a frequent guest expert on radio, podcasts, and TV in the US and abroad whenever penguins hit the news.

I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.

I studied the history of sub-Saharan Africa at the University of Cambridge. Study revealed to me how complicated was the region and how contested the history of a place and people could be. I'm a white man with a love for southern African history. There are white Africans. The history of the continent is their history too. But the preponderance of records were created by white writers, until relatively recently, and this always threatened to obscure the Black experience, Black actions, Black history. In Shaka Zulu, I found a character who wasn't reacting, on the whole, to external actions, but forging a Black empire, a Zulu empire, as the result of internal forces and experiences. 

I have for over fifty years studied and written about the Indian nationalist movement, examining it from many different angles. I lived and worked for many years in India. I have throughout had an appreciative but often troubled relationship with Gandhi – admiring him for much of what he stood for, while finding it hard to accept many of his beliefs and actions. This will be apparent to anyone reading the books that I have written. Despite this, I have a deep respect for a man who was undoubtedly a towering figure in twentieth-century history.   

I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.

I study people-plant relationships from perspectives including ecology, history, cultural studies, and biogeography. Cannabis is certainly the most famous plant I’ve studied. A decade ago I was researching how Africans used an obscure tree in historical Central America, and came across accounts of cannabis use that surprised me. As I dug into cannabis history, I was continually amazed at how little the topic has been researched. It’s a great time to start learning about the plant’s past, because it’s a fresh, new field for professional academics. Cannabis has been portrayed so simplistically for decades, but in reality it’s a complex plant with a complicated history.

I studied the history of sub-Saharan Africa at the University of Cambridge. Study revealed to me how complicated was the region and how contested the history of a place and people could be. I'm a white man with a love for southern African history. There are white Africans. The history of the continent is their history too. But the preponderance of records were created by white writers, until relatively recently, and this always threatened to obscure the Black experience, Black actions, Black history. In Shaka Zulu, I found a character who wasn't reacting, on the whole, to external actions, but forging a Black empire, a Zulu empire, as the result of internal forces and experiences. 

I am the author of several works of historical fiction. My writing explores the untold stories of past generations and the impact of their actions and choices on those who follow. All across the country, the landscape is dotted with abandoned farmsteads and buildings whose walls are filled with stories of heartache and happiness. As each generation struggles with the unequal distribution of wealth, opportunities, and privileges within a society, they pave the way for succeeding generations. These are the stories I tell and the ones I love to read. 

Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.

As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction. 

I’m a writer, living in southwest France since 1995, and previously in Kenya for 20 years. Travel has always been my passion. I’ve written about hiking across France in Best Foot Forward, touring the perimeter by camping car in Travels with Tinkerbelle, cycling through the Marne Valley in The Valley of Heaven and Hell, and a Kenyan safari in Safari Ants, Baggy Pants and Elephants. Recently, due to COVID and with an elderly dog that suffers from separation anxiety, I couldn't leave for any length of time; I satisfy my wanderlust by reading other people’s adventures. My taste is for tales that include plenty of humour, and I’ve selected five which I have particularly enjoyed.

I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list. 

Growing up in a house filled with books – my father was a publisher –  meant that I fell in love with the written word at an early age. Growing up in apartheid South Africa and witnessing the brutal regime at work meant that I was sensitised to issues of injustice and racial prejudice at an early age too, issues which would come to inform much of my writing. I’ve always been drawn to the underdog’s story and often write to shine a light on the lives of the marginalised. My first literary heroes were brave authors such as Nadine Gordimer, Athol Fugard, and Alan Paton, who used their pens to provoke change. 

Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.    

Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.

I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.