Here are 65 books that Hearts and Bones fans have personally recommended if you like
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Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
I love this book because it breathes WWII in a way I’ve never read. This book is a story about the siege of Leningrad. I loved the imagery captured by a curator of the Hermitage, skillfully interwoven with a back story in the United States.
As the Hermitage is dismantled in anticipation of the German bombs, the women commit the placement of the precious artwork to memory in images and story form. The tension rises with the scarcity of food and fuel and the loss of friends.
It is a love story told in imagery and heartbreak: an excellent emotional capture and an example for Sixty Blades of Grass.
“An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean’s exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel.” — Chang-Rae Lee, New York Times Bestselling author of Aloft and Native Speaker
Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America,…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I was initially reluctant to read a novel about Nazi Germany, but I’m so glad I did. Shattuck introduces us to three women—Marianne, Benita, and Ania. Each has a uniquely compelling story, and I came to care about them all. These characters brought me a new understanding of how German women dealt with the Nazi era and its terrible aftermath. And importantly, Shattuck brings compassion to the three women, each of whom was striving to find a way through a treacherous and sometimes soul-warping period. Ultimately, the author leaves us with insights into our own often frightening times.
In war they made impossible choices. Now can they live with them?
'Moving . . . surprises and devastates' New York Times 'Masterful' People 'Mesmerising . . . reveals new truths about one of history's most tragic eras' USA Today
The Third Reich has crumbled. The Russians are coming.
Marianne von Lingenfels - widow of a resister murdered by the Nazi regime - finds refuge in the crumbling Bavarian castle where she once played host to German high society. There she fulfils her promise to find and protect the wives and children of her husband's…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
Nobilissimaswept me into a time of historical upheaval--the disintegration of the Western Roman Empire. And I watched events unfold through the eyes of a real historical figure, Placidia, sister to the outrageously incompetent Roman emperor, and an influential leader in her own right. This fast-paced, well-researched novel begins with the city of Rome encircled by Germanic invaders. Soon, Placidia is abducted by the Goths, with astonishing consequences. Bedford portrays Placidia as a warm person, loyal to her friends and followers, but also as a leader capable of making hard decisions, and I cheered for her as she steered a survival course for her beloved Roman Empire. By the end, I couldn’t help wishing that history might have turned out differently.
Placidia seems destined to live in the shadow of her brother, the Emperor, until the night in 410AD when the Visigoths launch a vicious attack on Rome and she is taken hostage. Forced to march with the enemy on a perilous journey through Italy and the far reaches of the Roman Empire, she relies on her wits and determination to survive. Overcoming imprisonment, violence, and the treacherous quicksands of Roman politics, Placidia proves to be a skillful diplomat and leader, building alliances with generals, kings and popes.
This exciting, heart-stirring story celebrates a woman’s unbreakable will and rise to power…
I began gathering stories about pregnancy and its avoidance in Mexican archives twenty-five years ago when I was working on my dissertation on religious history. This topic fascinated me because it was central to the preoccupations of so many women I knew, and it seemed to present a link to past generations. But as I researched, I also realized that radical differences existed between the experiences and attitudes of eighteenth- and nineteenth-century Mexican women and the concerns, practices, and understandings of my own period that I had assumed were timeless and unchanging. For me, this was a liberating discovery.
This book is one of the reasons why I became a historian.
Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?
And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.
Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it.
PULITZER PRIZE WINNER • Drawing on the diaries of one woman in eighteenth-century Maine, "A truly talented historian unravels the fascinating life of a community that is so foreign, and yet so similar to our own" (The New York Times Book Review).
Between 1785 and 1812 a midwife and healer named Martha Ballard kept a diary that recorded her arduous work (in 27 years she attended 816 births) as well as her domestic life in Hallowell, Maine. On the basis of that diary, Laurel Thatcher Ulrich gives us an intimate and densely imagined portrait, not only of the industrious and…
I love history as did my mother and her family. I am English by birth and, so, it is English history I am most interested in. To know who you are and where you are from is, to me, very important. At school history was the subject I excelled at. In my mature years I worked as a Business Unit Manager at a University and took history papers for amusement, but I never continued with a degree as BA papers were too basic and an MA and PhD too expensive. I did, however, write academic peer-reviewed papers that were published.
Being British I dislike reading books where we come off second best. The American Revolution (more accurately, The Anglo-American Civil War) is a classic example. Much of my, and I suspect most people’s view of the war, comes from American films and TV programmes. So, why did I read The Fort? Well I love Bernard Cornwell’s style of writing: he manages to bring a lot of background information and knowledge without you noticing what he has done.
The Fort is about American incompetence during said war and shows just how much of their written history is, in fact, inaccurate legend.
Reading it led me to buy and read textbooks about the war and learn just what it was all about and just how wrong American propaganda on the topic is.
The Penobscot Expedition is an extraordinary story, one that has fascinated the author for years, and will now fascinate his readers. Summer 1779, a British force of fewer than one thousand Scottish infantry were sent to build a garrison in the State of Maine. The war of Independence was in its third year and no other British troops stood between Canada and New York. The State of Massachusetts was determined to expel the British, but when they sent a fleet of forty vessels to 'captivate, kill and destroy' they underestimated their enemies, calm in battle and ready for victory. Told…
Schoolteacher turned writer. With the encouragement of my old college friend, the great Michael Crichton I began writing detective novels—paperback originals at first, then a hardback thriller called Target of Opportunity, which was a detective novel but included a long section of historical background about the Resistance in southern France. From there I moved to biographical fiction: novels about Thomas Jefferson, Andrew Jackson, Ulysses S. Grant. Then straight historical fiction, often with a Parisian background, because I’ve lived and worked in that marvelous city and can’t get enough of it.
Roberts wrote many better-known novels—e.g. Northwest Passage and Rabble in Arms. Few people remember this wonderful adventure, which takes young Steven Nason on Benedict Arnold’s doomed expedition up the Kennebec River to assault Quebec. (Arundel is a town in southern Maine.) Exuberant writing, great historical detail, and a wonderful depiction of New England Indian life. A classic.
This is the classic series from Pulitzer Prize-winning historical novelist Kenneth Roberts, all featuring characters from the town of Arundel, Maine. Arundel follows Steven Nason as he joins Benedict Arnold in his march to Quebec during the American Revolution.
I like to write about everyday people who—whether by overconfidence or desperation—are motivated to solve crimes that hit close to home. My first novel Girl, 11 is about a true crime podcaster investigating a serial killer who terrorized her town decades earlier, and my newest book Lay Your Body Downis about an ex-fundamentalist Christian who returns to her insular community to expose the church’s secrets and uncover the truth of who killed the man she once loved. Normal people can and do solve mysteries before police—and even when detectives are involved, they rely on members of the community. Those are the stories I love to tell.
Megan has been transparent about the fact thatBehind the Red Dooris not the most popular of her books, but it’s my personal favorite!
Fern Douglas is out of the loop: a missing woman shows up on the news whose famous kidnapping two decades ago—and subsequent return—everyone seems to have heard about. But Fern has no memory of that story; she only knows that she has seen the woman’s face before, and she comes to fear that she might have somehow been involved in what happened to her.
This book has one of the best portrayals of chronic anxiety I’ve read, and one of the most twisted and f-ed up stories, which I absolutely tore through. Read it, and prepare to be chilled to the bone.
"A haunting thriller" (PopSugar) about a woman who believes that she has a connection to a decades old kidnapping and begins a frantic investigation to find out what really happened when the victim goes missing again.
When Fern Douglas sees the news about Astrid Sullivan, a thirty-four-year-old missing woman from Maine, she is positive that she knows her. Fern's husband is sure it's because of Astrid's famous kidnapping-and equally famous return-twenty years ago, but Fern has no memory of that, even though it happened an hour outside her New Hampshire hometown. And when Astrid appears in Fern's recurring nightmare, one…
William Klingaman is the author of ten books, most recently The Darkest Year: The American Home Front, 1941-1942, and The Year Without Summer: 1816 and the Volcano That Darkened the World and Changed History. He holds a Ph.D. In American History from the University of Virginia, and has taught at the University of Virginia and the University of Maryland.
No one wrote better than E. B. White, and no one captured the essence of daily life on the home front better than White in this collection of essays. “This is my country and my night,” he wrote from his farm in Maine, “this is the blacked-out ending to the day, the way they end a skit in a revue.” Yet White acknowledged that it was nearly impossible for him or anyone else to truly convey all the ways that the war was changing ordinary Americans. “You write something that sounds informative, throwing the words around in the usual manner, then the thing explodes in your hands, and you look down at your hands,” he explained. “As though you had crushed a light bulb and were bleeding slightly.”
Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man's Meat can best be described as a primer of a countryman's lessons a timeless recounting of experience that will never go out of style.
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
When I first started writing mysteries, I realized that a different approach had to be used when I wrote in a first-person point of view. Only those clues that are seen by the main character can be shown to the reader. So that might limit what I, the author, can use as clues.
In Doiron's book, the main character is in law enforcement, and he has access to methods and information that a non-LEO person can access. But despite that Mike Bowditch, the main character, often doesn't realize that he's found a clue or a key to a mystery until it almost slips out of his hands. That makes him a person I can relate to.
And I also like that he explains a lot about policies and procedures just as he decides he's not going to follow said procedures.
While on vacation, Warden Investigator Mike Bowditch receives a strange summons from Billy Cronk, one of his oldest friends and a man he had to reluctantly put behind bars for murder. Billy wants him to investigate a new female prison guard with a mysterious past, and Mike feels honor-bound to help his friend. But when the guard becomes the victim in a brutal attack at the prison, he realises there may be a darker cover-up at play - and that Billy and his family might be at risk.
Then Mike receives a second call for help, this time from a…
