Here are 99 books that Nobilissima fans have personally recommended if you like
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Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
I love this book because it breathes WWII in a way I’ve never read. This book is a story about the siege of Leningrad. I loved the imagery captured by a curator of the Hermitage, skillfully interwoven with a back story in the United States.
As the Hermitage is dismantled in anticipation of the German bombs, the women commit the placement of the precious artwork to memory in images and story form. The tension rises with the scarcity of food and fuel and the loss of friends.
It is a love story told in imagery and heartbreak: an excellent emotional capture and an example for Sixty Blades of Grass.
“An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean’s exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel.” — Chang-Rae Lee, New York Times Bestselling author of Aloft and Native Speaker
Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America,…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I was initially reluctant to read a novel about Nazi Germany, but I’m so glad I did. Shattuck introduces us to three women—Marianne, Benita, and Ania. Each has a uniquely compelling story, and I came to care about them all. These characters brought me a new understanding of how German women dealt with the Nazi era and its terrible aftermath. And importantly, Shattuck brings compassion to the three women, each of whom was striving to find a way through a treacherous and sometimes soul-warping period. Ultimately, the author leaves us with insights into our own often frightening times.
In war they made impossible choices. Now can they live with them?
'Moving . . . surprises and devastates' New York Times 'Masterful' People 'Mesmerising . . . reveals new truths about one of history's most tragic eras' USA Today
The Third Reich has crumbled. The Russians are coming.
Marianne von Lingenfels - widow of a resister murdered by the Nazi regime - finds refuge in the crumbling Bavarian castle where she once played host to German high society. There she fulfils her promise to find and protect the wives and children of her husband's…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
I’ve loved history since my grandfather told me tales about my ancestors and their exploits. I haunted libraries, reading up on whatever current era I had a passion for: Roman, medieval England, American Civil War, etc. but I was always disappointed that little or no space was given to women’s stories. They had to have existed or all those famous men wouldn’t have been born. It took some digging and a feminist revolution, but finally remarkable women’s lives began to surface in academia and I now turn their stories into popular fiction. I hope these recommendations help readers learn about awesome women who didn’t make it into the history books. Enjoy!
While researching the fifth century for my first novel, I found a trio of powerful women who became the protagonists in my historical novel series. Roman Princess Galla Placidia was taken hostage by the Goths when they sacked Rome in 410. She returned to court to rule during the twilight of the Western Roman Empire. Empress Placidia held the empire together against rebel generals and ravaging hordes of barbarians.
Her long life was filled with romance, danger, political intrigue, and inevitable loss. Her tale is chronicled in this “biographical essay” which is over 300 pages of readable scholarly work. This book is close to my heart because I had to physically go to the New York Public Library and take notes before I found a used print copy. Thank you NYPL!
Born and raised in New Zealand, about as far from the Roman world as one can get, I got hooked on history as a child and began university life as an ancient and medieval double major, studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach about many different aspects of that transformation and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
The early history of the Goths is a complicated and controversial subject, with difficult sources and large gaps in our literary and archaeological evidence. Heather provides an excellent guide to those problems and how they might be resolved. His book is particularly valuable for those interested in the only major source actually written by a Goth, the Geticaof Jordanes, and in how the Visigoths and Ostrogoths emerged as independent peoples. The dramatic events which Heather narrates include the first entrance of Gothic tribes into the Roman Empire, the Sack of Rome by Alaric in 410, and the creation of the original Visigothic kingdom in southern France, ending with the newly formed Ostrogoths poised to launch their conquest of Italy.
This is a scholarly study of the collision of Goths and Romans in the fourth and fifth centuries. Gothic tribes played a major role in the destruction of the western half of the Roman Empire between 350 and 500, establishing successor kingdoms in southern France and Spain (the Visigoths), and in Italy (the Ostrogoths).
Our historical understanding of this `Migration Period' has been based upon the Gothic historian Jordanes, whose mid-sixth-century Getica suggests that the Visigoths and Ostrogoths entered the Empire already established as coherent groups and simply conquered new territories. Using the available contemporary sources, Peter Heather is able…
I have a lifelong fascination for history and archaeology. Following a degree in Ancient History and Archaeology (University of Edinburgh), and a brief period as a field archaeologist, I undertook a PhD (University of Newcastle) researching the history of Greek settlement in southern Italy. My subsequent career has been devoted to the study of ancient Italy and Sicily, with a specific focus on the development of ethnic and cultural identities, and the formation of urban societies. I have held posts at several UK universities, including research fellowships at UCL, a lectureship at the University of Newcastle, and I am currently a part-time lecturer and Honorary Fellow at the University of Durham.
The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.
It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.
The world that Alexander remade in his lifetime was transformed once more by his death in 323 BCE. His successors reorganized Persian lands to create a new empire stretching from the eastern Mediterranean as far as present-day Afghanistan, while in Greece and Macedonia a fragile balance of power repeatedly dissolved into war. Then, from the late third century BCE to the end of the first, Rome's military and diplomatic might successively dismantled these post-Alexandrian political structures, one by one.
During the Hellenistic period (c. 323-30 BCE), small polities struggled to retain the illusion of their identity and independence, in the…
While I hold a Ph.D. in mass communication, my second love has always been history, especially Roman history. Perhaps it is because I’m of Italian heritage. In fact, my grandfather’s hometown, Chiusano di San Domenico, is the site of an early Roman conquest when the Latin states were developing into a power in central Italy. I genuinely admire the Roman genius in engineering, military, political, and social organization. I have traveled extensively throughout Europe and have visited many Roman historical sites in Italy, France, Hungary, and Great Britain. The Romans continue to fascinate me and always will.
I enjoyed reading Roman military history. I especially liked this book because the main character is a Capsarius, a combat medic, making this an exciting and exhilarating read. The Romans were the first to organize their army with something similar to a modern medical corps, comprising capsarii (medics) in each century and a medicus (physician) in overall charge.
I came to appreciate and admire how the capsarii, using basic rudimentary methods and medicines, were able to successfully treat their sick and injured. It was like having a mini-course in the practice of medicine in 25 BCE. I found the plot compelling. It artfully combines action and mystery as the Capsarius and his fellow legionaries encounter hot, sweltering heat, forbidden temples, and the warrior Queen of Kush.
Warrior and combat medic, Titus Cervianus, must lead a legion and quell the uprisings in Egypt in a new Roman adventure from Simon Turney.
Titus Cervianus is no ordinary soldier. And the Twenty Second is no ordinary legion...
Egypt. 25 BC. A former surgeon from the city of Ancyra, Titus Cervianus is now a capsarius - a combat medic. He is a pragmatist, a scientist - and deeply unpopular with his legion, the Twenty Second Deiotariana.
The Twenty Second have been sent to deal with uprisings in Egypt. Founded as the private army of one of Rome's most devoted allies,…
Ian Ross was born in England and studied painting before turning to writing fiction. He has been researching the later Roman empire and its army for over a decade, and his interests combine an obsessive regard for accuracy and detail with a devotion to the craft of storytelling. His six-novel Twilight of Empire series follows the career of Aurelius Castus as he rises from the ranks of the legions to the dangerous summit of military power, against the background of a Roman world in crisis.
There are a great many novels about Roman emperors, and even a few about the rulers of the later age – Gore Vidal’s Julian, for example – but this one stands out for its originality. The emperor of the title is Constantine, one of the towering figures of Roman history, and incidentally quite important in my own books too. The novel covers the two months leading up to the battle of Milvian Bridge in AD312, but rather than giving us a panoramic view of the military campaign in Italy, Thubron chooses to tell the story as a collection of letters and diary entries. So we get the internal thoughts and reflections, ambitions and fears of a range of protagonists: Constantine himself, his wife Fausta, a Christian bishop, and several competing imperial ministers and servants. The central dilemma is the emperor’s own crisis of faith, which will lead up to his…
The Emperor Constantine crosses the Alps at the head of a great army from the Rhineland in AD 312, and marches south to take Rome from the tyrant Maxentius. As he lays siege to the city of Verona, Constantine waits for the arrival of his wife, Fausta - his enemy's sister - whose cool detachment torments him. Emperor is a superbly imaginative reconstruction of the dramatic weeks leading up to Constantine's triumph in Rome. Written in the form of extracts from his own journal and letters from his empress, her frivolous female companion, his cynical secretary and a Christian bishop…
I grew up playing with toy Roman legionaries, marveling at Roman coins, and poring over diagrams of Roman military equipment and their astonishing feats of engineering, went back and forth between wanting to be a medievalist or a Classicist and ended up settling into the study of the late Roman empire and the way it completely transformed its Classical heritage. Along with writing books on that period, I love writing on much wider ancient and medieval themes in the London Review of Books and the TLS.
Ronald Syme was one of the greatest historians of the twentieth century, and probably the greatest Roman historian. This may seem like one for specialists only, unlike his classic Roman Revolution, but it’s got his distinctive style – florid and lapidary all at once – and is a master class in how to wring valuable information out of poor and deceptive sources.
