Fans pick 100 books like Legion XXII

I thoroughly enjoyed this gripping tale of war, whose central plot features individual heroism and the clash of civilizations. Faustus Valerianus is a legionary caught between two worlds: his mother's native Britannia and his father's Roman heritage. Valerianus is a complex character I won't soon forget. Following the death of his parents, he chooses to serve Rome under the eagles.

As legionary, he marches north with Agricola's Roman army to complete the conquest of Britannia. In a climactic battle, the Romans are victorious, and our hero is blooded and hardened into a warrior. He must now face the challenge of negotiating two worlds and threats from within and without. Hunter paints an entertaining introduction to the Roman world of conquest and the Britons' heroic efforts to keep their freedom.

In this no-retreat, no-surrender epic, I became captivated by the exploits of the First Nervana, an auxiliary cohort of the Roman army occupying Britain in 139 CE. I enjoy books whose characters appeal to me. I found myself rooting for the tribune Lucius Faenius Felix and his friend Cai Martis, prefect of cavalry. However, I admit to empathizing with the Britons fighting for their people and freedom.

Ultimately, Britons seeking Roman blood and an end to Roman rule surround our heroes and the First Nervana. Under siege, the First must hold until relieved—but can they? With plenty of blood, gore, intrigue, and romance, I found this epic tale a pleasurable read that caused me to ask for more of Lucius and Cai.

Another rip-roaring Roman adventure in Britannia with more bodies piling up than at a supermarket check-out line. Good fun, exciting characters, and a good look at the early years of Rome as it morphed from a Republic to an Empire. Julius Quintus Quirinius is a young man caught in Rome's civil war. With both parents recently deceased, he has few options. He must either serve under the eagles or face a life of slavery.

Following six months of arduous training, his cohort is sent south, where it suffers a humiliating defeat and is punished with decimation—the execution of one of every tenth man in each unit. The man chosen from his unit for execution asks Quintus to take care of his family back in Rome. With the remaining legionaries of his cohort, he heads south to defeat the tribesmen that had inflicted such a devastating defeat upon them. He shows… show more.

If I didn't know better, I would think the author was on hallucinogens when he began this series. It is a real hoot! While it follows the adventures of a Centurion, Ben Stiger, in a strange and bizarre world, it veers off into mysticism, magic, fantasy, witchcraft, the supernatural, and just about any other genre you care to name. Stiger is a brave, resourceful, and brilliant leader who has been given command of a company of misfits.

He must hone them into a first-rate combat unit as he attempts to quell a rebellion threatening the existence of the Empire he loves and serves. He journeys through another dimension of space and time with his two companions, an elf and a priest. Weird and engrossing. It is a book you'll pick up and not put down.

For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.

What I really enjoy about this book is the engaging and lively way in which Emma Dench examines, across a broad chronological (third century BC to third century AD) and geographical scope, the various different ways in which local peoples, groups, identities, and cultures experienced and responded to Roman power.

I particularly appreciate how the emphasis is not on accepting a sense of loyalty to Rome but rather the importance of the political currency of Roman symbols of power within a complex and wide-ranging negotiation of identity in the Mediterranean world. Perhaps one of my favourite things about the book is the diverse range of places, peoples, and evidence explored.

Browsing my shelves in preparation for this book list, this one in particular jogged my memory as an important influence on my own book, an influence so internalized that I completely forgot about and never cited it! I remedy that lapse here. 

My copy of the book is heavily underlined with lots of stars in the margin, so I know it was important. You can see from the title that the author is concerned with the same tension between money and empire, he as a historian and me as an economist.

Now that I have finished my own book, I’ll be rereading this early influence to engage with its argument more deeply and directly. 

Many histories of Rome end in the second century that period in which Edward Gibbon judged “the condition of the human race was most happy and prosperous”. But there is a great deal of Roman history after that. Rome survived a great military crisis in the third century. The next generation of emperors based themselves near the frontiers to ward off future attacks. Machado’s extraordinary book tells the story of the City of Rome after the emperors had gone, returned into the hands of an aristocracy fascinated by its past but also committed to Roma Aeterna (Eternal Rome). Using statues and inscriptions and archaeology and a mass of little read ancient literature, Machado paints a vivid picture. Far from the new centres of power, the Roman aristocracy rebuilt, repaired, and steered the city through religious transformations, barbarian sacks, and beyond the fall of the western empire.

Ronald Syme was one of the greatest historians of the twentieth century, and probably the greatest Roman historian. This may seem like one for specialists only, unlike his classic Roman Revolution, but it’s got his distinctive style – florid and lapidary all at once – and is a master class in how to wring valuable information out of poor and deceptive sources.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.