Here are 100 books that Age of Conquests fans have personally recommended if you like
Age of Conquests.
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I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and the…
I have been fascinated with ancient civilizations since my parents, amateur historians, moved our family to Saudi Arabia in the early 1980s, and we began to travel extensively around the Mediterranean, especially Greece, Italy, Egypt, and Jordan. I went on to study classical art and archaeology in graduate school in England, Scotland, and Germany, and excavated in Greece, Italy, and North Africa. My own research ranges widely, from the Etruscans to sport and entertainment in the Roman empire (about which I made a film with the Smithsonian, Rome’s Chariot Superstar). I currently live in Chicago, where I teach at a university.
If there is a Bible of Etruscan studies, this is it. The author is a revered authority in the field, having worked closely with Etruscan objects at the British Museum for many decades. Her “cultural history” is firmly rooted in the evidence of the Etruscan soil itself, and she is particularly adept at using material culture to dispense with the various Greek and Roman myths about the “mysterious” Etruscans. While the book is a mighty tome, both in its scholarly heft and physical weight, no serious student of the Etruscans can do without it.
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth,…
I have a lifelong fascination for history and archaeology. Following a degree in Ancient History and Archaeology (University of Edinburgh), and a brief period as a field archaeologist, I undertook a PhD (University of Newcastle) researching the history of Greek settlement in southern Italy. My subsequent career has been devoted to the study of ancient Italy and Sicily, with a specific focus on the development of ethnic and cultural identities, and the formation of urban societies. I have held posts at several UK universities, including research fellowships at UCL, a lectureship at the University of Newcastle, and I am currently a part-time lecturer and Honorary Fellow at the University of Durham.
Carthage, founded by the Phoenicians in the late 9th century BC, was one of the major powers of the western Mediterranean, establishing domination in North Africa, western Sicily and the Mediterranean islands, and Spain. Its struggle with the Greeks for domination of Sicily in the 4th century and wars with Rome in the 3rd-2nd centuries were seminal events in Mediterranean history. This book offers an excellent introduction to the Carthaginians and their culture. It traces the development of the city from its foundation to its destruction by Rome in 146 BC, presenting a wealth of archaeological and written evidence and explaining many of the complexities of Carthage’s history and society.
Although aimed at an academic readership, it presents this material in a manner that is accessible to anyone with an interest in the ancient Mediterranean.
The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain.
As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans - even Cato, otherwise notorious for insisting that 'Carthage must be destroyed'. Carthage matched the great city-state of Syracuse…
I learned to dig as a teenager in the school holidays and studied the ancient world at Oxford and Cambridge before beginning my career as a university teacher. I have been lucky enough to travel all over the world for my work, and have spent time living in some amazing cities including Paris, London, Madrid, and Rome. I love exploring new urban landscapes from Moscow to Lusaka, Såo Paulo to Toronto and I am looking forward this summer to moving to another great metropolis, Los Angeles.
Historians of Greece and Rome have been arguing about how to describe ancient cities on and off since the eighteenth century and some of their debates have got stuck deep in the mud. This little book offers the best way out of these impasses. It is super clear, really up to date and incorporates the very latest research. Especially good on economy and society.
Greece and Rome were quintessentially urban societies. Ancient culture, politics and society arose and developed in the context of the polis and the civitas. In modern scholarship, the ancient city has been the subject of intense debates due to the strong association in Western thought between urbanism, capitalism and modernity. In this book, Arjan Zuiderhoek provides a survey of the main issues at stake in these debates, as well as a sketch of the chief characteristics of Greek and Roman cities. He argues that the ancient Greco-Roman city was indeed a highly specific form of urbanism, but that this does…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Peter Heather’s work is one of the broadest in scope on the topic of the European ‘Barbarians’, while still retaining enough detail to keep the reader’s attention pinned. A great starter for this period of history, encompassing the entire first millennium AD, the time when the heart of European civilization gradually moved from the Mediterranean South to the cold Barbarian North. It reads like a novel – but is supported by years of painstaking research. If you can only read one book on Barbarian Europe, this is the book.
At the start of the first millennium AD, southern and western Europe formed part of the Mediterranean-based Roman Empire, the largest state western Eurasia has ever known, and was set firmly on a trajectory towards towns, writing, mosaics, and central heating. Central, northern and eastern Europe was home to subsistence farmers, living in wooden houses with mud floors, whose largest political units weighed in at no more than a few thousand people. By the year 1000, Mediterranean domination of the European landscape had been destroyed. Instead of one huge Empire facing loosely organised subsistence farmers, Europe - from the Atlantic…
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned AD117-138). He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World , eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us…
Sheila Finch is best known as a Nebula-winning author of science fiction, but on a visit back to her first alma mater in Chichester, UK, she encountered a mystery that wouldn’t let her go. Who built the nearby magnificent Roman palace that was just now being excavated at Fishbourne, and why? Months of research later, she came up with a possible explanation that involved a sixteen-year-old Roman mother, a middle-aged Celtic king of a small tribe, and Emperor Nero’s secret plans:
A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.
This classic book brings to life imperial Rome as it was during the second century A.D., the time of Trajan and Hadrian, Marcus Aurelius, and Commodus. It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day's routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists-from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book's enduring-and sometimes surprising-influence and its…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.
Rome in the archaic age was a minor satellite between the Etruscan and Greek world. This book traces the expansion of Roman influence first within Italy, then around the Mediterranean world and finally, at breakneck speed, deep into Europe, out to the Atlantic, along the edge of the Sahara and down the Red Sea. But there had been other empires that had expanded rapidily: what made Rome remarkable was that it managed to sustain its position for so long. Rome's Fall poses less of a mystery than its survival. Understanding how this happens involves understanding the building blocks of imperial…
I am a writer and historian, specialising in the early-Medieval period and the fractious but fruitful encounter between the Christian and Islamic worlds. My fiction is informed by my non-fiction work: it’s a great help to have written actual histories of Northumbria in collaboration with some of the foremost archaeologists working on the period. I regard my work as the imaginative application of what we can learn through history to stories and the books I have selected all do this through the extraordinarily varied talents of their authors. I hope you will enjoy them!
For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.
A novel about General Maximus, one of the inspirations behind Ridley Scott's massively successful film GLADIATOR.
'Behind me I left my youth, my middle age, my wife and my happiness. I was a general now and I had only defeat or victory to look forward to. There was no middle way any longer, and I did not care.'
In the year AD 406 Rome was on the defensive everywhere, and a single Roman legion stood desperate guard on the Empire's Rhine frontier. Maximus, the legion's commander, is urged to proclaim himself emperor, but he stands by his concept of duty…
