Here are 100 books that The Carthaginians fans have personally recommended if you like
The Carthaginians.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and the…
I have been fascinated with ancient civilizations since my parents, amateur historians, moved our family to Saudi Arabia in the early 1980s, and we began to travel extensively around the Mediterranean, especially Greece, Italy, Egypt, and Jordan. I went on to study classical art and archaeology in graduate school in England, Scotland, and Germany, and excavated in Greece, Italy, and North Africa. My own research ranges widely, from the Etruscans to sport and entertainment in the Roman empire (about which I made a film with the Smithsonian, Rome’s Chariot Superstar). I currently live in Chicago, where I teach at a university.
If there is a Bible of Etruscan studies, this is it. The author is a revered authority in the field, having worked closely with Etruscan objects at the British Museum for many decades. Her “cultural history” is firmly rooted in the evidence of the Etruscan soil itself, and she is particularly adept at using material culture to dispense with the various Greek and Roman myths about the “mysterious” Etruscans. While the book is a mighty tome, both in its scholarly heft and physical weight, no serious student of the Etruscans can do without it.
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth,…
I have a lifelong fascination for history and archaeology. Following a degree in Ancient History and Archaeology (University of Edinburgh), and a brief period as a field archaeologist, I undertook a PhD (University of Newcastle) researching the history of Greek settlement in southern Italy. My subsequent career has been devoted to the study of ancient Italy and Sicily, with a specific focus on the development of ethnic and cultural identities, and the formation of urban societies. I have held posts at several UK universities, including research fellowships at UCL, a lectureship at the University of Newcastle, and I am currently a part-time lecturer and Honorary Fellow at the University of Durham.
The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.
It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.
The world that Alexander remade in his lifetime was transformed once more by his death in 323 BCE. His successors reorganized Persian lands to create a new empire stretching from the eastern Mediterranean as far as present-day Afghanistan, while in Greece and Macedonia a fragile balance of power repeatedly dissolved into war. Then, from the late third century BCE to the end of the first, Rome's military and diplomatic might successively dismantled these post-Alexandrian political structures, one by one.
During the Hellenistic period (c. 323-30 BCE), small polities struggled to retain the illusion of their identity and independence, in the…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
Here is a book that takes the family of Hannibal, the Barcids, as they were known and looks at their role in the formation of the western Mediterranean in the 3rd century BCE. This is an accessible and well-written deep dive into the identity and ideas behind the family that created Hannibal by one of the best-known scholars of the topic.
Accessible and enlightening, Hannibal's Dynasty provides the full story of Carthage's achievement, going beyond the usual focus on Hannibal and military matters alone to look at a wide range of political and diplomatic issues too.
Dexter Hoyos shows how the aristocratic Barcid family won dominance in the free republic of Carthage, and how they exploited family connections to lead Carthage to greatness at home and abroad.
For students of Hannibal, his dynasty and his legacy - this is the book to read.
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
A great read that will take you through the whole story of Carthage from its Phoenician beginnings to the destruction by Rome and beyond. Context and details on the whole story of Hannibal and also the history of one of the most important cities from the Ancient Mediterranean.
The first full-scale history of Hannibal's Carthage in decades and "a convincing and enthralling narrative." (The Economist )
Drawing on a wealth of new research, archaeologist, historian, and master storyteller Richard Miles resurrects the civilization that ancient Rome struggled so mightily to expunge. This monumental work charts the entirety of Carthage's history, from its origins among the Phoenician settlements of Lebanon to its apotheosis as a Mediterranean empire whose epic land-and-sea clash with Rome made a legend of Hannibal and shaped the course of Western history. Carthage Must Be Destroyed reintroduces readers to the ancient glory of a lost people…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Spengler’s theories in work by science fiction writers such as A.E. Van Vogt and James Blish, who were enticed by Spengler’s notion that there was no single history of human civilization. Instead, distinct “Cultures” were born and slowly decayed into mere “Civilizations” by roughly predictable stages. Each Culture began with a fresh way of seeing and conceiving the world and our place in it, expressed in new art, politics, technology, and even mathematics.
The original inspiration was then lost and replaced by merely imitative and rule-governed art and society. Spengler certainly got a lot wrong, but I remain inspired by the notion that there are really different ways of being human and that—even if “the West” is bound, as other writers of the time expected, to decay—new lives, new Cultures will still emerge and flourish.
“Out of the spent and unconsidered earth,” in the poet Kipling’s words,…
The first volume of Oswald Spengler’s The Decline of the West is a classic milestone in the annals of historiography. However, it is not a history book in the traditional sense of recounting events in chronological order. Instead, it tries to explain the mechanisms that make different cultures tick. While classical culture had no concept of the past or future and was only fixated on the present, Western culture is focused on both the past as memory and the future as unconquered territory.
Like organisms that are born, mature and eventually die, cultures are the blossoming youth while civilizations usher…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
The Bronze Age was followed by the Iron Age. What caused this epochal shift? Eric Cline outlines just how cataclysmic the 12th and 13th centuries BC really were. Be prepared for fire, earthquakes, and a tide of war!
A bold reassessment of what caused the Late Bronze Age collapse
In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the…
I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.
Dr. Gaetano Cipolla is the retired head of the Foreign Language Department at St. John’s University, New York. He has spent his academic career researching and writing about the Sicilian culture and its people in order to counteract the stereotypical image of Sicilians and Italians as primarily spaghetti eaters and mafia. Dr. Cipolla understands the many dialects of the Sicilian language and, through his writings, has reclaimed the literary greatness of forgotten Sicilian writers by translating their poetry and other works. To overcome the pending extinction of Sicilian, he has written and developed a two-part course that teaches the language. His course is steadily being adopted in a number of universities.
This is revised and expanded edition of Sicilian: Studies on the Sicilian Ethos. It contains 4 new chapters and a new index of names. Eight chapters are devoted to the characteristics of Sicilians, their history, and their culture. The other 8 are devoted to the literature produced by writers and poets of Sicily, including Veneziano, Meli, Martoglio, Pirandello and Camilleri.
I have been fascinated by ancient Greece and Rome since I first saw Italy and Greece as a teenager, revisiting them whenever I can. I studied ancient history at Cambridge University and have written eight books about it, most recently The Colosseum. After living in Paris, Rome, and London, I am now based in Wiltshire in southwest England, almost within sight of Stonehenge. There is a small megalith outside my own house.
Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned AD117-138). He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.
The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics-these are the foundations of Western civilization. In The Classical World , eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Hadrian. From the Peloponnesian War through the creation of Athenian democracy, from the turbulent empire of Alexander the Great to the creation of the Roman Empire and the emergence of Christianity, Fox serves as our witty and trenchant guide. He introduces us…
