Here are 100 books that Carthage Must Be Destroyed fans have personally recommended if you like
Carthage Must Be Destroyed.
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I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.
Rome in the archaic age was a minor satellite between the Etruscan and Greek world. This book traces the expansion of Roman influence first within Italy, then around the Mediterranean world and finally, at breakneck speed, deep into Europe, out to the Atlantic, along the edge of the Sahara and down the Red Sea. But there had been other empires that had expanded rapidily: what made Rome remarkable was that it managed to sustain its position for so long. Rome's Fall poses less of a mystery than its survival. Understanding how this happens involves understanding the building blocks of imperial…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
This is one of the best books ever written about the Phoenicians. These are the people who founded Carthage and were so influential in the early Mediterranean west. They founded some of the oldest cities in Europe (places like Cadiz) and are essential to Mediterranean history, yet they have been forgotten too. This book brings the context and story of the Phoenicians and the early Mediterranean to life.
Who were the ancient Phoenicians-and did they actually exist?
The Phoenicians traveled the Mediterranean long before the Greeks and Romans, trading, establishing settlements, and refining the art of navigation. But who these legendary sailors really were has long remained a mystery. In Search of the Phoenicians makes the startling claim that the "Phoenicians" never actually existed as such. Taking readers from the ancient world to today, this book argues that the notion of these sailors as a coherent people with a shared identity, history, and culture is a product of modern nationalist ideologies-and a notion very much at odds with…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
The Battle of Cannae is one of the most famous of the ancient world. This is such an amazing read – it is helpful to understand and get background for Hannibal and the battle of Cannae itself, what it might have felt like to be in it. Also, the whole context of the key battle of the Second Punic War is deeply researched and perfect if you want more about these key factors.
On a hot and dusty summer's day in 216 BC, the forces of the Carthaginian general Hannibal faced the Roman army in a dramatic encounter at Cannae. Massively outnumbered, the Carthaginians nevertheless won an astonishing victory - one that left more than 50,000 men dead. Gregory Daly's enthralling study considers the reasons that led the two armies to the field of battle, and why each followed the course that they did when they got there. It explores in detail the composition of the armies, and the tactics and leadership methods of the opposing generals. Finally, by focusing on the experiences…
I am an archaeologist and ancient historian, originally from Canada but living in London in the UK. I teach and write and excavate the ancient world and have worked both in the Mediterranean in Italy and North Africa and in the ancient near east, in Iran, and in Oman. I try to understand how the ancient world worked, both the history and the material culture, and how much it impacts us still today. Hannibal was such a crucial figure in this world just as it was forming, and he was from Africa, was Carthaginian, and we have lost so much knowledge of him and his culture.
Here is a book that takes the family of Hannibal, the Barcids, as they were known and looks at their role in the formation of the western Mediterranean in the 3rd century BCE. This is an accessible and well-written deep dive into the identity and ideas behind the family that created Hannibal by one of the best-known scholars of the topic.
Accessible and enlightening, Hannibal's Dynasty provides the full story of Carthage's achievement, going beyond the usual focus on Hannibal and military matters alone to look at a wide range of political and diplomatic issues too.
Dexter Hoyos shows how the aristocratic Barcid family won dominance in the free republic of Carthage, and how they exploited family connections to lead Carthage to greatness at home and abroad.
For students of Hannibal, his dynasty and his legacy - this is the book to read.
Ever since I spent a day wandering the Roman forum, imagining Caesar’s funeral at the site of his pyre, standing on the Palatine imagining living in palatial Palatine splendor, and looking down on Senators, plebeians, public baths, the Colisseum, temples, statues, basilicae, patricians, slaves, street vendors, centurions, courtesans, ladies, gladiators, urchins, schoolboys, pickpockets, and priests, I knew I wanted to write about it. I have done intensive research, with skills honed earning a Ph.D. in English from Lehigh University (specialty: literary-historical). I seek out literary historical novels, novels with distinctive style, artful plotting, engaging characterization, and historical fidelity.
Bryher's historical novels, once acclaimed, are out of print. I think Bryher deserves re-discovery. I like how The Coin of Carthage, set during ancient Rome’s war against Carthage, concerns everyday people: traders, farmers, common soldiers. And no Rome. Rome is a glimpse from a hill. I like this ̶ a true peasant’s sense of distance, where very near is still far. We follow the workaday lives of Italian-Greek traders Zonas and Dasius, from Naples docks to Carthage streets, to bucolic Tivoli, farms, markets, courtyards, piers, ships, mule-trains. Setting Italia, characters commoners, heroes Italian-Greeks, the periphery, usually silenced, is given voice. A curiously moving book.
I am an adventurous exploring soul who loves nature. Whether it’s simple short drives discovering little country towns in my region or travelling further afield, I am in my happy place. As a mother of three grown sons, two of which were reluctant readers, and as a former primary school teacher with a passion for literacy, I know the struggle parents face with teaching a love of reading to their children. Writing adventure stories in unique settings around the world combines my love for travel and early literacy. My adventures help to intrigue children and hook them into reading while fulfilling a fascination with unfamiliar places and developing their imagination with mystery and intrigue.
I have always found ancient history fascinating. I couldn’t learn enough about ancient Rome and Greece during my teenage years. As an adult, one of my bucket list holidays is to visit the amazing ruins throughout Italy, including Mt Vesuvius. Through Harriet’s adventure, we experience ancient Rome in its glory days as if we were there. I found it fascinating to read and learn about the everyday life of an ancient Roman family with twists and turns of a thrilling adventure as Harriet is chased through ancient streets by Roman soldiers. It is great escapism into a place in the past where I wish I could travel to and immerse myself in an ancient society and civilization.
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
The mission I have set myself as a novelist is to bring the past alive in the most engaging way; to try to tell some of the great tales of history as current, prescient stories. I want to open a reader’s mind, but also offer an escape, to fantastical places. My first novel for adults, Tomorrow, is told through the eyes of a dog who doesn’t die, whose quest for his similarly immortal master takes him through the wars of the 17th and 18th Centuries, and through every tottering court of Europe. My second, The Colour Storm, out in June 2022, is set in the art world of the Renaissance and is about the search for a new colour. The pigment has arrived in Venice and every artist of the day, from Leonardo to Michelangelo, is in fierce - perhaps murderous - competition to find it first.
Imperium, Lustrum, and Dictatorchart the disintegration of Rome’s republic and the inexorable rise, then sudden fall, of Julius Caesar. Told from the vantage point of Cicero, the most persuasive speaker of the age, it’s thrilling from the outset, an epic political thriller that seems to foreshadow the beginning of the modern world. The events are so incredible, so momentous, you have to keep reminding yourself they’re true.
______________________________ 'One of the great triumphs of contemporary historical literature.' The Times
______________________________ WITH A NEW INTRODUCTION BY THE AUTHOR
'Laws are silent in times of war.' Cicero
One of the great epics of political and historical fiction, The Cicero Trilogy charts the career of the Roman statesman Marcus Tullius Cicero from his mid-twenties as an ambitious young lawyer to his dramatic death more than thirty years later, pursued by an assassination squad on a cliff-top path.
The extraordinary life that unfolds between these two episodes is recounted by Cicero's private secretary, Tiro: the law cases and the speeches that…
I have spent 50 years studying, teaching, and writing about Roman history, participating in and leading many archaeological expeditions to the Roman world, particularly in Greece, Italy, Turkey, and the Levant. I have written a dozen books on the ancient world, including the best-selling Cleopatra: A Biography. Ancient Rome is both my expertise and passion.
This is probably the best recent one-volume history of Rome, which covers the entire scope of the Roman world from its beginnings to its collapse. It is nicely illustrated, and gives a solid summary of the Roman environment that is easily understood by non-specialists. It is an exciting story: from a village on the Tiber River to ruling the world, an unexpected process that is well laid out.
How did a single village community in the Italian peninsula eventually become one of the most powerful imperial powers the world has ever known? In A Brief History of the Romans, Second Edition, Mary T. Boatwright, Daniel J. Gargola, Richard J.A. Talbert, and new coauthor Noel Lenski explore this question as they guide students through a comprehensive sweep of Roman history, ranging from the prehistoric settlements to the fall of the empire in 476. Addressing issues that still confront modern states worldwide--including warfare, empire building, consensus forging, and political fragmentation--the authors also provide glimpses into everyday Roman life and perspective,…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Richards’ book broadens the perspective advanced here with a concise overview of American and British films and some American-European co-productions about ancient Greek, Roman, biblical, and other cultures.
Its main focus is on the 1950s and 1960s, when epic filmmaking reached its height with color and widescreen cinematography, giant sets, huge casts, stereophonic sound, extreme lengths, and ruinous costs.
Richards rides to the rescue of several less-than-stellar films but can be severe as well, e.g. about 300: “probably the most Fascistic film to come out in cinemas since the fall of the Third Reich.” (No argument here.)
A few inaccuracies concerning antiquity and cinematic details detract from the book’s value, but they are instructive, since errors can create new fictions from the fictions that films invariably create from history.
This book offers a new, full analysis of the Ancient World epic and how this film genre continues to comment on modern-day issues.Few genres have been subject to such critical scorn as the Ancient World epic. Yet they have regularly achieved huge box office success. This book tells the history of the Ancient World epic from the silent screen successes of "Intolerance" and "The King of Kings" through the 'golden age of the epic' in the 1950s (Quo Vadis, Ben-Hur, Spartacus, Cleopatra etc) through to the 1990s revival with "Gladiator", its successors in cinema (Alexander, Troy, 300) and on television…
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