100 books like The Coin of Carthage

The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded. 

Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).

This is the masterclass in the portrayal of the first hundred years or so of the Roman Empire. Graves was a considerable scholar in his own right, providing the translation for the Penguin edition of Suetonius’ “Twelve Caesars”. He was also a poet and novelist, and his picture of the naïve Claudius making his unwitting way to power is probably on most people’s list of all-time great historical novels. What I particularly found striking was just how much work went into running the Roman empire, and one almost has sympathy for Augustus as he tries to mould Roman rule into something that is efficient and fair. The BBC adaptation, in my opinion, did a good job: Sian Phillips as Livia is a complete joy.

In an ancient Roman Britain garrison town, Roman army physician, Ruso, and his native wife, Tilla, investigate a series of murders. Worse, Emperor Hadrian is coming. Ratcheting tension. The central issue in Semper Fidelis is the rivalry between Roman legionaries and Briton conscripts. The crime is solved, but the story doesn’t end. Briton conscripts riot, and, Hadrian absent, his empress, Sabina, must intercede.

The empress Vibia Sabina (posthumously deified), is my favorite character. Neglected, bored, sarcastic, calculating, duplicitous, funny, she is the perfect spoiled patrician matron.  What I like best is how everybody lies to everybody in Semper Fidelis, a tour-de-force of mendacity. An interesting, different, more-than-just-murder-mystery historical novel.

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

A great read that will take you through the whole story of Carthage from its Phoenician beginnings to the destruction by Rome and beyond. Context and details on the whole story of Hannibal and also the history of one of the most important cities from the Ancient Mediterranean.

Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.

Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.

One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.    

I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.

(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)

The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.

Think Blue Guide, Michelin, or Lonely Planet. If you’re lucky enough to own a time machine and are planning a holiday in late-first-century Rome then this is the book to slip into your shoulder bag. It has everything you’d expect to find in a good travel guide: information on where to stay and what to see and do, advice on eating out, and the best places to shop, plus tips on how best to fit in with the natives, what to do if while you’re there you get into difficulties, and a whole lot more. The perfect introduction to Rome under the Flavians. All you’ll need now – because the chances of finding an English-speaker anywhere in the city are going to be zilch – is a decent phrasebook...

In my own research, I’m interested in how Roman imperialism is shaped through the concept of peace and this is central to Tom Holland’s latest examination of power in the ancient Mediterranean world.

I found myself sucked into to the cinematic accounts of shocking and poignant events, such as the erection of Vesuvius and the sacking of Jerusalem, yet also really struck by how Holland manages to paint a picture of the vast diversity and difference to be experienced in the Roman world. And I particularly like that he reminds us how different the Romans are from ourselves.